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Crumhorn
The crumhorn is a double reed instrument of the woodwind family, most commonly used during the Renaissance period. In modern times, particularly since the 1960s, there has been a revival of interest in early music, and crumhorns are being played again. It was also spelled krummhorn, krumhorn, krum horn, and cremorne. Terminology The name derives from the German ''Krumhorn'' (or ''Krummhorn'' or ''Krumporn'') meaning ''bent horn''. This relates to the old English ''crumpet'' meaning curve, surviving in modern English in 'crumpled' and ' crumpet' (a curved cake). The similar-sounding French term cromorne, when used correctly, refers to a woodwind instrument of different design, though the term cromorne is often used in error synonymously with that of crumhorn. It is uncertain if the Spanish wind instrument ''orlo'' (attested in an inventory of 1559) designates the crumhorn, but it is known that crumhorns were used in Spain in the sixteenth century, and the identification see ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shawm
The shawm () is a conical bore, double-reed woodwind instrument made in Europe from the 12th century to the present day. It achieved its peak of popularity during the medieval and Renaissance periods, after which it was gradually eclipsed by the oboe family of descendant instruments in classical music. It is likely to have come to Western Europe from the Eastern Mediterranean around the time of the Crusades.The Shawm and Curtal ��from the Diabolus in Musica Guide to Early Instruments Double-reed instruments similar to the shawm were long present in Southern Europe and the East, for instance the , and later |
Cromorne
Cromorne is a French woodwind reed instrument of uncertain identity, used in the early Baroque period in French court music. The name is sometimes confused with the similar-sounding name crumhorn, a musical woodwind instrument probably of different design, called "tournebout" by French theorists in the 17th century. Crumhorn By contrast, the crumhorn (also known by names including ''crum horn'', ''crumm horn'', ''Krummhorn'', ''Krummpfeife'', ''Kumbhorn'', ''cornamuto torto'', and ''piva torto'') is a capped double-reed instrument usually shaped like a letter "J" and possessing a rather small melodic range spanning a ninth (i.e. just over an octave) unless extended downward by keys or by the technique of underblowing, which increases the range by a perfect fifth. However, this instrument was apparently little used in England—despite listings in the inventories of Henry VIII and the earls of Arundel at Nonsuch House, and mention in a poem by Sir William Leighton, they are conspi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double-reed Instruments
A double reed is a type of reed used to produce sound in various wind instruments. In contrast with a single reed instrument, where the instrument is played by channeling air against one piece of cane which vibrates against the mouthpiece and creates a sound, a double reed features two pieces of cane vibrating against each other. This means, for instruments with the double reed fully exposed, that the air flow can be controlled by the embouchure from the top, bottom and sides of the reed. The term ''double reeds'' can also refer collectively to the class of instruments which use double reeds. Structure and dimensions The size and shape of the reed depend on the type of double-reed instrument which is of two groups, conical and cylindrical. Even within families of instruments, for example, the oboe family, the reed for the oboe is quite different from that for the cor anglais (English horn). Oboe reeds are usually 7 mm (0.3 in) in width, while bassoon reeds are wider, from 13.5 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Reed
A double reed is a type of reed used to produce sound in various wind instruments. In contrast with a single reed instrument, where the instrument is played by channeling air against one piece of cane which vibrates against the mouthpiece and creates a sound, a double reed features two pieces of cane vibrating against each other. This means, for instruments with the double reed fully exposed, that the air flow can be controlled by the embouchure from the top, bottom and sides of the reed. The term ''double reeds'' can also refer collectively to the class of instruments which use double reeds. Structure and dimensions The size and shape of the reed depend on the type of double-reed instrument which is of two groups, conical and cylindrical. Even within families of instruments, for example, the oboe family, the reed for the oboe is quite different from that for the cor anglais (English horn). Oboe reeds are usually 7 mm (0.3 in) in width, while bassoon reeds are wider, from 13.5 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Reed
A double reed is a type of reed used to produce sound in various wind instruments. In contrast with a single reed instrument, where the instrument is played by channeling air against one piece of cane which vibrates against the mouthpiece and creates a sound, a double reed features two pieces of cane vibrating against each other. This means, for instruments with the double reed fully exposed, that the air flow can be controlled by the embouchure from the top, bottom and sides of the reed. The term ''double reeds'' can also refer collectively to the class of instruments which use double reeds. Structure and dimensions The size and shape of the reed depend on the type of double-reed instrument which is of two groups, conical and cylindrical. Even within families of instruments, for example, the oboe family, the reed for the oboe is quite different from that for the cor anglais (English horn). Oboe reeds are usually 7 mm (0.3 in) in width, while bassoon reeds are wider, from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rauschpfeife
Rauschpfeife is a commonly used term for a specific type of capped conical reed musical instrument of the woodwind family, used in Europe in the 16th and 17th centuries. In common with the crumhorn and cornamuse, it is a wooden double-reed instrument with the reed enclosed in a windcap. The player blows into a slot in the top of the windcap to produce the sound. Description Rauschpfeifes (Schreierpfeiffen) differ from cornamusen mainly in the shape of the bore, which, like the shawm, is conical. This bore profile combined with the unrestricted vibration of the reed within the windcap produced an instrument that was exceedingly loud, which made it useful for outdoor performances. The word ''Rauschpfeife'' (German for "rush (or reed) pipe" from the Old German "rusch" for 'rush', as in grass), is found in the description of two windcapped instruments depicted in one of the 16th-century woodcut illustrations of '' Triumphal Procession'', commissioned by Holy Roman Emperor Maximili ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dulcian
The dulcian is a Renaissance woodwind instrument, with a double reed and a folded conical bore. Equivalent terms include en, curtal, german: Dulzian, french: douçaine, nl, dulciaan, it, dulciana, es, bajón, and pt, baixão. The predecessor of the modern bassoon, it flourished between 1550 and 1700, but was probably invented earlier. Towards the end of this period it co-existed with, and was then superseded by, the baroque bassoon. It was played in both secular and sacred contexts, throughout northern and western Europe, as well as in the New World. Construction The dulcian is generally made from a single piece of maple, with the bores being drilled and reamed first, and then the outside planed to shape. The reed is attached to the end of a metal bocal, inserted into the top of the small bore. Unlike the bassoon it normally has a flared bell, sometimes made from a separate piece of timber. This bell can sometimes be muted, the mute being either detachable, or built into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tandernaken
Tandernaken, al op den Rijn (also spelled: T'Andernaken, al op den Rijn) was once a very popular Middle Dutch song about two girls who in Andernach, a city in Germany on the left Rhine bank, were spied on by the lover of one of the girls, who was listening to their conversation on love affairs from a distance. Middle Dutch text The complete text of the song is preserved in the Antwerp songbook. Other versions are less complete. History The tune of the song survived in monophonic and in polyphonic sources, but the text of the secular song is only known through textual sources. Tandernaken was an international hit in the period between about 1430 and the 1540s as settings, preserved in Dutch, Italian, German and English sources, are listed by Franco-Flemish (or Dutch), German and English composers such as Jacob Obrecht, Antoine Brumel, King Henry VIII, Alexander Agricola, Paul Hofhaimer, Petrus Alamire, Ludwig Senfl and Erasmus Lapicida. The earliest extant setting of the Ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodwind
Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and reed instruments (otherwise called reed pipes). The main distinction between these instruments and other wind instruments is the way in which they produce sound. All woodwinds produce sound by splitting the air blown into them on a sharp edge, such as a reed or a fipple. Despite the name, a woodwind may be made of any material, not just wood. Common examples include brass, silver, cane, as well as other metals such as gold and platinum. The saxophone, for example, though made of brass, is considered a woodwind because it requires a reed to produce sound. Occasionally, woodwinds are made of earthen materials, especially ocarinas. Flutes Flutes produce sound by directing a focused stream of air below the edge of a hole in a cylindrical tub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ursula Dubosarsky
Ursula Dubosarsky (born ''Ursula Coleman''; 1961 in Sydney) is an Australian writer of fiction and non-fiction for children and young adults, whose work is characterised by a child's vision and comic voice of both clarity and ambiguity. She has won nine national literary prizes, including five New South Wales Premier's Literary Awards, more than any other writer in the Awards' 30-year history. She was appointed the Australian Children's Laureate for 2020–2021. She is the author of over 61 illustrated books and novels, which have been translated into 14 languages. She has also written three non-fiction "Word Spy" books for children, illustrated by Tohby Riddle, about language, grammar and etymology. These books have won the New South Wales Premier's Literary Award, the Children's Book Council of Australia Book of the Year Award and the Junior Judges' Award. In the United States and Canada ''The Word Spy'' is published under the title ''The Word Snoop.'' Her novel ''The Red ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scientific Pitch Notation
Scientific pitch notation (SPN), also known as American standard pitch notation (ASPN) and international pitch notation (IPN), is a method of specifying musical pitch by combining a musical note name (with accidental if needed) and a number identifying the pitch's octave. Although scientific pitch notation was originally designed as a companion to scientific pitch (see below), the two are not synonymous. Scientific pitch is a pitch standard—a system that defines the specific frequencies of particular pitches (see below). Scientific pitch notation concerns only how pitch names are notated, that is, how they are designated in printed and written text, and does not inherently specify actual frequencies. Thus, the use of scientific pitch notation to distinguish octaves does not depend on the pitch standard used. Nomenclature The notation makes use of the traditional tone names (A to G) which are followed by numbers showing which octave they are part of. For standard A440 pi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
