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Coviello
Coviello (French: ''Covielle'') is a minor character in the Commedia dell'arte. He falls into the category of the zanni. His name is a diminutive, double diminutive of the name ''Giacomo'' (Jacob or James). In English, he might be called ''Jimmy'' or ''Jackie''. The character dates back to at least the 16th century. He was typically from the southern part of Italy, and could apparently dance and play the mandolin quite well. His mask usually portrays him with a ridiculously long beak-like nose, often near as long as his whole face. His nose and cheeks are usually painted red. He sometimes wears glasses, and is frequently shown with plumes in his hat. Jacques Callot, Callot shows him dancing with a slapstick and a sword on his belt. Niccolo Barbieri says that Coviello entertains the audience by his "grimaces and affected language." Salvator Rosa says that Coviello is "sly, adroit, supple, and conceited." In Molière's "The Bourgeois Gentleman" he disguises his master as a Turk and ...
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Coviello
Coviello (French: ''Covielle'') is a minor character in the Commedia dell'arte. He falls into the category of the zanni. His name is a diminutive, double diminutive of the name ''Giacomo'' (Jacob or James). In English, he might be called ''Jimmy'' or ''Jackie''. The character dates back to at least the 16th century. He was typically from the southern part of Italy, and could apparently dance and play the mandolin quite well. His mask usually portrays him with a ridiculously long beak-like nose, often near as long as his whole face. His nose and cheeks are usually painted red. He sometimes wears glasses, and is frequently shown with plumes in his hat. Jacques Callot, Callot shows him dancing with a slapstick and a sword on his belt. Niccolo Barbieri says that Coviello entertains the audience by his "grimaces and affected language." Salvator Rosa says that Coviello is "sly, adroit, supple, and conceited." In Molière's "The Bourgeois Gentleman" he disguises his master as a Turk and ...
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Commedia Dell'arte
(; ; ) was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as , , and . Characterized by masked "types", was responsible for the rise of actresses such as Isabella Andreini and improvised performances based on sketches or scenarios. A , such as ''The Tooth Puller'', is both scripted and improvised. Characters' entrances and exits are scripted. A special characteristic of is the , a joke or "something foolish or witty", usually well known to the performers and to some extent a scripted routine. Another characteristic of is pantomime, which is mostly used by the character Arlecchino, now better known as Harlequin. The characters of the usually represent fixed social types and stock characters, such as foolish old men, devious servants, or military officers full of false bravado. The characters are exaggerated " ...
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Zanni
Zanni (), Zani or Zane is a character type of commedia dell'arte best known as an astute servant and a trickster. The Zanni comes from the countryside and is known to be a "dispossessed immigrant worker".Rudlin, John. ''Commedia dell'arte: An Actors Handbook''. London: Routledge, 1994. 67. Print."Immigrant" in Italy at the time of the city-states did not mean someone from outside of Italy but rather someone from outside the city, an itinerant worker. Through time, the Zanni grew to be a popular figure who was first seen in ''commedia'' as early as the 14th century. The English word ''zany'' derives from this person. The longer the nose on the characters mask the more foolish the character. Origin of the name The name ''Zanni'' (as well as ''Zuan'') is a variant of the name ''Gianni'' and was common in the Lombard-Venetian countryside which provided most of the servants to the wealthy nobles and merchants of Venice. In Italian it is specifically a name of someone whose identity i ...
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Diminutive
A diminutive is a root word that has been modified to convey a slighter degree of its root meaning, either to convey the smallness of the object or quality named, or to convey a sense of intimacy or endearment. A (abbreviated ) is a word-formation device used to express such meanings. In many languages, such forms can be translated as "little" and diminutives can also be formed as multi-word constructions such as " Tiny Tim". Diminutives are often employed as nicknames and pet names when speaking to small children and when expressing extreme tenderness and intimacy to an adult. The opposite of the diminutive form is the augmentative. Beyond the ''diminutive form'' of a single word, a ''diminutive'' can be a multi-word name, such as "Tiny Tim" or "Little Dorrit". In many languages, formation of diminutives by adding suffixes is a productive part of the language. For example, in Spanish can be a nickname for someone who is overweight, and by adding an suffix, it becomes which ...
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Jacques Callot
Jacques Callot (; – 1635) was a baroque printmaker and draftsman from the Duchy of Lorraine (an independent state on the north-eastern border of France, southwestern border of Germany and overlapping the southern Netherlands). He is an important person in the development of the old master print. He made more than 1,400 etchings that chronicled the life of his period, featuring soldiers, clowns, drunkards, Gypsies, beggars, as well as court life. He also etched many religious and military images, and many prints featured extensive landscapes in their background. Life and training Callot was born and died in Nancy, the capital of Lorraine, now in France. He came from an important family (his father was master of ceremonies at the court of the Duke), and he often describes himself as having noble status in the inscriptions to his prints. At the age of fifteen he was apprenticed to a goldsmith, but soon afterward travelled to Rome where he learned engraving from an expatriat ...
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Slapstick
Slapstick is a style of humor involving exaggerated physical activity that exceeds the boundaries of normal physical comedy. Slapstick may involve both intentional violence and violence by mishap, often resulting from inept use of props such as saws and ladders. The term arises from a device developed for use in the broad, physical comedy style known as ''commedia dell'arte'' in 16th-century Italy. The "Clapper (musical instrument), slap stick" consists of two thin slats of wood, which make a "slap" when striking another actor, with little force needed to make a loud—and comical—sound. The physical slap stick remains a key component of the plot in the traditional and popular Punch and Judy puppet show. Other examples of slapstick humor include ''The Naked Gun'' and Mr. Bean (character), Mr. Bean. Origins The name "slapstick" originates from the Italian ''Batacchio'' or ''Bataccio'' – called the "Clapper (musical instrument), slap stick" in English – a club-like objec ...
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Sword
A sword is an edged, bladed weapon intended for manual cutting or thrusting. Its blade, longer than a knife or dagger, is attached to a hilt and can be straight or curved. A thrusting sword tends to have a straighter blade with a pointed tip. A slashing sword is more likely to be curved and to have a sharpened cutting edge on one or both sides of the blade. Many swords are designed for both thrusting and slashing. The precise definition of a sword varies by historical epoch and geographic region. Historically, the sword developed in the Bronze Age, evolving from the dagger; the earliest specimens date to about 1600 BC. The later Iron Age sword remained fairly short and without a crossguard. The spatha, as it developed in the Late Roman army, became the predecessor of the European sword of the Middle Ages, at first adopted as the Migration Period sword, and only in the High Middle Ages, developed into the classical arming sword with crossguard. The word '' sword'' continue ...
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Molière
Jean-Baptiste Poquelin (, ; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, , ), was a French playwright, actor, and poet, widely regarded as one of the greatest writers in the French language and world literature. His extant works include comedies, farces, tragicomedies, comédie-ballets, and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today. His influence is such that the French language is often referred to as the "language of Molière". Born into a prosperous family and having studied at the Collège de Clermont (now Lycée Louis-le-Grand), Molière was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped him polish his comedic abilities while he began writing, combining Commedia dell'arte elements with the more refined French comedy. Through the patronage of aristocrats including ...
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Unitard
A unitard is a skintight, one-piece garment with long legs and sometimes long sleeves, usually stopping at the wrists and ankles. It differs from a leotard which does not have long legs. The leotard is also usually considered a more feminine clothing item, while the unitard is not. The garment can be thought of as a combination of a leotard and leggings, and was historically called a "one-piece long legged leotard". The term ''unitard'' is mostly used in relation to sports, while it is usually referred to as a ''catsuit'' in other contexts. Usage in sports Unitards are worn by acrobats, gymnasts, dancers, equestrian vaulters, athletes, circus performers, as well as others who require overall body coverage without impeding flexibility. It is closely related to the wrestling singlet, which is basically a unitard with shorter legs. In 1985, Anne White's decision to wear a white unitard for the first two sets of a match in the Women's Singles Championship at Wimbledon was widely re ...
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Doublet (clothing)
A doublet (/ˈdʌblɪt/; derived from the Ital. ''giubbetta'') is a man's snug-fitting jacket that is shaped and fitted to the man's body. The garment was worn in Spain, and spread to the rest of Western Europe, from the late Middle Ages up to the mid-17th century. The doublet was hip length or waist length and worn over the shirt or drawers. Until the end of the 15th century, the doublet was usually worn under another layer of clothing such as a gown, mantle, overtunic or jerkin when in public. Originally it was a mere stitched and quilted lining ("doubling"), worn under a hauberk or cuirass to prevent bruising and chafing. Doublets were sometimes opened to the waistline in a deep V. The edges might be left free or laced across the shirt front. If there was space left it might be filled with a stomacher. By the 1520s, the edges of the doublet more frequently met at the center front. Then, like many other originally practical items in the history of men's wear, from the late 15 ...
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Clever Zanni Class Characters
Clever may refer to: People ;Given name * Clever Ikisikpo, Nigerian politician * Clever Lara (born 1952), Uruguayan artist ;Surname * Charles P. Clever (1830–1874), American politician * Edith Clever (born 1940), German actress * Todd Clever (born 1983), American rugby union player * Willy Clever (1905–1969), German actor and screenwriter Other uses * CLEVER, a three-wheeled vehicle * Clever, Missouri * CLEVER project, an IBM research project * Another word for '' intelligent'' See also * CleVR CleVR is a free panoramic photo sharing site and photo stitching software. It allows panoramas to be embedded into other web pages using a Flash viewer. Panoramas can be displayed with hotspots — areas in the scene that can be clicked to dis ...
, application {{disambiguation, surname, given name ...
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