|
Csárdás
Csárdás (, ; ), often seen as Czárdás, is a traditional Hungarian folk dance, the name derived from ' (old Hungarian term for roadside tavern and restaurant). It originated in Hungary and was popularized by bands in Hungary and neighboring lands of Slovenia, Burgenland, Croatia, Transylvania, Slovakia and Moravia, as well as among the Banat Bulgarians, including those in Bulgaria. History The origin of the csárdás can be traced back to the 18th century Hungarian music genre the '' verbunkos'', where the 'verbunk' was used as a recruiting dance by the Austrian army. The csárdás is characterized by a variation in tempo: it starts out slowly ('' lassú'') and ends in a very fast tempo ('' friss'', literally "fresh"). There are other tempo variations, called ''ritka csárdás'', ''sűrű csárdás'' and ''szökős csárdás''. The music is in or time. The dancers are both male and female, with the women dressed in traditional wide skirts, which form a distinctive shap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Csárdás
Csárdás (, ; ), often seen as Czárdás, is a traditional Hungarian folk dance, the name derived from ' (old Hungarian term for roadside tavern and restaurant). It originated in Hungary and was popularized by bands in Hungary and neighboring lands of Slovenia, Burgenland, Croatia, Transylvania, Slovakia and Moravia, as well as among the Banat Bulgarians, including those in Bulgaria. History The origin of the csárdás can be traced back to the 18th century Hungarian music genre the '' verbunkos'', where the 'verbunk' was used as a recruiting dance by the Austrian army. The csárdás is characterized by a variation in tempo: it starts out slowly ('' lassú'') and ends in a very fast tempo ('' friss'', literally "fresh"). There are other tempo variations, called ''ritka csárdás'', ''sűrű csárdás'' and ''szökős csárdás''. The music is in or time. The dancers are both male and female, with the women dressed in traditional wide skirts, which form a distinctive shap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Csárdás (Monti)
"Csárdás" (or "Czardas") is a rhapsodical concert piece by the Italian composer Vittorio Monti. Written in 1904, the well-known folkloric piece is based on a Hungarian csárdás. It was originally composed for violin, mandolin, or piano. There are arrangements for orchestra and for a number of solo instruments. "Csárdás" is about four-and-a-half minutes in duration. Structure The piece has seven different sections, usually of a different tempo (and, occasionally, key). The first half of the piece is in D minor; it modulates to D major, then back to D minor, and then finally finishes in D major. The sections are as follows: The tempo changes make the piece exciting and interesting, but even with all of these tempo changes, it is generally expected that there should be some rubato to add feeling to the piece. There are also many different dynamic changes in the piece, ranging from ''pianissimo'' to ''fortissimo''. In the ''Meno, quasi lento'' section, the violin plays arti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hungarian Folk Dance
Hungarian dance refers to the folk dances practised and performed by the Hungarians, both amongst the populations native to Hungary and its neighbours, and also amongst the Hungarian diaspora. According to György Martin, a prominent folklore expert, Hungarian dances can be divided into two categories. The first refers to dances performed in the middle ages while the second relates to the 18th and 19th century. Hungarians have been noted for their "exceptionally well developed sense of rhythm".Karoly Viski (1937) ''Hungarian Dances''; p. 8 In the mid-19th century, Musicologist Theodor Billroth performed tests with troops of various nationalities stationed in Vienna and found that the Hungarian troops outperformed others in keeping time with music. Improvisation and energetic movements are often mentioned as being characteristic of Hungarian dance.György Martin (1974) ''Hungarian Folk Dances''. Gyoma: Kner Printing House, p. 15. Daniel Berzsenyi wrote, "Its secret laws are not orde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vittorio Monti
Vittorio Monti (6 January 186820 June 1922) was an Italian composer, violinist, mandolinist and conductor. His most famous work is his '' Csárdás'', written around 1904 and played by almost every Romani orchestra. Monti was born in Naples, where he studied violin and composition at the Conservatorio di San Pietro a Majella. Around 1900 he received an assignment as the conductor for the Lamoureux Orchestra in Paris, where he wrote several ballets and operetta Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its ...s, for example, ''Noël de Pierrot''. He also wrote a method for mandolin ''Petite Méthode pour Mandoline, 98049'', in which he included some of his own works, ''Perle Brillante'', ''Dans Una Gondola'', and ''Au Petit Jour''. There were also works by F. Paolo Tosti. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmerich Kálmán
Emmerich Kálmán ( hu, Kálmán Imre; 24 October 1882 – 30 October 1953) was a Hungarian composer of operettas and a prominent figure in the development of Viennese operetta in the 20th century. Among his most popular works are ''Die Csárdásfürstin'' (1915) and ''Gräfin Mariza'' (1924). Influences on his compositional style include Hungarian folk music (such as the csárdás), the Viennese style of precursors such as Johann Strauss II and Franz Lehár, and, in his later works, American jazz. As a result of the ''Anschluss,'' Kálmán and his family fled to Paris and then to the United States. He eventually returned to Europe in 1949 and died in Paris in 1953. Biography Kálmán was born Imre Koppstein in Siófok, then in Austria-Hungary, on the southern shore of Lake Balaton, to a Jewish family. Kálmán initially intended to become a concert pianist, but because of early-onset arthritis, he focused on composition instead. He studied music theory and composition at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo ( Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a " metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is ofte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Liszt
Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simply "c" in all words except surnames; this has led to Liszt's given name being rendered in modern Hungarian usage as "Ferenc". From 1859 to 1867 he was officially Franz Ritter von Liszt; he was created a '' Ritter'' (knight) by Emperor Francis Joseph I in 1859, but never used this title of nobility in public. The title was necessary to marry the Princess Carolyne zu Sayn-Wittgenstein without her losing her privileges, but after the marriage fell through, Liszt transferred the title to his uncle Eduard in 1867. Eduard's son was Franz von Liszt., group=n (22 October 1811 – 31 July 1886) was a Hungarian composer, pianist and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance
Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoire of movements, or by its historical period or place of origin. An important distinction is to be drawn between the contexts of theatrical and participatory dance, although these two categories are not always completely separate; both may have special functions, whether social, ceremonial, competitive, erotic, martial, or sacred/ liturgical. Other forms of human movement are sometimes said to have a dance-like quality, including martial arts, gymnastics, cheerleading, figure skating, synchronized swimming, marching bands, and many other forms of athletics. There are many professional athletes like, professional football players and soccer players, who take dance classes to help with their skills. To be more specific professional ath ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Von Suppé
Franz von Suppé (né Francesco Ezechiele Ermenegildo de Suppe) (18 April 181921 May 1895) was an Austrian composer of light operas and other theatre music. He came from the Kingdom of Dalmatia, Austro-Hungarian Empire (now part of Croatia). A composer and conductor of the Romantic period, he is notable for his four dozen operettas. Life and education Franz von Suppé's parents named him Francesco Ezechiele Ermenegildo when he was born on 18 April 1819 in Spalato, now Split, Dalmatia, Austrian Empire. His father was a civil servant in the service of the Austrian Empire, as was his father before him; Suppé's mother was Viennese by birth. He simplified and Germanized his name when in Vienna, and changed "de" to "von". Outside Germanic circles, his name may appear on programmes as Francesco Suppé-Demelli. He spent his childhood in Zara, now Zadar, where he had his first music lessons and began to compose at an early age. As a boy he had encouragement in music from a local bandm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets '' Swan Lake'' and ''The Nutcracker'', the '' 1812 Overture'', his First Piano Concerto, Violin Concerto, the '' Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that he received there set him apart from composers of the contemporary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pablo De Sarasate
Pablo Martín Melitón de Sarasate y Navascués (; 10 March 1844 – 20 September 1908), commonly known as Pablo de Sarasate, was a Spanish (Navarrese) violin virtuoso, composer and conductor of the Romantic period. His best known works include ''Zigeunerweisen'' (''Gypsy Airs''), the '' Spanish Dances'', and the '' Carmen Fantasy''. Biography Sarasate was born in Pamplona, Navarre in 1844, the son of Don Miguel Sarasate, a local artillery bandmaster. Apparently, after seeing his father struggle with a passage for a long time, he picked up the violin and played it perfectly. He began studying the violin with his father at the age of five and later took lessons from a local teacher. His musical talent became evident early on and he appeared in his first public concert in A Coruña at the age of eight. His performance was well-received, and caught the attention of a wealthy patron who provided the funding for Sarasate to study under Manuel Rodríguez Saez in Madrid, where he ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Strauss II
Johann Baptist Strauss II (25 October 1825 – 3 June 1899), also known as Johann Strauss Jr., the Younger or the Son (german: links=no, Sohn), was an Austrian composer of light music, particularly dance music and operettas. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet. In his lifetime, he was known as "The Waltz King", and was largely responsible for the popularity of the waltz in Vienna during the 19th century. Some of Johann Strauss's most famous works include " The Blue Danube", " Kaiser-Walzer" (Emperor Waltz), " Tales from the Vienna Woods", " Frühlingsstimmen", and the "Tritsch-Tratsch-Polka". Among his operettas, '' Die Fledermaus'' and ''Der Zigeunerbaron'' are the best known. Strauss was the son of Johann Strauss I and his first wife Maria Anna Streim. Two younger brothers, Josef and Eduard Strauss, also became composers of light music, although they were never as well known as their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Emmerich Kálmán")
.jpg "Click for more on -> Tempo")
.jpg "Click for more on -> Pyotr Ilyich Tchaikovsky")
.jpg "Click for more on -> Johann Strauss II")