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Crescentia (romance)
''Crescentia'' is an Early Middle High German language chivalric romance, included in the '' Kaiserchronik'' about 1150. Other versions appeared in the thirteenth and fourteenth centuries, in prose and verse. Numerous romances, such as ''Le Bone Florence of Rome'', are classified as belonging to the "Crescentia cycle" because of the common plot; it is the oldest known variant of it.Laura A. Hibbard, ''Medieval Romance in England'' p. 12 New York Burt Franklin,1963 Romance Crescentia is approached by her brother-in-law, in her husband's absence, with offers of love. She tricks him into a tower imprisonment, but frees him out of joy at her husband's imminent return. He accuses her of adultery to his brother, and she is thrown in the Tiber by her husband and saved by St. Peter. She finds refuge in a court, where she rebuffs another lover, who frames for murder of her fosterling by a bloody dagger, and she is thrown in the water again. St. Peter grants her healing powers. Her p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle High German
Middle High German (MHG; german: Mittelhochdeutsch (Mhd.)) is the term for the form of German spoken in the High Middle Ages. It is conventionally dated between 1050 and 1350, developing from Old High German and into Early New High German. High German is defined as those varieties of German which were affected by the Second Sound Shift; the Middle Low German and Middle Dutch languages spoken to the North and North West, which did not participate in this sound change, are not part of MHG. While there is no ''standard'' MHG, the prestige of the Hohenstaufen court gave rise in the late 12th century to a supra-regional literary language (') based on Swabian, an Alemannic dialect. This historical interpretation is complicated by the tendency of modern editions of MHG texts to use ''normalised'' spellings based on this variety (usually called "Classical MHG"), which make the written language appear more consistent than it actually is in the manuscripts. Scholars are uncertain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wife's Lament
"The Wife's Lament" or "The Wife's Complaint" is an Old English poem of 53 lines found on folio 115 of the Exeter Book and generally treated as an elegy in the manner of the German '' frauenlied'', or "women's song". The poem has been relatively well preserved and requires few if any emendations to enable an initial reading. Thematically, the poem is primarily concerned with the evocation of the grief of the female speaker and with the representation of her state of despair. The tribulations she suffers leading to her state of lamentation, however, are cryptically described and have been subject to many interpretations. Indeed, Professor Stephen Ramsay has said, "the 'correct' interpretation of "The Wife's Lament" is one of the more hotly debated subjects in medieval studies." Genre Though the description of the text as a woman's song or ''frauenlied''—lamenting for a lost or absent lover—is the dominant understanding of the poem, the text has nevertheless been subject to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle High German Literature
Middle High German literature refers to literature written in German between the middle of the 11th century and the middle of the 14th. In the second half of the 12th century, there was a sudden intensification of activity, leading to a 60-year "golden age" of medieval German literature referred to as the ''mittelhochdeutsche Blütezeit'' (). This was the period of the blossoming of ''Minnesang'', MHG lyric poetry, initially influenced by the French and Provençal tradition of courtly love song. The same sixty years saw the composition of the most important courtly romances. again drawing on French models such as Chrétien de Troyes, many of them relating Arthurian material. The third literary movement of these years was a new revamping of the heroic tradition, in which the ancient Germanic oral tradition can still be discerned, but tamed and Christianized and adapted for the court. Historical overview The vernacular literature of the Old High German period, written in abbeys an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romance (genre)
Romance (from Vulgar Latin , "in the Roman language", i.e., "Latin") may refer to: Common meanings * Romance (love), emotional attraction towards another person and the courtship behaviors undertaken to express the feelings * Romance languages, a subgroup of the Italic languages ** Romance studies, an academic discipline studying the languages, literatures, and cultures of areas that speak a Romance language Places * Romance, Arkansas, U.S. * Romance, Missouri, U.S. * Romance, West Virginia U.S. * Romance, Wisconsin, U.S. Arts, entertainment, and media Film * Romance film, a genre of film of which the central plot focuses on the romantic relationships of the protagonists ** Romantic comedy ** Romantic thriller * ''Romance'' (1920 film), silent film, directed by Chester Withey * ''Romance'' (1930 film), starring Greta Garbo * ''Romance'' (1936 film), an Austrian film starring Carl Esmond * ''Romance'' (1983 film), a Bollywood film produced and directed by Ramanand Sagar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calumniated Wife
The Calumniated Wife is a motif in traditional narratives, numbered K2110.1 in Stith Thompson's ''Motif-Index of Folk-Literature''. It entails a wife being falsely accused of, and often punished for, some crime or sin. This motif is at the centre of a number of traditional plots, being associated with tale-types 705–712 in the Aarne–Thompson–Uther Index of tale-types. Overview Before the edition of Antti Aarne's first folktale classification, Svend Grundtvig developed - and later Astrid Lunding translated - a classification system for Danish folktales in comparison with other international compilations available at the time. In this preliminary system, four folktypes were grouped together based on essential characteristics: folktypes 44 ''Den forskudte dronning og den talende fugl, det syngende træ, det rindende vand'' ("The Disowned Queen and the Talking Bird, the Singing Tree, the Flowing Water"); 45A ''Den stumme dronning'' ("The Mute Queen" or "The Fairy Godmother"); ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folkloristics
Folklore studies, less often known as folkloristics, and occasionally tradition studies or folk life studies in the United Kingdom, is the branch of anthropology devoted to the study of folklore. This term, along with its synonyms, gained currency in the 1950s to distinguish the academic study of traditional culture from the folklore artifacts themselves. It became established as a field across both Europe and North America, coordinating with ''Volkskunde'' (German), ''folkeminner'' ( Norwegian), and ''folkminnen'' ( Swedish), among others. Overview The importance of folklore and folklore studies was recognized globally in 1982 in the UNESCO document "Recommendation on the Safeguarding of Traditional Culture and Folklore". UNESCO again in 2003 published a Convention for the Safeguarding of the Intangible Cultural Heritage. Parallel to these global statements, the American Folklife Preservation Act (P.L. 94-201), passed by the United States Congress in conjunction with the Bicent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erl Of Toulouse
The ''Erl of Toulouse'' (also known as ''The Romance of Dyoclicyane'') is a Middle English chivalric romance centered on an innocent persecuted wife. It claims to be a translation of a French lai, but the original lai is lost. It is thought to date from the late 14th century, and survives in four manuscripts of the 15th and 16th centuries. The ''Erl of Toulouse'' is written in a north-east Midlands dialect of Middle English. Synopsis The Queen of Almayne is left in the care of two knights, who woo her. When she rejects them, they introduce a youth into her room, kill him in the presence of witnesses, and accuse her of adultery. A champion saves her from death; then her husband learns that he is his old enemy, the earl of Toulouse. Sources Historically, Bernard I, Count of Toulouse, son of the Guillaume d'Orange of the Carolingian romances, and the empress Judith, second wife of Louis the Pious, were indeed charged with adultery and purged themselves by an oath and an of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octavian (romance)
''Octavian'' is a 14th-century Middle English verse translation and abridgement of a mid-13th century Old French romance of the same name. This Middle English version exists in three manuscript copies and in two separate compositions, one of which may have been written by the 14th-century poet Thomas Chestre who also composed Libeaus Desconus and Sir Launfal. The other two copies are not by Chestre and preserve a version of the poem in regular twelve-line tail rhyme stanzas, a verse structure that was popular in the 14th century in England. Both poetic compositions condense the Old French romance to about 1800 lines, a third of its original length, and relate “incidents and motifs common in legend, romance and chanson de geste.” The story describes a trauma that unfolds in the household of Octavian, later the Roman Emperor Augustus, whose own mother deceives him into sending his wife and his two newborn sons into exile and likely death. After many adventures, the family are at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vitae Duorum Offarum
The '' Vitae duorum Offarum'' "The lives of the two Offas" is a literary history written in the mid-thirteenth century, apparently by the St Albans monk Matthew Paris; however, the most recent editor and translator of the work rejects this attribution and argues for an earlier date, in the late twelfth century. The earliest editor, William Wats, argues that the texts are older than Matthew's day but were revised by him; he bases this view on stylistic elements, such as the inclusion in the first ''Vita'' of a quotation from Lucan (''Pharsalia'' I. 92–3) which also appears repeatedly in Matthew's '' Chronica maiora''. Account The text concerns two kings, King Offa of the Angles, a fourth or fifth-century ancestor figure of the Mercians, and King Offa of Mercia (r. 757-796), through whose lives the text recounts the foundation of St Alban's Abbey: Offa of Angel made the vow to found a monastery, while several centuries later, his namesake Offa of Mercia executed this plan on dis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old English
Old English (, ), or Anglo-Saxon, is the earliest recorded form of the English language, spoken in England and southern and eastern Scotland in the early Middle Ages. It was brought to Great Britain by Anglo-Saxon settlers in the mid-5th century, and the first Old English literary works date from the mid-7th century. After the Norman conquest of 1066, English was replaced, for a time, by Anglo-Norman (a relative of French) as the language of the upper classes. This is regarded as marking the end of the Old English era, since during this period the English language was heavily influenced by Anglo-Norman, developing into a phase known now as Middle English in England and Early Scots in Scotland. Old English developed from a set of Anglo-Frisian or Ingvaeonic dialects originally spoken by Germanic tribes traditionally known as the Angles, Saxons and Jutes. As the Germanic settlers became dominant in England, their language replaced the languages of Roman Britain: Com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chivalric Romance
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of High Medieval and Early Modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the ''chanson de geste'' and other kinds of epic, in which masculine military heroism predominates." Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel ''Don Quixote''. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
