Creepshow III
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Creepshow III
''Creepshow'' is a 1982 American horror comedy anthology film directed by George A. Romero and written by Stephen King, making this film his screenwriting debut. The film's ensemble cast includes Hal Holbrook, Adrienne Barbeau, Fritz Weaver, Leslie Nielsen, Carrie Nye, E. G. Marshall, and Viveca Lindfors as well as King himself. The film was primarily shot on location in Pittsburgh and its suburbs, including Monroeville, where Romero leased an old boys academy (Penn Hall) to build extensive sets for the film. ''Creepshow'' consists of five short stories: "Father's Day", "The Lonesome Death of Jordy Verrill" (based on the King short story " Weeds"), "Something to Tide You Over", " The Crate" and "They're Creeping Up on You!" Two of these stories were adapted from King's short stories, with the film bookended by prologue and epilogue scenes featuring a young boy named Billy (played by King's son, Joe), who is punished by his abusive father for reading horror comics. ''Creep ...
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George A
George may refer to: People * George (given name) * George (surname) * George (singer), American-Canadian singer George Nozuka, known by the mononym George * George Washington, First President of the United States * George W. Bush, 43rd President of the United States * George H. W. Bush, 41st President of the United States * George V, King of Great Britain, Ireland, the British Dominions and Emperor of India from 1910-1936 * George VI, King of Great Britain, Ireland, the British Dominions and Emperor of India from 1936-1952 * Prince George of Wales * George Papagheorghe also known as Jorge / GEØRGE * George, stage name of Giorgio Moroder * George Harrison, an English musician and singer-songwriter Places South Africa * George, Western Cape ** George Airport United States * George, Iowa * George, Missouri * George, Washington * George County, Mississippi * George Air Force Base, a former U.S. Air Force base located in California Characters * George (Peppa Pig), a 2-year-old ...
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Anthology Film
An anthology film (also known as an omnibus film, package film, or portmanteau film) is a single film consisting of several shorter films, each complete in itself and distinguished from the other, though frequently tied together by a single theme, premise, or author. Sometimes each one is directed by a different director or written by a different author, or may even have been made at different times or in different countries. Anthology films are distinguished from " revue films" such as ''Paramount on Parade'' (1930)—which were common in Hollywood in the early decades of sound film, composite films, and compilation films. Sometimes there is a theme, such as a place (e.g. ''New York Stories'', ''Paris, je t'aime''), a person (e.g. ''Four Rooms''), or a thing (e.g. '' Twenty Bucks'', '' Coffee and Cigarettes'', '' Omniboat: A Fast Boat Fantasia''), that is present in each story and serves to bind them together. Two of the earliest films to use the form were Edmund Goulding's '' ...
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Box Office Mojo
Box Office Mojo is an American website that tracks box-office revenue in a systematic, algorithmic way. The site was founded in 1998 by Brandon Gray, and was bought in 2008 by IMDb, which itself is owned by Amazon. History Brandon Gray began the site on August 7, 1998, making forecasts of the top-10 highest-grossing films in the United States for the following weekend. To compare his forecasts to the actual results, he started posting the weekend grosses and wrote a regular column with box-office analysis. In 1999, he started to post the Friday daily box-office grosses, sourced from Exhibitor Relations, so that they were publicly available online on Saturdays and posted the Sunday weekend estimates on Sundays. Along with the weekend grosses, he was publishing the daily grosses, release schedules, and other charts, such as all-time charts, international box-office charts, genre charts, and actor and director charts. The site gradually expanded to include weekend charts going b ...
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Tom Savini
Thomas Vincent Savini (born November 3, 1946) is an American prosthetic makeup artist, actor, stunt performer and film director. He is known for his makeup and special effects work on many films directed by George A. Romero, including ''Martin'', '' Dawn of the Dead'', ''Day of the Dead'', ''Creepshow'' and '' Monkey Shines''; he also created the special effects and makeup for many cult classics like '' Friday the 13th'' (parts I and IV), ''Maniac'', '' The Burning'', '' The Prowler'' and ''The Texas Chainsaw Massacre 2''. Savini directed ''Night of the Living Dead'', the 1990 remake of Romero's 1968 ''Night of the Living Dead''; his other directing work includes three episodes of the TV show ''Tales from the Darkside'' and one segment in ''The Theatre Bizarre''. As an actor and stuntman, he has appeared in films such as ''Martin'', '' Dawn of the Dead'', ''Knightriders'', ''From Dusk till Dawn'', ''Planet Terror'', ''Machete'', ''Django Unchained'' and ''Machete Kills''. Early ...
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The Haunt Of Fear
''The Haunt of Fear'' was an American bi-monthly horror comic anthology series published by EC Comics, starting in 1950. Along with ''Tales from the Crypt'' and '' The Vault of Horror'', it formed a trifecta of popular EC horror anthologies. ''The Haunt of Fear'' was sold at newsstands beginning with its May/June 1950 issue. It ceased publication with its November/December 1954 issue, compiling a total of 28 issues. Origin American horror comics emerged as a distinct comic book genre after World War II. At this time, US young adult males lost interest in caped crime fighters. Also, returning GIs demanded titillating sex and violence in their reading. One-shot ''Eerie'' (1947) is generally considered the first true American horror comic. Its cover depicted a dagger-wielding, red eyed ghoul who threatened a rope-bound, scantily clad, voluptuous young woman, beneath a full moon. In 1948, ''Adventures into the Unknown'' became the first regularly published horror title. It enjoyed ...
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The Vault Of Horror (comics)
''The Vault of Horror'' was an American bi-monthly horror comic anthology series published by EC Comics in the early 1950s. Along with ''Tales from the Crypt'' and ''The Haunt of Fear'', it formed a trifecta of popular EC horror anthologies. ''The Vault of Horror'' hit newsstands with its April/May 1950 issue and ceased publication with its December/January 1955 issue, producing a total of 40 issues. Origin In 1950, William Gaines and his editor Al Feldstein discovered they shared similar tastes in horror and began experimenting with such stories in EC's crime comic ''War Against Crime'' and its companion title, ''Crime Patrol''. With issue #12 the ''War Against Crime'' title was replaced with ''The Vault of Horror''. Due to an attempt to save money on second-class postage permits, characteristic of comics publishing of the era, the numbering did not change with the title; the first issue of ''The Vault of Horror'' was thus labelled "No. 12". There is, however, evidence of an in ...
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Tales From The Crypt (comics)
''Tales from the Crypt'' was an American bi-monthly horror comic anthology series published by EC Comics from 1950 to 1955, producing 27 issues (the first issue with the title was #20, previously having been ''International Comics'' (#1–#5); ''International Crime Patrol'' (#6); ''Crime Patrol'' (#7–#16) and ''The Crypt of Terror'' (#17–#19) for a total of 46 issues in the series). Along with its sister titles, ''The Haunt of Fear'' and '' The Vault of Horror'', ''Tales from the Crypt'' was popular, but in the late 1940s and early 1950s comic books came under attack from parents, clergymen, schoolteachers and others who believed the books contributed to illiteracy and juvenile delinquency. In April and June 1954, highly publicized congressional subcommittee hearings on the effects of comic books upon children left the industry shaken. With the subsequent imposition of a highly restrictive Comics Code, EC Comics publisher Bill Gaines cancelled ''Tales from the Crypt'' and its ...
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EC Comics
Entertaining Comics, more commonly known as EC Comics, was an American publisher of comic books, which specialized in horror fiction, crime fiction, satire, military fiction, dark fantasy, and science fiction from the 1940s through the mid-1950s, notably the ''Tales from the Crypt'' series. Initially, EC was owned by Maxwell Gaines and specialized in educational and child-oriented stories. After Max Gaines' death in a boating accident in 1947, his son William Gaines took over the company and began to print more mature stories, delving into genres of horror, war, fantasy, science-fiction, adventure, and others. Noted for their high quality and shock endings, these stories were also unique in their socially conscious, progressive themes (including racial equality, anti-war advocacy, nuclear disarmament, and environmentalism) that anticipated the Civil Rights Movement and dawn of 1960s counterculture. In 1954–55, censorship pressures prompted it to concentrate on the humor mag ...
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Homage (arts)
Homage or ''hommage'' ( or ) is a show or demonstration of respect or dedication to someone or something, sometimes by simple declaration but often by some more oblique reference, artistic or poetic. The term is often used in the arts, where one author or artist shows respect to another by allusion or imitation; this is often spelled and pronounced like the original French ''hommage'' (). Description It was originally a declaration of fealty in the feudal system—swearing that one was the man (French: ''homme''), or subordinate, of the feudal lord. The concept then became used figuratively for an acknowledgement of quality or superiority. For example, a man might give homage to a lady, so honouring her beauty and other graces. In German scholarship, followers of a great scholar developed the custom of honouring their mentor by producing papers for a ''festschrift'' dedicated to him. In music, homage can take the form of a composition (''Homage to Paderewski''), a tribute albu ...
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Horror Comics
Horror comics are comic books, graphic novels, black-and-white comics magazines, and manga focusing on horror fiction. In the US market, horror comic books reached a peak in the late 1940s through the mid-1950s, when concern over content and the imposition of the self-censorship Comics Code Authority contributed to the demise of many titles and the toning down of others. Black-and-white horror-comics magazines, which did not fall under the Code, flourished from the mid-1960s through the early 1980s from a variety of publishers. Mainstream American color comic books experienced a horror resurgence in the 1970s, following a loosening of the Code. While the genre has had greater and lesser periods of popularity, it occupies a firm niche in comics as of the 2010s. Precursors to horror comics include detective and crime comics that incorporated horror motifs into their graphics, and early superhero stories that sometimes included the likes of ghouls and vampires. Individual horror stor ...
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Joe Hill (writer)
Joseph Hillström King (born June 4, 1972), better known by the pen name Joe Hill, is an American writer. His work includes the novels ''Heart-Shaped Box'' (2007), ''Horns'' (2010), '' NOS4A2'' (2013), and '' The Fireman'' (2016); the short story collections '' 20th Century Ghosts'' (2005) and '' Strange Weather'' (2017); and the comic book series ''Locke & Key'' (2008–2013). He has won awards including Bram Stoker Awards, British Fantasy Awards, and an Eisner Award. King is the son of authors Tabitha and Stephen King, and the brother of writer Owen King. Early life Joe Hill was born in 1972 to authors Tabitha King (née Spruce) and Stephen King. He was born and grew up in Bangor, Maine. His younger brother Owen King is also a writer. He has an older sister, Naomi King. At age 9, he appeared in the 1982 film ''Creepshow'', directed by George A. Romero, which co-starred and was written by his father. Career Hill chose to use an abbreviated form of his middle name for his pr ...
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The Crate
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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