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Country-western
Country (also called country and western) is a genre of popular music that originated in the Southern and Southwestern United States in the early 1920s. It primarily derives from blues, church music such as Southern gospel and spirituals, old-time, and American folk music forms including Appalachian, Cajun, Creole, and the cowboy Western music styles of Hawaiian, New Mexico, Red Dirt, Tejano, and Texas country. Country music often consists of ballads and honky-tonk dance tunes with generally simple form, folk lyrics, and harmonies often accompanied by string instruments such as electric and acoustic guitars, steel guitars (such as pedal steels and dobros), banjos, and fiddles as well as harmonicas. Blues modes have been used extensively throughout its recorded history. The term ''country music'' gained popularity in the 1940s in preference to ''hillbilly music'', with "country music" being used today to describe many styles and subgenres. It came to encompass Western ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Folk Music
The term American folk music encompasses numerous music genres, variously known as ''traditional music'', ''traditional folk music'', ''contemporary folk music'', ''vernacular music,'' or ''roots music''. Many traditional songs have been sung within the same family or folk group for generations, and sometimes trace back to such origins as the British Isles, Mainland Europe, or Africa. Musician Mike Seeger once famously commented that the definition of American folk music is "...all the music that fits between the cracks." American folk music is a broad category of music including bluegrass, gospel, old time music, jug bands, Appalachian folk, blues, Cajun and Native American music. The music is considered American either because it is native to the United States or because it developed there, out of foreign origins, to such a degree that it struck musicologists as something distinctly new. It is considered "roots music" because it served as the basis of music later develope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corrido
The corrido () is a popular narrative metrical tale and poetry that forms a ballad. The songs are often about oppression, history, daily life for criminals, the vaquero lifestyle, and other socially relevant topics. Corridos were widely popular during the Mexican Revolution, and in the Southwestern American frontier as it was also a part of the development of Tejano music and New Mexico music, which later influenced Western music. The ''corrido'' derives largely from the romance, and in its most known form consists of a salutation from the singer and prologue to the story, the story itself, and a moral and farewell from the singer. It is still a popular genre today in Mexico. Outside Mexico corridos are popular in Chilean national celebrations of Fiestas Patrias. History Corridos play an important part in Mexican and Mexican American culture. The name comes from the Spanish word ''correr'' ("to run"). The formula of a standard corrido is of eight quatrains that have four to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternative Country
Alternative country, or alternative country rock (sometimes alt-country, insurgent country, Americana, or y'allternative), is a loosely defined subgenre of country music and/or country rock that includes acts that differ significantly in style from mainstream country music, mainstream country rock, and country pop. Alternative country artists are often influenced by alternative rock. Most frequently, the term has been used to describe certain country music and country rock bands and artists that are also defined as or have incorporated influences from alternative rock, heartland rock, Southern rock, progressive country, outlaw country, neotraditional country, Texas country, Red Dirt, honky-tonk, bluegrass, rockabilly, psychobilly, roots rock, indie rock, hard rock, folk revival, indie folk, folk rock, folk punk, punk rock, cowpunk, blues punk, blues rock, emocore, post-hardcore, and rhythm 'n' blues. Definitions and characteristics In the 1990s the term ''alternative co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zydeco
Zydeco ( or , french: Zarico) is a music genre that evolved in southwest Louisiana by French Creole speakers which blends blues, rhythm and blues, and music indigenous to the Louisiana Creoles and the Native American people of Louisiana. Although it is distinct in origin from the Cajun music of Louisiana, the two forms influenced each other, forming a complex of genres native to the region. Characteristics Zydeco music is typically played in an uptempo, syncopated manner with a strong rhythmic core, and often incorporates elements of blues, rock and roll, soul music, R&B, Afro-Caribbean, Cajun, and early Creole music. Zydeco music is centered on the accordion, which leads the rest of the band, and a specialized washboard, called a vest frottoir, as a prominent percussive instrument. Other common instruments in zydeco are the electric guitar, bass, keyboard, and drum set. If there are accompanying lyrics, they are typically sung in English or French. Many zydeco performers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swamp Pop
Swamp pop is a music genre indigenous to the Acadiana region of south Louisiana and an adjoining section of southeast Texas. Created in the 1950s by young Cajuns and Creoles, it combines New Orleans–style rhythm and blues, country and western, and traditional French Louisiana musical influences. Although a fairly obscure genre, swamp pop maintains a large audience in its south Louisiana and southeast Texas homeland, and it has acquired a small but passionate cult following in the United Kingdom, and Northern Europe Characteristics The swamp pop sound is typified by highly emotional, lovelorn lyrics, tripleting honky-tonk pianos, undulating bass lines, bellowing horn sections, and a strong rhythm and blues backbeat. It is exemplified by slow ballads like Cookie and the Cupcakes' "Mathilda" (recorded 1958), considered by many fans as the unofficial swamp pop "anthem". But the genre has also produced many upbeat compositions, such as Bobby Charles' " Later Alligator" (1955), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
