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Crossroad Blues
"Cross Road Blues" (also known as "Crossroads") is a blues song written and recorded by American blues artist Robert Johnson in 1936. Johnson performed it as a solo piece with his vocal and acoustic slide guitar in the Delta blues-style. The song has become part of the Robert Johnson mythology as referring to the place where he supposedly sold his soul to the Devil in exchange for his musical talents, although the lyrics do not contain any specific references. Bluesman Elmore James revived the song with recordings in 1954 and 1960–1961. English guitarist Eric Clapton with Cream popularized the song as "Crossroads" in the late 1960s. Their blues rock interpretation inspired many cover versions and the Rock and Roll Hall of Fame included it as one of the "500 Songs That Shaped Rock and Roll". ''Rolling Stone'' placed it at number three on the magazine's list of the "Greatest Guitar Songs of All Time" in recognition of Clapton's guitar work. Recording In October 1936, Johnson audi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Johnson
Robert Leroy Johnson (May 8, 1911August 16, 1938) was an American blues musician and songwriter. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians. Although his recording career spanned only seven months, he is now recognized as a master of the blues, particularly the Delta blues style, and is also one of the most influential musicians of the 20th century. The Rock and Roll Hall of Fame describes him as being "the first ever rock star". As a traveling performer who played mostly on street corners, in juke joints, and at Saturday night dances, Johnson had little commercial success or public recognition in his lifetime. He participated in only two recording sessions, one in San Antonio in 1936, and one in Dallas in 1937, that produced 29 distinct songs (with 13 surviving alternate takes) recorded by famed Country Music Hall of Fame producer Don Law. These songs, recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charley Patton
Charley Patton (April 1891 (probable) – April 28, 1934), also known as Charlie Patton, was an American Delta blues musician and songwriter. Considered by many to be the "Father of the Delta Blues", he created an enduring body of American music and inspired most Delta blues musicians. The musicologist Robert Palmer considered him one of the most important American musicians of the twentieth century. Patton (who was well educated by the standards of his time) spelled his name ''Charlie'', but many sources, including record labels and his gravestone, use the spelling ''Charley''. Biography Patton was born in Hinds County, Mississippi, near the town of Edwards, and lived most of his life in Sunflower County, in the Mississippi Delta. Most sources say he was born in April 1891, but the years 1881, 1885 and 1887 have also been suggested. Patton's parentage and race also are uncertain. His parents were Bill and Annie Patton, but locally he was regarded as having been fathered by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Charters
Samuel Barclay Charters IV (August 1, 1929 – March 18, 2015) was an American music historian, writer, record producer, musician, and poet. He was a widely published author on the subjects of blues and jazz. He also wrote fiction. Overview Charters was born in Pittsburgh, Pennsylvania, into an upper-middle-class family that was interested in listening to and playing music of all sorts. "I grew up in a world of band rehearsals, blues records, and a whole consciousness of jazz. . . . The family also played ragtime, also played Debussy, also was involved in hearing Bartok's new music. It was a general musical cultural interest in which jazz was central" (Ismail, 2011, p. 232). Charters first became enamored of blues music in 1937, after hearing Bessie Smith's version of Jimmy Cox's song, "Nobody Knows You When You're Down and Out" (Charters 2004). He moved with his family to Sacramento, California, at the age of 15. Charters says that he was "playing clarinet, playing jazz s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Me And The Devil Blues
"Me and the Devil Blues" is a blues song by Robert Johnson Robert Leroy Johnson (May 8, 1911August 16, 1938) was an American blues musician and songwriter. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generati .... It tells the story of the singer's waking up one morning to the devil knocking on the door, telling him that "it's time to go". The lyrics concluded with the lines "You may bury my body down by the highway side" / "So my old evil spirit can catch a Greyhound bus and ride." Johnson recorded the song, among others, in a warehouse in Dallas, that served as a makeshift recording studio, on June 19, 1937. It was his final recording session. References 1930 songs Blues songs Songs written by Robert Johnson Robert Johnson songs Song recordings produced by Don Law {{blues-song-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hellhound
A hellhound is a mythological hound that embodies a guardian or a servant of hell, the devil, or the underworld. Hellhounds occur in mythologies around the world, with the best known examples being Cerberus from Greek mythology, Garmr from Norse mythology, the black dogs of English folklore, and the fairy hounds of Celtic mythology. Physical characteristics vary, but they are commonly black, anomalously overgrown, supernaturally strong, and often have red eyes or accompanied by flames. By locale Europe Belgium ' ("Old Red Eyes") or the "''Beast of Flanders''" was a demon reported in Flanders, Belgium in the 18th century who would take the form of a large black hound with fiery red eyes. In Wallonia, the southern region of Belgium, folktales mentioned the ' ("Chained Hound" in Walloon), a hellhound with a long chain, that was thought to roam in the fields at night. Czech lands Numerous sightings of hellhounds persist throughout the Czech lands. France In France in AD 856 a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hellhound On My Trail
"Hellhound on My Trail" (originally "Hell Hound on My Trail") is a blues song recorded by Mississippi Delta bluesman Robert Johnson in 1937. It was inspired by earlier blues songs and blues historian Ted Gioia describes it as one of Johnson's "best known and most admired performances—many would say it is his greatest". Background Prior to Johnson's song, the phrase "hellhound on my trail" had been used in various blues songs. Sylvester Weaver's "Devil Blues", recorded in 1927 contains: "Hellhounds start to chase me man, I was a running fool, My ankles caught on fire, couldn't keep my puppies cool" and "Funny Paper" Smith in his 1931 "Howling Wolf Blues No. 3" sang: "I take time when I'm prowlin', an' wipe my tracks out with my tail ... Get home and get blue an' start howlin', an' the hellhound on my trail". The Biddleville Quintette's 1926 religious recording "Show Pity Lord" opens with a religious testimony declaring that "The hell hound has turned back off my trail ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crossroads (folklore)
In folklore, crossroads may represent a location "between the worlds" and, as such, a site where supernatural spirits can be contacted and paranormal events can take place. Symbolically, it can mean a locality where two realms touch and therefore represents liminality, a place literally "neither here nor there", "betwixt and between". Ancient religions In Greek mythology, crossroads were associated with both Hecate and Hermes, with shrines and ceremonies for both taking place there. The herm pillar associated with Hermes frequently marked these places due to the god's association with travelers and role as a guide. Though less central to Greek mythology than Hermes, Hecate's connection to crossroads was more cemented in ritual. 'Suppers of Hecate' were left for her at crossroads at each new moon, and one of her most common titles was 'goddess of the crossroads.' In her later three-fold depictions, each of the three heads or bodies is often associated with one of three crossing r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folklore
Folklore is shared by a particular group of people; it encompasses the traditions common to that culture, subculture or group. This includes oral traditions such as tales, legends, proverbs and jokes. They include material culture, ranging from traditional building styles common to the group. Folklore also includes customary lore, taking actions for folk beliefs, the forms and rituals of celebrations such as Christmas and weddings, folk dances and initiation rites. Each one of these, either singly or in combination, is considered a folklore artifact or traditional cultural expression. Just as essential as the form, folklore also encompasses the transmission of these artifacts from one region to another or from one generation to the next. Folklore is not something one can typically gain in a formal school curriculum or study in the fine arts. Instead, these traditions are passed along informally from one individual to another either through verbal instruction or demonstr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy Johnson (musician)
Tommy Johnson (January 1896November 1, 1956) was an American Delta blues musician who recorded in the late 1920s and was known for his eerie falsetto voice and intricate guitar playing. He was unrelated to the blues musician Robert Johnson. Early life Johnson was born near Terry, Mississippi, and in about 1910 moved to Crystal Springs, where he lived for most of his life. He learned to play the guitar and, by 1914, was supplementing his income by playing at local parties with his brothers Major and LeDell. In 1916 Johnson married and moved to Webb Jennings' plantation near Drew, Mississippi, close to the Dockery Plantation. There he met other musicians, including Charlie Patton and Willie Brown."Tommy Johnson - Delta School" Career By 1920, Johnson was an itinerant musician base ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faustian Bargain
Faust is the protagonist of a classic German legend based on the historical Johann Georg Faust ( 1480–1540). The erudite Faust is highly successful yet dissatisfied with his life, which leads him to make a pact with the Devil at a crossroads, exchanging his soul for unlimited knowledge and worldly pleasures. The Faust legend has been the basis for many literary, artistic, cinematic, and musical works that have reinterpreted it through the ages. "Faust" and the adjective "Faustian" imply sacrificing spiritual values for power, knowledge, or material gain. The Faust of early books—as well as the ballads, dramas, movies, and puppet-plays which grew out of them—is irrevocably damned because he prefers human knowledge over divine knowledge: "he laid the Holy Scriptures behind the door and under the bench, refused to be called doctor of theology, but preferred to be styled doctor of medicine". Plays and comic puppet theatre loosely based on this legend were popular throughout ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Brown (musician)
Willie Lee Brown (August 6, 1900 – December 30, 1952) was an American blues guitar player and vocalist. He performed and recorded with other blues musicians, including Son House and Charlie Patton, and influenced Robert Johnson and Muddy Waters. Brown is considered one of the pioneering musicians of the Delta blues genre. Brown worked as a side player, performing mostly with House, Patton, and Johnson. He recorded six sides for Paramount Records in Grafton, Wisconsin in 1930, which were subsequently released on 78-rpm discs. He made three recordings for the Library of Congress in 1941, accompanied by House. In 1952, Brown briefly joined House in Rochester, New York, but soon returned to Tunica, Mississippi, where he died the same year. Although normally an accompanist, Brown recorded three highly rated solo performances: "M & O Blues", "Make Me a Pallet on the Floor" and "Future Blues". He disappeared from the music scene during the 1940s, together with House, and died befo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mississippi Delta
The Mississippi Delta, also known as the Yazoo–Mississippi Delta, or simply the Delta, is the distinctive northwest section of the U.S. state of Mississippi (and portions of Arkansas and Louisiana) that lies between the Mississippi and Yazoo Rivers. The region has been called "The Most Southern Place on Earth" ("Southern" in the sense of "characteristic of its region, the American South"), because of its unique racial, cultural, and economic history. It is long and across at its widest point, encompassing about , or, almost 7,000 square miles of alluvial floodplain. Originally covered in hardwood forest across the bottomlands, it was developed as one of the richest cotton-growing areas in the nation before the American Civil War (1861–1865). The region attracted many speculators who developed land along the riverfronts for cotton plantations; they became wealthy planters dependent on the labor of enslaved African Americans, who composed the vast majority of the populatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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