Cristofano Malvezzi
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Cristofano Malvezzi
Cristofano Malvezzi (baptised June 28, 1547 – January 22, 1599) was an Italian organist and composer of the late Renaissance. He was one of the most famous composers in the city of Florence during a time of transition to the Baroque style. Malevezzi was born in Lucca. From 1551 he lived in Florence, serving the Medicis from 1562. He held a number of organist posts in the city, and also taught pupils, among them Jacopo Peri, who is often regarded as the inventor of opera. From 1573 he held the double post of ''maestro di cappella'' at the cathedral as well as at S Giovanni Battista, which was the highest position for a musician in the city. Among his works are three books of madrigals, a book of ricercars, but only two sacred compositions—a curious omission for a composer so closely connected with the church. Because of his activity in Florence, the numerous intermedi that he wrote for the Medici and other members of the aristocracy, his dedication of a book of ricercars ...
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Organist
An organist is a musician who plays any type of organ (music), organ. An organist may play organ repertoire, solo organ works, play with an musical ensemble, ensemble or orchestra, or accompany one or more singers or instrumentalist, instrumental soloists. In addition, an organist may accompany congregational hymn-singing and play liturgy, liturgical music. Classical and church organists The majority of organists, amateur and professional, are principally involved in church music, playing in churches and cathedrals. The pipe organ still plays a large part in the leading of traditional western Christian worship, with roles including the accompaniment of hymns, choral anthems and other parts of the worship. The degree to which the organ is involved varies depending on the church and denomination. It also may depend on the standard of the organist. In more provincial settings, organists may be more accurately described as pianists obliged to play the organ for worship services; nev ...
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Intermedio
The intermedio (also intromessa, introdutto, tramessa, tramezzo, intermezzo, intermedii), in the Italian Renaissance, was a theatrical performance or spectacle with music and often dance, which was performed between the acts of a play to celebrate special occasions in Italian courts. It was one of the important predecessors to opera, and an influence on other forms like the English court masque. Weddings in ruling families and similar state occasions were the usual occasion for the most lavish intermedi, in cities such as Florence and Ferrara. Some of the best documentation of intermedi comes from weddings of the House of Medici, in particular the 1589 Medici wedding (between Christina of Lorraine and Ferdinando I de' Medici, Grand Duke of Tuscany), which featured what was undoubtedly both the most spectacular set of intermedi, and the best known, thanks to no fewer than 18 contemporary published festival books and sets of prints that were financed by the Grand Duke. Interme ...
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Renaissance Composers
The Renaissance ( , ) , from , with the same meanings. is a Periodization, period in History of Europe, European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the Early modern period, early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Italian Renaissance painting#Proto-Renaissance painting, Pr ...
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1599 Deaths
__NOTOC__ Events January–June * January 8 – The Jesuit educational plan, known as the '' Ratio Studiorum'', is issued. * March 12 – Robert Devereux, 2nd Earl of Essex, is appointed Lord Lieutenant of Ireland, by Queen Elizabeth I of England. * April 23 – The Earl of Essex arrives in Dublin at the head of 16,000 troops, the largest army ever seen in Ireland. * May 16 – The Kalmar Bloodbath takes place in Kalmar, Sweden. * May 29 – Essex takes Cahir Castle, supposedly the strongest in Ireland, after a short siege. * June 20 – The Synod of Diamper is convened. July–December * July – Second Dutch Expedition to Indonesia: A Dutch fleet returns to Amsterdam, carrying 600,000 pounds of pepper and 250,000 pounds of cloves and nutmeg. * July 24 – Swedish King Sigismund III Vasa is dethroned by his uncle Duke Charles, who takes over as regent of the realm until 1604, when he becomes King Charles IX. * August 15 – First Battle of Curlew Pass: Iri ...
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1547 Births
Year 1547 ( MDXLVII) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. Events January–June * January 8 – The first Lithuanian-language book, a ''Catechism'' (, Simple Words of Catechism), is published in Königsberg by Martynas Mažvydas. * January 13 – Henry Howard, Earl of Surrey is sentenced to death for treason in England. * January 16 – Grand Duke Ivan IV of Muscovy becomes the first Tsar of Russia, replacing the 264-year-old Grand Duchy of Moscow with the Tsardom of Russia. * January 28 – King Henry VIII of England dies in London, and is succeeded by his 9-year-old son Edward VI, as King of England. * February 20 – Edward VI of England is crowned at Westminster Abbey. * March 31 – King Francis I of France dies at the Château de Rambouillet and is succeeded by his eldest surviving son Henry II (on his 28th birthday) as King of France. * April 4 – Catherine Parr, widow ...
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Monody
In music, monody refers to a solo vocal style distinguished by having a single melodic line and instrumental accompaniment. Although such music is found in various cultures throughout history, the term is specifically applied to Italian song of the early 17th century, particularly the period from about 1600 to 1640. The term is used both for the style and for individual songs (so one can speak both of monody as a whole as well as a particular monody). The term itself is a recent invention of scholars. No composer of the 17th century ever called a piece a monody. Compositions in monodic form might be called madrigals, motets, or even concertos (in the earlier sense of "concertato", meaning "with instruments"). In poetry, the term monody has become specialized to refer to a poem in which one person laments another's death. (In the context of ancient Greek literature, monody, , could simply refer to lyric poetry sung by a single performer, rather than by a chorus.) History Music ...
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Florentine Camerata
The Florentine Camerata, also known as the Camerata de' Bardi, were a group of humanists, musicians, poets and intellectuals in late Renaissance Florence who gathered under the patronage of Count Giovanni de' Bardi to discuss and guide trends in the arts, especially music and drama. They met at the house of Giovanni de' Bardi, and their gatherings had the reputation of having all the most famous men of Florence as frequent guests. After first meeting in 1573, the activity of the Camerata reached its height between 1577 and 1582. While propounding a revival of the Greek dramatic style, the Camerata's musical experiments led to the development of the '' stile recitativo''. In this way it facilitated the composition of dramatic music and the development of opera. Membership The term ''camerata'' is entirely a new construct coined by the members of Bardi's circle, although apparently based on the Italian word for "chamber", ''camera'', a term used for a room where important meetings we ...
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Emilio De' Cavalieri
Emilio de' Cavalieri (c. 155011 March 1602), or Emilio dei Cavalieri, the spellings "del" and "Cavaliere" are contemporary typographical errors, was an Italian composer, producer, organist, diplomat, choreographer and dancer at the end of the Renaissance era. His work, along with that of other composers active in Rome, Florence and Venice, was critical in defining the beginning of the musical Baroque era. A member of the Roman School of composers, he was an influential early composer of monody, and wrote what is usually considered to be the first oratorio. Life Cavalieri was born in Rome of an aristocratic and musical family. He was the son of Tommaso de' Cavalieri (c. 1509–1587), a close friend of Michelangelo. He probably received his early training there, and was working as an organist and music director in the period from 1578 to 1584. He spent much of his time in Rome as an organiser of Lenten oratorios. While in Rome he became associated with Cardinal Ferdinan ...
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Giovanni De' Bardi
Giovanni de' Bardi (5 February 1534 – September 1612), Count of Vernio, was an Italian literary critic, writer, composer and soldier. Biography Giovanni de' Bardi was born in Florence. While he received a deep classical education, becoming proficient in Latin and Greek as well as learning the craft of music composition, his early years were largely spent as a soldier. Under Grand Duke Cosimo I of Tuscany he fought against Siena, and later he fought at the Siege of Malta (1565) against the Turks. After Malta, and now a captain, he assisted Maximilian II in defeating the Turks in Hungary. But when he was not away on military campaigns, he was busy in Florence and elsewhere as a patron of music and the arts. Bardi is mainly famous for being host, patron, and inspiration to the group of composers, music theorists and scholars who made up the Florentine Camerata, the group which attempted to restore the aesthetic effect of ancient Greek music to contemporary practice. The group i ...
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Ricercar
A ricercar ( , ) or ricercare ( , ) is a type of late Renaissance and mostly early Baroque instrumental composition. The term ''ricercar'' derives from the Italian verb which means 'to search out; to seek'; many ricercars serve a preludial function to "search out" the key or mode of a following piece. A ricercar may explore the permutations of a given motif, and in that regard may follow the piece used as illustration. The term is also used to designate an etude or study that explores a technical device in playing an instrument, or singing. In its most common contemporary usage, it refers to an early kind of fugue, particularly one of a serious character in which the subject uses long note values. However, the term has a considerably more varied historical usage. Among the best-known ricercars are — for harpsichord — the two contained in Bach's ''Musical Offering'', and Domenico Gabrielli's set of seven for solo cello. The latter set contains what are considered to be some ...
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Composer
A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Definition The term is descended from Latin, ''compōnō''; literally "one who puts together". The earliest use of the term in a musical context given by the ''Oxford English Dictionary'' is from Thomas Morley's 1597 ''A Plain and Easy Introduction to Practical Music'', where he says "Some wil be good descanters ..and yet wil be but bad composers". 'Composer' is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who in the tradition of Western classical music. Writers of exclusively or primarily songs may be called composers, but since the 20th century the terms 'songwriter' or ' singer-songwriter' are more often used, particularl ...
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Madrigal (music)
A madrigal is a form of secular vocal music most typical of the Renaissance music, Renaissance (15th–16th c.) and early Baroque music, Baroque (1600–1750) periods, although revisited by some later European composers. The Polyphony, polyphonic madrigal is Accompaniment, unaccompanied, and the number of voices varies from two to eight, but usually features three to six voices, whilst the Metre (music), metre of the madrigal varies between two or three tercets, followed by one or two couplets. Unlike the verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung. As written by Italianized Franco–Flemish composers in the 1520s in music, 1520s, the madrigal partly originated from the three-to-four voice frottola (1470–1530); partly from composers' renewed interest in poetry written in ...
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