Courrèges Boot
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Courrèges Boot
Go-go boots are a low-heeled style of women's fashion boot first introduced in the mid-1960s. The original go-go boots, as defined by André Courrèges in 1964, were white, low-heeled, and mid-calf in height, a specific style which is sometimes called the Courrèges boot. Since then, the term go-go boot has come to include the knee-high, square-toed boots with block heels that were very popular in the 1960s and 1970s; as well as a number of variations including kitten heeled versions and colours other than white. Etymology The term ''go-go'' is derived from the French expression '' à gogo'', meaning "in abundance, galore", which is in turn derived from the ancient French word ''la gogue'' for "joy, happiness".Le Petit Robert: GOGO (À), 1440; de l'a. fr. ''gogue'' "réjouissance" The term "go-go" has also been explained as a 1964 back-formation of the 1962 slang term "go", meaning something that was "all the rage"; the term "go-go dancer" first appeared in print in 1965. Th ...
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Go-go Boots By Andre Courreges, 1965
Go-go is a music subgenre, subgenre of funk music with an emphasis on specific rhythmic patterns, and live audience Call and response (music), call and response. Go-go was originated by African-American musicians in the Washington, D.C. area during the mid-60s to late-70s. Go-go has limited popularity in other areas, but maintains a devoted audience in the Washington metropolitan area, Washington, D.C. metropolitan area as a uniquely regional music style and was named the official music of Washington, D.C. in February 2020. Performers associated with the development of the style include Young Senators, Trouble Funk, Black Heat, and singer-guitarist Chuck Brown. In the 1990s and 2000s, hip hop music, hip-hop increasingly influenced go-go. However, there is also a Retro style, retro movement going back to its original style of marathon sessions incorporating popular contemporary R&B songs. Description In technical terms, "go-go's essential beat is characterized by a five throug ...
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