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Crotales
Crotales (, ), sometimes called antique cymbals, are percussion instruments consisting of small, tuned bronze or brass disks. Each is about in diameter with a flat top surface and a nipple on the base. They are commonly played by being struck with hard mallets. However, they may also be played by striking two disks together in the same manner as finger cymbals, or by bowing. Their sound is rather like a small tuned bell, only with a much brighter sound and a much longer resonance. Similar to tuned finger cymbals, crotales are thicker and larger; they also have slight grooves in them. The name comes from the Greek ''crotalon'', for a castanet or rattle. Modern crotales are arranged chromatically and have a range of up to two octaves. They are typically available in sets (commonly one octave) but may also be purchased individually. Crotales are treated as transposing instruments; music for crotales is written two octaves lower than the sounding pitch to minimize ledger lines. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuned Percussion
A pitched percussion instrument (also known as a melodic or tuned percussion instrument) is a percussion instrument used to produce musical notes of one or more pitches, as opposed to an unpitched percussion instrument which is used to produce sounds of indefinite pitch. Pitching of percussion instruments is achieved through a variety of means. *Membranophones (such as timpani) are tuned by altering the surface tension of the face that is struck. * Idiophones (such as crotales) gain their pitch through the physical characteristics (such as composition, density, and physical dimensions) of each respective bar. The term ''pitched percussion'' is now preferred to the traditional term ''tuned percussion'': * Many ''untuned'' percussion instruments (such as the bass drum) are ''tuned'' by the player, but this tuning does not relate to a particular pitch. * ''Untuned'' percussion instruments can and frequently do make sounds that could be used as pitched notes in an appropriate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roméo Et Juliette (Berlioz)
''Roméo et Juliette'' is a ''symphonie dramatique,'' a large-scale choral symphony by French composer Hector Berlioz, which was first performed on 24 November 1839. The libretto was written by Émile Deschamps, and the completed work was assigned the catalogue numbers Op. 17 and H. 79. It is based on Shakespeare's play ''Romeo and Juliet''; it is regarded as one of Berlioz's finest works, and it is among the most original in form. The score is Berlioz's most comprehensive and detailed programmatic piece. Composition Genesis Initial inspiration came from a performance he witnessed in 1827 of ''Romeo and Juliet'' (in David Garrick's edited version) at the Odéon Theatre in Paris. The cast included Harriet Smithson, who also inspired Berlioz's ''Symphonie fantastique''. In his ''Memoirs'', Berlioz describes the electrifying effect of the drama: ... to steep myself in the fiery sun and balmy nights of Italy, to witness the drama of that passion swift as thought, burni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neil Peart
Neil Ellwood Peart OC (; September 12, 1952 – January 7, 2020) was a Canadian-American musician, best known as the drummer and primary lyricist of the rock band Rush. Peart earned numerous awards for his musical performances, including an induction into the '' Modern Drummer'' Readers Poll Hall of Fame in 1983 at the age of thirty, making him the youngest person ever so honoured. Known to fans by the nickname 'The Professor', his drumming was renowned for its technical proficiency and his live performances for their exacting nature and stamina. Peart was born in Hamilton, Ontario, and grew up in Port Dalhousie (now part of St. Catharines). During adolescence, he floated between regional bands in pursuit of a career as a full-time drummer. After a discouraging stint in England, Peart returned home to concentrate on music where he joined Rush, a Toronto band, in mid-1974, six years after its formation. Together they released nineteen studio albums, with ten exceeding a mil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zill
Zills or zils (from Turkish 'cymbals'), also called finger cymbals, are small metallic cymbals used in belly dancing and similar performances. They are called () in Egypt. They are similar to Tibetan tingsha bells. In Western music, several pairs can be set in a frame to make a tambourine. Names in other languages include ''nuqaisāt'' (after the ''naqus'') in Arabic and used among Berbers, ''ṣunnūj ṣaghīra'' in Arabic, ''Zang-e sarangoshti'' (Persian, possibly related to the '' zang''), sanj angshati (سنج انگشتی) (Persian, related to Sanj), ''çeng'' in Turkish, ''p'eng chung'' in Chinese. History Zills, or finger cymbals, are part of a family of musical instruments known as ''clappers''. Clappers are musical instruments made of wood, bone, metal, and other substances that are played by being struck against each other. Clappers come in pairs and are often held in the hands, fastened together, or strapped to the performer's fingers. The clapper family also i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prélude à L'après-midi D'un Faune
''Prélude à l'après-midi d'un faune'' ( L. 86), known in English as ''Prelude to the Afternoon of a Faun'', is a symphonic poem for orchestra by Claude Debussy, approximately 10 minutes in duration. It was composed in 1894 and first performed in Paris on 22 December 1894, conducted by Gustave Doret. The flute solo was played by Georges Barrère. The composition was inspired by the poem '' L'après-midi d'un faune'' by Stéphane Mallarmé. It is one of Debussy's most famous works and is considered a turning point in the history of Western art music, as well as a masterpiece of Impressionist composition. Pierre Boulez considered the score to be the beginning of modern music, observing that "the flute of the faun brought new breath to the art of music." Debussy's work later provided the basis for the ballet '' Afternoon of a Faun'' choreographed by Vaslav Nijinsky and a later version by Jerome Robbins. Background About his composition Debussy wrote:The music of this prelu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Short Ride In A Fast Machine
''Short Ride in a Fast Machine'' is a 1986 orchestral work by John Adams. Adams applies the description "fanfare for orchestra" to this work and to the earlier '' Tromba Lontana'' (1986). The former is also known as ''Fanfare for Great Woods'' because it was commissioned for the Great Woods Festival of the Pittsburgh Symphony Orchestra. As a commentary on the title, Adams inquires, "You know how it is when someone asks you to ride in a terrific sports car, and then you wish you hadn't?" The work is an example of Adams's postminimal style, which is utilized in other works like ''Phrygian Gates'', ''Shaker Loops'', and ''Nixon in China''. This style derives from minimalism as defined by the works of Steve Reich, Terry Riley, and Philip Glass, although it proceeds to "make use of minimalist techniques in more dramatic settings." A typical performance of ''Short Ride'' lasts about four and a half minutes. Popularity, performance and cancellations The Pittsburgh Symphony Orchestra p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tout Un Monde Lointain
''Tout un monde lointain...'' (''A whole distant world...'') is a concertante work for cello and orchestra composed by Henri Dutilleux between 1967 and 1970 for Mstislav Rostropovich. It is considered one of the most important 20th-century additions to the cello repertoire and several major cellists have recorded it. Despite the fact that the score does not state that it is a cello concerto, ''Tout un monde lointain...'' has always been considered as such. Each of the five movements was inspired by the poetry of Charles Baudelaire, and the overall feel of the work is mysterious and oneiric. A typical performance runs approximately 27 minutes. Composition The work was initially commissioned by Igor Markevitch for the Concerts Lamoureux and Mstislav Rostropovich around 1960. Occupied with other projects, Dutilleux only completed the concerto in 1970. Since Markevitch had left the Concerts Lamoureux in 1961, Rostropovich was accompanied for the premiere by the Orchestre de Paris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transposing Instrument
A transposing instrument is a musical instrument for which music notation is not written at concert pitch (concert pitch is the pitch on a non-transposing instrument such as the piano). For example, playing a written middle C on a transposing instrument produces a pitch other than middle C; that sounding pitch identifies the interval of transposition when describing the instrument. Playing a written C on clarinet or soprano saxophone produces a concert B (i.e. B at concert pitch), so these are referred to as B instruments. Providing transposed music for these instruments is a convention of musical notation. The instruments do not transpose the music; rather, their music is written at a transposed pitch. Where chords are indicated for improvisation they are also written in the appropriate transposed form. For some instruments, a written C sounds as a C, but is in a different octave; these instruments are said to transpose "at the octave". Pitches on the piccolo sound an oc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miroirs
upRavel in 1907 ''Miroirs'' (French for "Mirrors") is a five-movement suite for solo piano written by French composer Maurice Ravel between 1904 and 1905."Miroirs". Maurice Ravel Frontispice. First performed by Ricardo Viñes in 1906, ''Miroirs'' contains five movements, each dedicated to a fellow member of the French avant-garde artist group Les Apaches."Miroirs". Piano Society. http://www.pianosociety.com/cms/index.php?section=171 History Around 1900, Maurice Ravel joined a group of innovative young artists, poets, critics, and musicians referred to as Les Apaches or "hooligans", a term coined by Ricardo Viñes to refer to his band of "artistic outcasts". To pay tribute to his fellow artists, Ravel began composing ''Miroirs'' in 1904 and finished it the following year. It was first published by Eugène Demets in 1906. The third and fourth movements were subsequently orchestrated by Ravel, while the fifth was orchestrated by Percy Grainger, among others. Structure ''Miroi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Debussy
(Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionism in music, Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, ''Pelléas et Mélisande (opera), Pelléas et Mélisande''. Debussy's orchestral works include ''Prélude à l'après-midi d'un faune'' (1894), ''Nocturnes (Debussy), Nocturnes'' (1897–18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer. Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism, baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, ''Boléro'' (1928), in which repetition takes the place of development. Renowned for his abilities in orchestration, Ravel made some orchestral arrangements of other compose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paiste
Paiste (English pronunciation: , ) is a Swiss musical instrument manufacturing company. It is the world's third largest manufacturer of cymbals, gongs, and metal percussion. is an Estonian word that means "shine". Apart from cymbals and gongs, Paiste has also manufactured other percussion instruments such as crotal bells, finger cymbals and cowbells, later discontinued. History The first Paiste cymbals were produced in 1906 by Estonian musician Toomas Paiste in his instrument repair shop in Saint Petersburg, Russian Empire, to customer orders. Toomas had served in the Russian Imperial Guard, and retired in 1901 to open a music publishing business and music shop.History on Paiste website, 16 Nov 2019 The cymbal-making aspect of the business expanded with the passing years, despite the disruption of several moves necessitated by w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
