Croesus (opera)
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Croesus (opera)
''Der hochmütige, gestürzte und wieder erhabene Croesus'' (''The Proud, Overthrown and Again Exalted Croesus'') is a three-act opera (described as a "Singe-Spiel") composed by Reinhard Keiser. The German language libretto by Lucas von Bostel was based on Nicolò Minato's 1678 dramma per musica ''Creso'', the music for which was composed by the Emperor Leopold I. Keiser's ''Croesus'' received its first performance at the Theater am Gänsemarkt, Hamburg, in 1711 (exact date unknown). Later, the composer extensively revised the opera for a new version, which premièred at the same theatre on 6 December 1730. In the process, he discarded much of the original material, and, in consequence, only the 1730 version has survived in complete form. The first performance in modern times was given in 1990 at the Théâtre des Champs-Élysées in Paris (conductor René Clemencic), and first full performance in turn was given in 1999 at the Berlin State Opera (conductor: René Jacobs). The first ...
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Reinhard Keiser - Croesus - Title Page Of The Libretto - Hamburg 1711
Reinhard is a German, Austrian, Danish, and to a lesser extent Norwegian surname (from Germanic ''ragin'', counsel, and ''hart'', strong), and a spelling variant of Reinhardt. Persons with the given name * Reinhard of Blankenburg (after 1107 – 1123), German bishop *Reinhard Böhler (1945–1995), German sidecarcross racer *Reinhard Bonnke (1940–2019), German evangelist *Rainhard Fendrich (born 1955), Austrian singer *Reinhard Gehlen (1902–1979), German spymaster *Reinhard Heydrich (1904–1942), German Nazi leader *Reinhard Mey (born 1942), German singer *Reinhard Mohn (1921–2009), German media tycoon * Reinhard Odendaal (born 1980), South African award-winning winemaker *Reinhard Scheer (1863–1928), German admiral *Reinhard Selten (1930–2016), German economist *Reinhard Strohm (born 1942), German musicologist * Reinhard Stupperich (born 1951), German classical archaeologist * Reinhard Wendemuth (born 1948), German rower Persons with the surname *Blaire Rein ...
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Opera North
Opera North is an English opera company based in Leeds. The company's home theatre is the Leeds Grand Theatre, but it also presents regular seasons in several other cities, at the Theatre Royal, Nottingham, the Lowry Centre, Salford Quays and the Theatre Royal, Newcastle. The company's orchestra, the Orchestra of Opera North, regularly performs and records in its own right. Operas are performed either in English translation or in the original language of the libretto, in the latter case usually with surtitles. The major funders of Opera North include Arts Council England and, in Yorkshire, Leeds City Council, West Yorkshire Grants, North Yorkshire County Council, and East Riding of Yorkshire Council. History Opera North was established in 1977 as English National Opera North, as an offshoot of English National Opera, with the specific intention of delivering high-quality opera to the northern areas of England which, up to that point, had had no permanently established oper ...
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Countertenor
A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G3 to D5 or E5, although a sopranist (a specific kind of countertenor) may match the soprano's range of around C4 to C6.A sopranist is a term used to describe a countertenor whose vocal range is so high it is equivalent to that of a soprano; however, this term is widely used falsely. Countertenors often are baritones or tenors at core, but only on rare occasions do they use their lower vocal range, instead preferring their falsetto or high head voice. The nature of the countertenor voice has radically changed throughout musical history, from a modal voice, to a modal and falsetto voice, to the primarily falsetto voice which is denoted by the term today. This is partly because of changes in human physiology and partly because of fluctuations in pitch. The term first came into ...
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Sopranist
A sopranist (also, sopranista or male soprano) is a male singer who is able to sing in the vocal tessitura of a soprano usually through the use of falsetto or head voice vocal production. This voice type is a specific kind of countertenor. In rare cases an adult man may be able to sing in the soprano range using his normal or modal voice (high chest voice) and not falsetto due to endocrinological reasons, like Radu Marian, or as a result of a larynx that has not completely developed as is allegedly the case of Michael Maniaci. Voice A sopranist is able to sing in the soprano vocal range which is approximately between C4 and C6, though at times may expand somewhat higher or lower. Men of all voice types can possess the wide-ranged and effective falsetto or head voice needed to produce the contralto, mezzo-soprano and soprano vocal ranges. Some countertenors can sing up into the female vocal tessituras using the modal register (normal singing production) and need not employ ...
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Atys Son Of Croesus
Atys ( el, Ἄτυς) was the son of Croesus king of Lydia. He had one son named Pythius.from Herodotus, 7.27. According to Hdt. 1.35-45 (1, 35 to 45 of the ''Histories'' by Herodotus), Atys's father king Croesus had a dream, in which he saw his son Atys killed by a spear. As a result Croesus, seeking to prevent or stave off the foreseen fate, had his son married immediately and ceased sending him out to war. One day a giant boar began terrorizing Mysian Olympus, and the Mysians sent to Croesus seeking relief. Croesus initially was unwilling to allow Atys to participate, but Atys talked his father into letting him go with a team of chosen young men and hounds to drive it off, arguing that boars do not wield iron weapons. Croesus gave his consent, but he sent Adrastus with him as a body guard. During the hunt, Adrastus accidentally killed Atys when hurling a spear at the boar, thus Croesus's dream came to pass. Riddled with guilt, Adrastus slew himself over the tomb of Atys. Hippo ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Lydia
Lydia (Lydian language, Lydian: ‎𐤮𐤱𐤠𐤭𐤣𐤠, ''Śfarda''; Aramaic: ''Lydia''; el, Λυδία, ''Lȳdíā''; tr, Lidya) was an Iron Age Monarchy, kingdom of western Asia Minor located generally east of ancient Ionia in the modern western Turkey, Turkish provinces of Uşak Province, Uşak, Manisa Province, Manisa and inland Izmir Province, Izmir. The ethnic group inhabiting this kingdom are known as the Lydians, and their language, known as Lydian language, Lydian, was a member of the Anatolian languages, Anatolian branch of the Indo-European languages, Indo-European language family. The capital of Lydia was Sardis.Rhodes, P.J. ''A History of the Classical Greek World 478–323 BC''. 2nd edition. Chichester: Wiley-Blackwell, 2010, p. 6. The Kingdom of Lydia existed from about 1200 BC to 546 BC. At its greatest extent, during the 7th century BC, it covered all of western Anatolia. In 546 BC, it became a province of the Achaemenid Empire, Achaemenid Persian Empire ...
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Croesus
Croesus ( ; Lydian: ; Phrygian: ; grc, Κροισος, Kroisos; Latin: ; reigned: c. 585 – c. 546 BC) was the king of Lydia, who reigned from 585 BC until his defeat by the Persian king Cyrus the Great in 547 or 546 BC. Croesus was renowned for his wealth; Herodotus and Pausanias noted that his gifts were preserved at Delphi. The fall of Croesus had a profound effect on the Greeks, providing a fixed point in their calendar. "By the fifth century at least," J. A. S. Evans has remarked, "Croesus had become a figure of myth, who stood outside the conventional restraints of chronology." Name The name of Croesus was not attested in contemporary inscriptions in the Lydian language. In 2019, D. Sasseville and K. Euler published a research of Lydian coins apparently minted during his rule, where the name of the ruler was rendered as ''Qλdãns''. The name comes from the Latin transliteration of the Greek , which was itself the ancient Hellenic adaptation of the Lydian n ...
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Ordway Center For The Performing Arts
The Ordway Center for the Performing Arts, in downtown Saint Paul, Minnesota, hosts a variety of performing arts, such as touring Broadway musicals, orchestra, opera, and cultural performers, and produces local musicals. It is home to several local arts organizations, including the Minnesota Opera, The Saint Paul Chamber Orchestra, and The Schubert Club. The president and CEO, Christopher Harrington, has served since November 2021, and Producing Artistic Director Rod Kaats has been with the Ordway since February 2018. History In 1980, Saint Paul resident Sally Ordway Irvine (a 3M heiress and arts patron) dreamed of a European-style concert hall offering "everything from opera to the Russian circus." She contributed $7.5 million—a sum matched by other members of the Ordway family—toward the cost of the facility. Fifteen Twin Cities corporations and foundations were the principal funders of the $46 million complex, the most expensive privately funded arts facility ever built ...
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Minnesota Opera
Minnesota Opera is a performance organization based in Minneapolis, Minnesota. It was founded as the Center Opera Company in 1963 by the Walker Art Center, and is known for premiering such diverse works as ''Where the Wild Things Are'' by Oliver Knussen (based on the children's novel by Maurice Sendak) and ''Frankenstein'' by Libby Larsen. Its latest commissioned piece and world premiere, '' The Fix'' – based on the story of “Shoeless” Joe Jackson, the Chicago White Sox, and their attempt to fix the world series. with music by Joel Puckett and libretto by Eric Simonson – was presented in February 2019. The President and General Director is Ryan Taylor, and the Artistic Director is Dale Johnson. A number of operas have also received their American premieres at the Minnesota Opera, including ''The Handmaid's Tale'', ''Postcard from Morocco'', ''Armida'', ''The Elephant Man'', and '' The Fortunes of King Croesus''. The American premiere of Jonathan Dove's ''Pinocch ...
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The Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main news ...
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Tim Albery
Tim Bronson Reginald Albery (born 20 May 1952) is an English stage director, best known for his productions of opera. Life and career Albery was born in Harpenden, the son of the impresario Donald Albery and grandson of the producer Sir Bronson Albery. Albery's brother was the social inventor Nicholas Albery. After directing drama in the British provinces, he directed his first operatic production, Britten's ''The Turn of the Screw'' for a music festival at Batignano, Italy in 1983. For Opera North, Albery directed operas by Tippett, Mozart and most notably Berlioz: his production of ''Les Troyens'' is described by ''The New Grove Dictionary of Opera'' as "triumphant". For the English National Opera (ENO), Albery directed Berlioz’s '' Beatrice and Benedict'' (1990) and Britten’s '' Billy Budd'' (1988) and ''Peter Grimes'' (1991). Together with his fellow directors, Richard Jones, Jude Kelly, Phyllida Lloyd, Deborah Warner and Francesca Zambello, Albery publicly supported ...
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