Crucible (album)
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Crucible (album)
''Crucible'' is the second studio album by the heavy metal band Halford released in 2002. A remixed and remastered edition was released in 2010. In contrast with the retrospective approach of the previous Halford album, ''Resurrection'', ''Crucible'' was an intentional effort to depart from the traditional metal themes. The album has been described as "harder, darker, and more moody than ''Resurrection''". Track listing 2010 Remixed and Remastered edition Personnel ;Halford *Rob Halford – vocals * Metal Mike Chlasciak – guitar *Patrick Lachman – guitar *Ray Riendeau – bass *Bobby Jarzombek – drums ;Additional performer *Roy Z – guitar ;Production * Produced by Roy Z, except "In the Morning", produced by Ritchie Podolor and Roy Z *Executive producer/ A&R – John Baxter * Mixed by Bill Cooper, Roy Z, and Joe Floyd *Mastered by George Marino ;2010 Edition *Mixed by Tue Madsen *Mastered by Tom Baker *Art design by Mark Sasso and t42design *Booklet layout/add ...
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Halford (band)
Halford is an American heavy metal band formed in 1999 by British singer Rob Halford, who is best known as the lead vocalist for heavy metal band Judas Priest. Halford formed the band to return to his heavy metal roots. His two previous projects were a "street metal"-style band called Fight and the industrial metal band 2wo. Recordings Halford's first album, ''Resurrection'', was released in 2000 to critical acclaim. It was subsequently included in Martin Popoff's ''The Top 500 Heavy Metal Albums of All Time''. In addition, the songs "Silent Screams" and the title-track "Resurrection" were included in Popoff's list. The track "The One You Love to Hate" featured vocalist Bruce Dickinson of metal band Iron Maiden. In 2002, Halford released its second studio album ''Crucible''. Although no live recordings have been officially released to promote this album, a high-quality soundboard bootleg titled ''Live: From the Disney House of Blues'', was made available for download at r ...
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Mike Chlasciak
"Metal" Mike Chlasciak (born December 24, 1971) is a Polish-American musician, best known as the guitarist for heavy metal band Halford, led by Rob Halford. Musical career Chlasciak and Halford have toured the world several times over with the likes of Iron Maiden, Ozzy Osbourne and Mötley Crüe. Chlasciak has additionally toured with Bay Area thrash metal band Testament, ''Saturday Night Live'''s comedian Jim Breuer, and recorded and toured with Sebastian Bach. He has additionally shared stages or recordings with Bruce Dickinson of Iron Maiden, Axl Rose of Guns N' Roses, and Geoff Tate of Queensrÿche. As a solo artist, Chlasciak supported Steve Morse, Yngwie Malmsteen, Ronnie Montrose, Savatage, Primal Fear, and Eric Martin of Mr. Big. Chlasciak's solo band PainmuseuM has toured with Halford, Testament, Amon Amarth and others. Chlasciak's has contributed songs to the ''Songs from the Garage'' album from ''Saturday Night Live'' alumnus Jim Breuer and has provided lead gu ...
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Photography
Photography is the art, application, and practice of creating durable images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed in many fields of science, manufacturing (e.g., photolithography), and business, as well as its more direct uses for art, film and video production, recreational purposes, hobby, and mass communication. Typically, a lens is used to focus the light reflected or emitted from objects into a real image on the light-sensitive surface inside a camera during a timed exposure. With an electronic image sensor, this produces an electrical charge at each pixel, which is electronically processed and stored in a digital image file for subsequent display or processing. The result with photographic emulsion is an invisible latent image, which is later chemically "developed" into a visible image, either negative or positive, depending on the purp ...
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Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ...
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Artists And Repertoire
Artists and repertoire (colloquially abbreviated to A&R) is the division of a record label or music publishing company that is responsible for talent scouting and overseeing the artistic development of recording artists (singers, instrumentalists, bands, and so on) and songwriters. It also acts as a liaison between artists and the record label or publishing company; every activity involving artists to the point of album release is generally considered under the purview, and responsibility, of A&R. Responsibilities Finding talent The A&R division of a record label is responsible for finding new recording artists and bringing those artists to the record company. A&R staff may go to hear emerging bands play at nightclubs and festivals to scout for talent. Personnel in the A&R division are expected to understand the current tastes of the market and to be able to find artists that will be commercially successful. For this reason, A&R people are often young and many are musicians, mus ...
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Executive Producer
Executive producer (EP) is one of the top positions in the making of a commercial entertainment product. Depending on the medium, the executive producer may be concerned with management accounting or associated with legal issues (like copyrights or royalties). In films, the executive producer generally contributes to the film's budget and their involvement depends on the project, with some simply securing funds and others being involved in the filmmaking process. Motion pictures In films, executive producers may finance the film, participate in the creative effort, or work on set. Their responsibilities vary from funding or attracting investors into the movie project to legal, scripting, marketing, advisory and supervising capacities. Executive producers vary in involvement, responsibility and power. Some executive producers have hands-on control over every aspect of production, some supervise the producers of a project, while others are involved in name only. The creditin ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ...
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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ...
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