|
Crossroads (hieroglyph)
The Egyptian hieroglyph Townsite-city-region is Gardiner sign listed no. O49 for the intersection of a town's streets. In some Egyptian hieroglyph books it is called a city plan. It is used in Egyptian hieroglyphs as a determinative in the names of town or city placenames. Also, as an ideogram in the Egyptian word "city", ''niwt''. Origin and history Betrò's modern Egyptian book, ''Hieroglyphics: The Writings of Ancient Egypt'' uses the "crossroads", "intersection" hieroglyph with the name of ''City Plan''. The oldest use of placenames is from the original cosmetic palettes of the early years of Ancient Egypt. The Narmer Palette has a bull with a broken-open Fortress (hieroglyph) enclosure.O13 The Bull Palette contains two cities identified with internal iconographic hieroglyphs. Betrò uses the Libyan Palette as her extensive explanation of the ''City Plan''. The Libyan Palette contains seven cities, fortress-protected; the seven cities are identified inside an approximate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maler Der Grabkammer Des Zenue 006
Maler is a surname of German origin meaning 'painter'. People with the surname Maler: *Eva Maler (born 1988), German playwright *Hans Maler zu Schwaz (1480/1488–1526/1529), German painter *Jim Maler (born 1958), American baseball player *Teoberto Maler (1842–1917), German archaeologist See also *Mahler (surname), Mahler {{given name, type=both Masculine given names ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bull Palette
The Bull Palette ( French: palette célébrant une victoire) is the fragment of an Ancient Egyptian greywacke palette, carved in low relief and used, at least in principle, as a cosmetic palette for the grinding of cosmetics. It is dated to Naqada III, the final two centuries of the fourth millennium BC, immediately preceding the Early Dynastic Period). It is in the collection of the Louvre, inventory no. E11255. The palette is broken and only a portion of half of it remains. Both sides of it are carved, with some figures on each side differing from the other. The accompanying image presents both sides. The obverse of the cosmetic palette contains a large circular fortified city that is identified in its interior with a "larger-lion-and-'Nu'-(vessel)"– W24 a hieroglyph represented to the right of the lioness. The reverse of the cosmetic palette has iconography that became hieroglyphs for the: ''clenched fist'',Wilkinson, ''Reading Egyptian Art'', Clenched Hand, pp 54-55. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Egyptian Hieroglyphs
The total number of distinct Egyptian hieroglyphs increased over time from several hundred in the Middle Kingdom to several thousand during the Ptolemaic Kingdom. In 1928/1929 Alan Gardiner published an overview of hieroglyphs, Gardiner's sign list, the basic modern standard. It describes 763 signs in 26 categories (A–Z, roughly). Georg Möller compiled more extensive lists, organized by historical epoch (published posthumously in 1927 and 1936). In Unicode, the block ''Egyptian Hieroglyphs'' (2009) includes 1071 signs, organization based on Gardiner's list. As of 2016, there is a proposal by Michael Everson to extend the Unicode standard to comprise Möller's list. Subsets Notable subsets of hieroglyphs: * Determinatives * Uniliteral signs * Biliteral signs * Triliteral signs * Egyptian numerals Letter classification by Gardiner List of hieroglyphs In Unicode Unicode character names follow Gardiner's sign list (padded with zeroes to three digits, i.e. Gardin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nine Bows
The Nine Bows is a visual representation in Ancient Egyptian art of foreigners or others. Besides the nine bows, there were no other generic representations of foreigners. Due to its ability to stand in for any nine enemies to Ancient Egypt, the peoples covered by this term changed over time as enemies changed, and there is no true list of the nine bows. Alternatively, the nine bows may have had a separate or complementary meaning. In Egyptian hieroglyphs, the word 'Nine Bows' is spelled out as a bow and three sets of three vertical lines. The bow, holding the phonic value "pḏ," means "stretch, (be) wide," and the three sets of lines makes the word plural. The number nine was used metaphorically to express totality. Using this more literal translation of the hieroglyphs, the nine bows could also refer to endless, innumerable foreign lands or the totality of foreign lands. It is important to note that Ancient Egyptians believed in dualism or that two cosmic forces, order and ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramesses II
Ramesses II ( egy, wikt:rꜥ-ms-sw, rꜥ-ms-sw ''Rīʿa-məsī-sū'', , meaning "Ra is the one who bore him"; ), commonly known as Ramesses the Great, was the third pharaoh of the Nineteenth Dynasty of Egypt. Along with Thutmose III he is often regarded as the greatest, most celebrated, and most powerful pharaoh of the New Kingdom of Egypt, New Kingdom, itself the most powerful period of Ancient Egypt. The name ''Ramesses'' is pronounced variously . Transliteration of Ancient Egyptian, Other spellings include Rameses and Ramses; in grc-koi, Ῥαμέσσης, Rhaméssēs. He is known as Ozymandias in Greek sources ( grc-koi, Ὀσυμανδύας, translit=Osymandýas), from the first part of Ramesses's regnal name, , "The Maat of Ra is powerful, Chosen of Ra". His successors and later Egyptians called him the "Great Ancestor". At age fourteen, he was appointed prince regent by his father, Seti I. Most Egyptologists today believe he assumed the throne on 31 May 1279 BC, bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fortress
A fortification is a military construction or building designed for the defense of territories in warfare, and is also used to establish rule in a region during peacetime. The term is derived from Latin ''fortis'' ("strong") and ''facere'' ("to make"). From very early history to modern times, defensive walls have often been necessary for cities to survive in an ever-changing world of invasion and conquest. Some settlements in the Indus Valley civilization were the first small cities to be fortified. In ancient Greece, large stone walls had been built in Mycenaean Greece, such as the ancient site of Mycenae (famous for the huge stone blocks of its 'cyclopean' walls). A Greek ''Towns of ancient Greece#Military settlements, phrourion'' was a fortified collection of buildings used as a military garrison, and is the equivalent of the ancient Roman, Roman castellum or English language, English fortress. These constructions mainly served the purpose of a watch tower, to guard certa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libyan Palette
The Libyan Palette (also variously known as the City Palette,Lloyd 2010, p. 841. the Libyan Booty Palette, the Libyan Tribute Palette, the Siege Palette, the Tehenu- or Tjehenu Palette) is the surviving lower portion of a stone cosmetic palette bearing carved decoration and hieroglyphic writing. It dates from the Naqada III or Protodynastic Period of Egypt (c. 3200 to 3000 BC). The palette was found at Abydos, Egypt. The palette is made of schist and it is 19 cm long and 22 cm wide. Housed in Room 43 on the ground floor of the Egyptian Museum, Cairo,Egyptian Museum Official websiteLibyan Palette article, accessed 8 June 2007. its Journal d'Entrée number is JE27434 and its Catalogue Général number is CG14238. Content On one side, there is a scene of walking lines of animals within registers.Stephan Seidlmayer 1998, p. 28. official website of The G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition (see Icon). This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic fields other than art history, for example semiotics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fortress (hieroglyph)
A fortification is a military construction or building designed for the defense of territories in warfare, and is also used to establish rule in a region during peacetime. The term is derived from Latin ''fortis'' ("strong") and ''facere'' ("to make"). From very early history to modern times, defensive walls have often been necessary for cities to survive in an ever-changing world of invasion and conquest. Some settlements in the Indus Valley civilization were the first small cities to be fortified. In ancient Greece, large stone walls had been built in Mycenaean Greece, such as the ancient site of Mycenae (famous for the huge stone blocks of its 'cyclopean' walls). A Greek '' phrourion'' was a fortified collection of buildings used as a military garrison, and is the equivalent of the Roman castellum or English fortress. These constructions mainly served the purpose of a watch tower, to guard certain roads, passes, and borders. Though smaller than a real fortress, they acted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Egyptian Hieroglyphs
Egyptian hieroglyphs (, ) were the formal writing system used in Ancient Egypt, used for writing the Egyptian language. Hieroglyphs combined logographic, syllabic and alphabetic elements, with some 1,000 distinct characters.There were about 1,000 graphemes in the Old Kingdom period, reduced to around 750 to 850 in the classical language of the Middle Kingdom, but inflated to the order of some 5,000 signs in the Ptolemaic period. Antonio Loprieno, ''Ancient Egyptian: A Linguistic Introduction'' (Cambridge: Cambridge UP, 1995), p. 12. Cursive hieroglyphs were used for religious literature on papyrus and wood. The later hieratic and demotic Egyptian scripts were derived from hieroglyphic writing, as was the Proto-Sinaitic script that later evolved into the Phoenician alphabet. Through the Phoenician alphabet's major child systems (the Greek and Aramaic scripts), the Egyptian hieroglyphic script is ancestral to the majority of scripts in modern use, most prominently the Latin and Cyr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narmer Palette
The Narmer Palette, also known as the Great Hierakonpolis Palette or the Palette of Narmer, is a significant Egyptian archeological find, dating from about the 31st century BC, belonging, at least nominally, to the category of cosmetic palettes. It contains some of the earliest Egyptian hieroglyphs, hieroglyphic inscriptions ever found. The tablet is thought by some to depict the unification of Upper Egypt, Upper and Lower Egypt under the king Narmer. Along with the Scorpion Macehead and the Narmer Maceheads, also found together in the main deposit at Nekhen, the Narmer Palette provides one of the earliest known depictions of an Egyptian king. On one side, the king is depicted with the bulbed Hedjet, White Crown of Upper (southern) Egypt, and the other side depicts the king wearing the level Deshret, Red Crown of Lower (northern) Egypt, which also makes it the earliest known example of a king wearing both types of headdress. The Palette shows many of the classic conventions of Anci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
