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Creek Bank
''Creek Bank'' is the fourth album to be released (but fifth album recorded) by blues/jazz pianist and vocalist Mose Allison which was recorded in 1958 and released on the Prestige label. accessed May 16, 2013 It was reissued on CD, coupled with '''', by . Reception , in his review for |
Mose Allison
Mose John Allison Jr. (November 11, 1927 – November 15, 2016) was an American jazz and blues pianist, singer, and songwriter. He became notable for playing a unique mix of blues and modern jazz, both singing and playing piano. After moving to New York in 1956, he worked primarily in jazz settings, playing with jazz musicians like Stan Getz, Al Cohn, and Zoot Sims, along with producing numerous recordings. He is described as having been "one of the finest songwriters in 20th-century blues."Bogdanov, Vladimir; Woodstra, Chris, eds. (2003). ''All Music Guide to the Blues: The Definitive Guide to the Blues''. Hal Leonard. p. 7. His songs were strongly dependent on evoking moods, with his individualistic, "quirky", and subtle ironic humor.Komara, Edward; Lee, Peter, eds. (2006). ''The Blues Encyclopedia''. Routledge. p. 22. His writing influence on R&B had well-known fans recording his songs, among them Pete Townshend, who recorded his "Young Man Blues" for the Who's ''Live at Leeds ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
If I Didn't Care
"If I Didn't Care" is a song written by Jack Lawrence that was sung and recorded by the Ink Spots featuring Bill Kenny in 1939. Background The Ink Spots recording became the 10th best selling single of all time with over 19 million copies sold making it one of the fewer than forty all-time singles to have sold 10 million (or more) physical copies worldwide. According to Lawrence, he mailed the song before showing it to some of his friends. His friends' reaction to the song was almost unanimously negative, but he remained positive on it and later it became one of his biggest successes. It was added to the Grammy Hall of Fame and was number 271 on the "Songs of the Century" list. In 2018, the Ink Spots' recording of the song was selected for preservation in the National Recording Registry by the Library of Congress as being "culturally, historically, or artistically significant." The song was also used in the 1994 film ''The Shawshank Redemption''. History Many other record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mose Allison Albums
Mose, Mosè, or Mosé is a given name which may refer to: People In religion * Mose Durst, former president of the Unification Church of the United States * Mosé Higuera, Colombian Catholic bishop * Mosè Tovini, Italian Roman Catholic priest In music * Mose Allison, American jazz pianist and singer * Mose Christensen, American musician, founder and conductor of the Oregon Symphony * Mose Rager, guitar player from Kentucky In visual art * Mosè Bianchi, Italian painter and printmaker * Mose Tolliver, American painter * Mosè Turri, Italian painter In sports * Mosé Arosio, Italian racing cyclist * Mose Bashaw, NFL player * Mose Lantz, NFL player * Mosé Navarra, former tennis player from Italy * Mose Solomon, the "Rabbi of Swat", American Major League Baseball player * Mose Tuiali'i, rugby union player In other fields * Mose (Ancient Egyptian official), 13th-century BCE Egyptian official under Ramesses II * Mose (scribe), 13th-century BCE Egyptian scribe under Ramesses II * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ronnie Free
Ronnie Free (born Ronald Guy Free on January 15, 1936, in Charleston, South Carolina) is an American jazz drummer. His recording credits date back to the 1950s and he has collaborated with many notable jazz musicians including pianists Mose Allison, Oscar Pettiford, Sonny Clark, and bandleader Woody Herman. The story of Ronnie Free's time in New York is told in an episode of NPR's "The Jazz Loft" series and as a resident of the loft Free functioned as the "house drummer" for many of the jam sessions that occurred there. Discography With Mose Allison Mose John Allison Jr. (November 11, 1927 – November 15, 2016) was an American jazz and blues pianist, singer, and songwriter. He became notable for playing a unique mix of blues and modern jazz, both singing and playing piano. After moving to N ... *''Ramblin' with Mose'' (Prestige, 1958) *''Creek Bank'' (Prestige, 1958) *''Autumn Song (Mose Allison album), Autumn Song'' (Prestige, 1959) With Lee Konitz and Jimmy Guiffre *''Lee K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Addison Farmer
Addison Gerald Farmer (August 21, 1928, Council Bluffs, Iowa – February 20, 1963, New York City) was an American jazz bassist. He was the twin brother of Art Farmer. Early life Farmer was born an hour after his twin brother, on August 21, 1928, in Council Bluffs, Iowa, reportedly at 2201 Fourth Avenue.Balliett, Whitney (September 23, 1985) "Profiles: Here and Abroad" ''The New Yorker'', pp. 43–55. Their parents, James Arthur Farmer and Hazel Stewart Farmer, divorced when the boys were four, and their steelworker father was killed in a work accident not long after this.Heckman, Don & Thurber, Jon (October 07, 1999) "Art Farmer: eloquent jazz master of the trumpet and fluegelhorn''Los Angeles Times''./ref>Balliett, Whitney (2006) ''American Musicians II: Seventy-One Portraits in Jazz''. University Press of Mississippi. Addison moved with his grandfather, grandmother, mother, brother and sister to Phoenix, Arizona when he was still four."Art Farmer: NEA Jazz Master (1999)" (Ju ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irving Mills
Irving Harold Mills (born Isadore Minsky; January 16, 1894 – April 21, 1985) was an American music publisher, musician, lyricist, and jazz artist promoter. He sometimes used the pseudonyms Goody Goodwin and Joe Primrose. Personal Mills was born to a Jewish family in Odessa, Russian Empire, although some biographies state that he was born on the Lower East Side of Manhattan in New York City. His father, Hyman Minsky (1868–1905), was a hat maker who had immigrated from Odessa to the United States with his wife Sofia ''(née'' Sophia Dudis; born 1870). Hyman died in 1905, forcing Irving and his brother, Jacob ''(aka'' "Jack"; 1891–1979), to work odd jobs including bussing at restaurants, selling wallpaper, and working in the garment industry. By 1910, Mills was listed as a telephone operator. Mills married Beatrice ("Bessie") Wilensky (1896–1976) in 1911 and they subsequently moved to Philadelphia. By 1918, Mills was working for publisher Leo Feist. His brother, Jack, was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irving Gordon
Irving Gordon (February 14, 1915 – December 1, 1996) was an American songwriter. Biography Irving Gordon was born in Brooklyn, New York, to a Jewish family, and later lived on Coney Island. He was named Israel Goldener but later changed his name to Irving Gordon. As a child, he studied violin. After attending public schools in New York City, Gordon worked in the Catskill Mountains at some of the resort hotels in the area. While working there, he took to writing parody lyrics to some of the popular songs of the day. In the 1930s, he took a job with the music publishing firm headed by talent agent Irving Mills, at first writing only lyrics, but subsequently writing music as well. After Gordon was introduced to Duke Ellington in 1937, Ellington sometimes invited him to put lyrics to his compositions. However working with Ellington was probably one of the most difficult commissions there was, since most of the Ellington songs were really instrumental pieces whose singable potentia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prelude To A Kiss (song)
"Prelude to a Kiss" is a 1938 ballad composed by Duke Ellington, with lyrics by Irving Gordon and Irving Mills. Background and composition This composition is in the key of D-flat major but makes extensive use of the secondary dominant chords, secondary ii–V–I progressions, diatonic circle of fifths, and evaded cadences. The song is extremely chromatic and complex, employing sophisticated mathematics that were rare at this time in jazz: Ellington's rising semitones (G-G#-A-A#-B) at the end of the bridge mirror the opening of both A sections (B-A#-A-G#-G). By the late 1930s, swing was at the height of its popularity. Using his fame and artistic freedom, Ellington became more ambitious and experimental, writing "Prelude to a Kiss", which abandoned the Tin Pan Alley style hooks and dance tempo for melodic lines and harmonies found more often in classical music. He recorded this piece as an instrumental in August 1938 before returning to the studio a few weeks later to recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely brilliant virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career on the road with Jay McShann. This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yardbird Suite
"Yardbird Suite" is a bebop standard composed by jazz saxophonist Charlie Parker in 1946. The title combines Parker's nickname "Yardbird" (often shortened to "Bird") and a colloquial use of the classical music term " suite" (in a manner similar to such jazz titles as Lester Young's "Midnight Symphony" and Duke Ellington's "Ebony Rhapsody"). The composition uses an 32-bar AABA form. The "graceful, hip melody, became something of an anthem for beboppers." Three Charlie Parker recordings Although, as Bob Dorough wrote in the liner notes to the re-release of his album ''Yardbird Suite'', fans used to follow Parker everywhere he played and often taped his performances, there are only three known commercial recordings of Parker himself playing the tune. The first two were recorded with a septet at Radio Recorders in Hollywood on March 28, 1946. The session was supervised and produced by Ross Russell for his Dial Records label. Besides Parker on alto saxophone was Miles Davis on trump ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
