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Crawford Young
Crawford Young is an American lutenist and musicologist residing in Basel, Switzerland. He is the director of the Ferrara Ensemble, Ensemble Project Ars Nova, Shield of Harmony, and is a long time accompanist of Andreas Scholl. Life and career Robert Crawford Young graduated in 1976 from New England Conservatory in Boston, where he played classical guitar, lute, and tenor banjo. At Stanford University, he came in 1977 into contact with Thomas Binkley from 1978-1981 was active with Sequentia of Benjamin Bagby and Barbara Thornton in Cologne as performer on the lute and gittern. Since 1982, Young has taught medieval lute and medieval music performance practice at the Schola Cantorum Basiliensis, where he also performs. In 1982, Young was a founding member of Ensemble P.A.N. (Project Ars Nova), along with Laurie Monahan (mezzo-soprano), Michael Collver (countertenor and corno muto) and first performed in Paris in 1982. For their American debut in Boston in 1984, Shira Kammen (bowe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lutenist
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can shor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shira Kammen
Shira Kammen is a multi-instrumentalist and vocalist. She received her degree in music from the University of California, Berkeley and studied vielle with Margriet Tindemans. She has performed and taught throughout the world and has played on several television and movie soundtracks, including "O", a modern high school-setting of Othello. Her music was also licensed for the soundtrack of the video game Braid. She currently lives in El Cerrito, California. Ensembles Shira collaborated with singer/storyteller John Fleagle for fifteen years, and has been or is a member of or worked with a number of different groups: * Founder of Class V Music, an ensemble dedicated to performance on river rafting trips. * The Boston Camerata * Camerata Mediterranea * Cançonièr, a medieval ensemble * Ensemble Alcatraz * Ephemeros new music group * Fortune's Wheel, a medieval ensemble * Hespèrion XX * The King's Noyse * Medieval Strings * Panacea, an eclectic ethnic band * Project Ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solage
Solage (; or Soulage), possibly Jean , was a French composer, and probably also a poet. He composed the most pieces in the Chantilly Codex, the principal source of music of the ''ars subtilior'', the manneristic compositional school centered on Avignon at the end of the century. Life Nothing is known about Solage's life, beyond what can be inferred from the texts to his music. Even his name is a puzzle. One possibility is that the single name "Solage" is a nickname or pseudonym, similar to others known from the period, such as Grimace or Hasprois. "Solage" and "soulage" are variant spellings of Old French ''solaz'', ''solace'', meaning "consolation", "joy", or "entertainment". In the refrain to the text of ''Calextone qui fut dame'', the composer refers to himself with such a double meaning, using the spelling "soulage". However, the possibility that it is a genuine name cannot be ruled out. One of the attributions in the Chantilly Codex includes the initial ''J'' wrapped into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trebor (composer)
Trebor was a 14th-century composer of polyphonic chansons, active in Navarre and other southwest European courts c. 1380-1400. He may be the same person also called Triboll, Trebol, and Borlet in other contemporaneous sources. His name is likely a reversal of Robert. Music His compositions are associated with the style known as '' ars subtilior'', and six of his works survive in one of the most important surviving manuscripts of ''ars subtilior'' music, the Chantilly Codex. Some of his pieces explicitly reference historical events such as the Aragonese conquest of Sardinia in 1388-89 and the reign of Gaston Febus, the count of Foix. His music was well known to Avignonese composers of the time, such as Grimace and F. Andrieu, who quoted some of his pieces in their works. He is noted for his use of displacement syncopation and sustain In sound and music, an envelope describes how a sound changes over time. It may relate to elements such as amplitude (volume), frequencie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Senleches
Jacob Senleches ( fl. 1382/1383 – 1395) (also Jacob de Senlechos .e. Senleches'' and Jacopinus Senlesses) was a Franco-Flemish composer and harpist of the late Middle Ages. He composed in a style commonly known as the ''ars subtilior''. Life and career It has been suggested that Jacob Senleches was born in Senleches (or Sanlesches) in Cambrai, today France. In 1382, Senleches seems to have been present at the court of Eleanor of Aragon, Queen of Castile (d. September 1382), possibly in her service. In ''Fuions de ci,'' he laments Eleanor's death and resolves to seek his fortune either "en Aragon, en France ou en Bretaingne". Afterwards, he is found in the service of Pedro de Luna, Cardinal of Aragon (later Antipope Benedict XIII, 1394–1423), as a harpist. There is a treasury document assigning payments to one "Jaquemin de Sanleches, juglar de harpe" from the royal household in Navarra dated August 21, 1383. The payment was made so that Jacquemin could return to "his master", P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John, Duke Of Berry
John of Berry or John the Magnificent ( French: ''Jean de Berry'', ; 30 November 1340 – 15 June 1416) was Duke of Berry and Auvergne and Count of Poitiers and Montpensier. He was Regent of France during the minority of his nephew 1380-1388. His brothers were King Charles V of France, Duke Louis I of Anjou and Duke Philip the Bold of Burgundy. John is primarily remembered as a collector of the important illuminated manuscripts and other works of art commissioned by him, such as the '' Très Riches Heures''. His personal motto was ''Le temps venra'' ("the time will come"). Biography John was born at the castle of Vincennes on 30 November 1340, the third son of King John II of France and Bonne of Luxembourg. In 1356, he was made Count of Poitou by his father, and in 1358 he was named king's lieutenant of Auvergne, Languedoc, Périgord, and Poitou to administer those regions in his father's name while the king was a captive of the English. When Poitiers was ceded to England ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Frye
Walter Frye (died 1474?) was an English composer of the early Renaissance. Life Nothing certain is known about his life. He may have been a "Walter Cantor" at Ely Cathedral between 1443 and 1466, and he may have been the Walter Frye who joined the London Parish Clerks in 1456; he also may have been the Walter Frye who left a will at Canterbury in 1474. Music Most of Frye's music survives in manuscripts from the continent, which has suggested to scholars that he spent much of his time there; however stylistically his music is closer to that of other English composers (such as John Dunstaple and John Hothby) than to that of the Burgundian School The Burgundian School was a group of composers active in the 15th century in what is now northern and eastern France, Belgium, and the Netherlands, centered on the court of the Dukes of Burgundy. The school inaugurated the music of Burgundy. The ..., the most notable contemporary movement on the continent. A reason sometimes given ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Bernstein
Michel Bernstein (Paris, 1931 – Paris, October 31, 2006) was a French musical producer and founder of several record labels. Bernstein's first contact with classical music was hearing the school music teacher play Beethoven on an out-of-tune piano at the age of 15, but thereafter he took a lively interest in music and recordings. Vendôme Bernstein founded his first record label, Vendôme, in 1954, which released only 5 LPs. The first release was the world premiere recording of Debussy's Proses Lyriques, by Flore Wend a Swiss soprano living in Paris, accompanied by the pianist Odette Gartenlaub, engineered by André Charlin, and recorded at the Salle Adyar, Paris. The LP also included the Chansons de Bilitis and Ballades de François Villon, and received glowing reviews in the French magazine Disques. The next release was of the organist Pierre Cochereau playing Bach on the organ of the Église Saint-Roch. Followed by another disc of Bach, the Orgelbüchlein, with the Danish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Agricola
Alexander Agricola (; born Alexander Ackerman; – 15 August 1506) was a Netherlandish composer of the Renaissance writing in the Franco-Flemish style. A prominent member of the ''Grande chapelle'', the Habsburg musical establishment, he was a renowned composer in the years around 1500, and his music was widely distributed throughout Europe. He composed music in all of the important sacred and secular styles of the time. Life Agricola was the illegitimate son of Lijsbette Naps, a wealthy female merchant who lived in Ghent. He was probably born sometime in the late 1450s and had a brother named Jan. A commemorative motet first published in 1538 gave his age as 60 at the time of his death in 1506, but that may be due to a medieval convention concerning the number 60. He may have received his musical training from the parish church of St Nicolas in Ghent, as his mother made a substantial donation to its musical establishment in 1467. In 1476 he is known to have been in Cambr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Kyr
Robert Harry Kyr (born April 20, 1952 in Cleveland) is an American composer, writer, filmmaker, and Philip H. Knight Professor of Music Composition and Theory. Kyr is one of the most prolific composers of his generation, having written 12 symphonies, three chamber symphonies, three violin concerti, numerous large works for orchestra, oratorios and other large-scale choral works, and a wide variety of chamber music. Luminous and sometimes ecstatic in effect, Kyr's work is basically tonal, and often harmonically and rhythmically complex, its sophistication deriving from its synthesis of both modern and ancient modes, as well as Western and Asian musical traditions. An engaged activist for world peace and environmentalism, Kyr has initiated a number of projects that bring together musicians from diverse cultures, or combine music with other media, and touch upon current or historical events. The concepts and titles of Robert Kyr's works often point to their spiritual and metap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Machaut
Guillaume de Machaut (, ; also Machau and Machault; – April 1377) was a French composer and poet who was the central figure of the style in late medieval music. His dominance of the genre is such that modern musicologists use his death to separate the from the subsequent movement. Regarded as the most significant French composer and poet of the 14th century, he is often seen as the century's leading European composer. One of the earliest European composers on whom considerable biographical information is available, Machaut has an unprecedented amount of surviving music, in part due to his own involvement in his manuscripts' creation and preservation. Machaut embodies the culmination of the poet-composer tradition stretching back to the traditions of troubadour and ''trouvère''; well into the 15th century his poetry was greatly admired and imitated by other poets, including Geoffrey Chaucer and Eustache Deschamps, the latter of whom was Machaut's student. Machaut comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chantilly Codex
The Chantilly Codex (''Chantilly, Musée Condé MS 564'') is a manuscript of medieval music containing pieces from the style known as the ''Ars subtilior''. It is held in the museum at the Château de Chantilly in Chantilly, Oise. Most of the compositions in the Chantilly Codex date from c. 1350–1400. There are 112 pieces total, mostly by French composers, and all of them polyphonic. The codex contains examples of many of the most popular courtly dance styles of its time, such as ballades, rondeaus, virelais, and isorhythmic motets. Some of the motets are rhythmically extremely complex, and are written in intricately exact musical notation. Two pieces by Baude Cordier were added at a slightly later date at the front of the manuscript, and use unusual shapes to reflect their musical contents. The piece "Belle, Bonne, Sage, Plaisant" (image right) was written to a special lady for the New Year, and reflects the shape of the notation with the text (Lovely, good, wise, and pleasant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
