Cromwell, Protector Of The Vaudois
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Cromwell, Protector Of The Vaudois
''Cromwell, Protector of the Vaudois'' (1877) is a painting by Ford Madox Brown which depicts Oliver Cromwell in conversation with John Milton dictating a letter to Andrew Marvell protesting at the Piedmontese Easter massacre (1655), an attack on the Vaudois (Waldenses), a persecuted Protestant sect in Piedmont, northern Italy. It was Brown's second Cromwell painting, following '' Cromwell on his Farm'' (1875). Historical background After a series of massacres and dispossessions of Vaudois in Italy, Cromwell organised international action on their behalf, writing letters, raising financial contributions for victims and threatening military action. During his lifetime the persecutors reined back their attacks, but after his death the Vaudois were repeatedly persecuted. Milton's sonnet "On the Late Massacre in Piedmont" ("Avenge O Lord thy slaughtered saints") was also written at this time about the massacres. Painting Following the publication of Thomas Carlyle's ''Oliver Crom ...
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Ford Madox Brown
Ford Madox Brown (16 April 1821 – 6 October 1893) was a British painter of moral and historical subjects, notable for his distinctively graphic and often William Hogarth, Hogarthian version of the Pre-Raphaelite style. Arguably, his most notable painting was ''Work (painting), Work'' (1852–1865). Brown spent the latter years of his life painting the twelve works known as ''The Manchester Murals'', depicting History of Manchester, Mancunian history, for Manchester Town Hall. Early life Brown was the grandson of the medical theorist John Brown (physician, born 1735), John Brown, founder of the Brunonian system of medicine. His great-grandfather was a Scottish labourer. His father Ford Brown served as a purser in the Royal Navy, including a period serving under Sir Isaac Coffin, 1st Baronet, Sir Isaac Coffin and a period on HMS Arethusa (1781), HMS ''Arethusa''. He left the Navy after the end of the Napoleonic Wars. In 1818, Ford Brown married Caroline Madox, of an ol ...
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Cromwell On His Farm
''Cromwell on his Farm'' (1874) is a painting by Ford Madox Brown which depicts Oliver Cromwell observing a bonfire on his farm and thinking of a passage in the Book of Psalms: "Lord, how long wilt thou hide thyself - forever? And shall thy wrath burn like fire?" (Psalm 89). The words are inscribed on the painting's frame along with a quotation from one of Cromwell's speeches, in which he describes his life before entering into politics: "living neither in any considerable height, nor yet in obscurity, I did endeavour to discharge the duty of an honest man." Historical background The painting depicts Cromwell as a country squire on his lands in Cambridgeshire, before he became a national figure in the power struggles which culminated in the English Civil War. Cromwell's identity as a leading revolutionary had been affirmed by Thomas Carlyle's biograph ''Oliver Cromwell's letters and speeches, with elucidations''(1845), in which his reluctance to take up the role of leader was emp ...
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Paintings By Ford Madox Brown
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ...
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