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Cortain
Cortain (also spelled Courtain, Cortana, Curtana, Cortaine, etc.) is a legendary short sword in the legend of Ogier the Dane. This name is the accusative case declension of Old French ''corte'', meaning "short". The tradition that Ogier had a short sword is quite old. There is an entry for "Oggero ''spata curta''" ("Ogier of the short sword") in the (c. 1065–1075), and this is taken as a nickname derived from his sword-name Cortain. The sword name does not appear in the oldest extant copy of ''The Song of Roland'' (Oxford manuscript), only in versions postdating the ''Nota''. and According to the first part (''enfances'') of ''Le Chevalerie Ogier'', the sword, which once belonged to Brumadant the Savage, was remade more than twenty times; finally it was tested on a block of marble and broke about a palm's length. It was reforged and named Corte or Cortain, meaning "short". This became the weapon of a chivalric-minded Saracen named Karaheut, who gives it to Ogier so he can fight B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Curtana
Curtana, also known as the Sword of Mercy, is a ceremonial sword used at the coronation of British kings and queens. One of the Crown Jewels of the United Kingdom, its end is blunt and squared to symbolise mercy. Description The sword measures long and wide at the handle. About of the steel blade's tip is missing. The blade features a decorative "running wolf" mark which originated in the town of Passau, Lower Bavaria, Germany. It has a gilt-iron hilt, a wooden grip bound in wire, and a leather sheath bound in crimson velvet with gold embroidery. The sheath has been remade several times since the 17th century, and the current one was made in 1937. The Curtana has a squared tip. It is used in the procession alongside two other pointed swords. The Curtana once had a jagged edge like a naturally broken tip, but this was squared off at some time. At one time, the other two could be distinguished by their points: the sharply-pointed Sword of Temporal Justice, and the more ob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ogier The Dane
Ogier the Dane (french: ; da, ) is a legendary paladin of Charlemagne who appears in many Old French ''chansons de geste''. In particular, he features as the protagonist in ''La Chevalerie Ogier'' (ca. 1220), which belongs to the ''Geste de Doon de Mayence'' ("cycle of the rebellious vassals"). The first part of this epic, the ''enfance'' 's''(childhood exploits) of Ogier, is marked by his duel against a Saracen from whom he obtains the sword Cortain, followed by victory over another Saracen opponent from whom he wins the horse Broiefort. In subsequent parts, Ogier turns into a rebel with cause, seeking refuge with the King of Lombardy and warring with Charlemagne for many years, until he is eventually reconciled when a dire need for him emerges after another Saracen incursion. His character is a composite based on an historical Autcharius Francus who was aligned with king Desiderius of Lombardy against Charlemagne. The legend of a certain Othgerius buried in Meaux is also incor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Short Sword
The English language terminology used in the classification of swords is imprecise and has varied widely over time. There is no historical dictionary for the universal names, classification or terminology of swords; a sword was simply a double edged knife. Historical terms without a universal consensus of definition (i.e. "arming sword", "broadsword", "long sword", etc.) were used to label weapons of similar appearance but of different historical periods, regional cultures and fabrication technology. These terms were often described in relation to other unrelated weapons, without regard to their intended use and fighting style. In modern history, many of these terms have been given specific, often arbitrary meanings that are unrelated to any of their historical meanings. Terminology Some of these terms originate contemporaneously with the weapons which they describe. Others are modern or early modern terms used by antiquarians, curators, and modern-day sword enthusiasts for hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accusative Case
The accusative case (abbreviated ) of a noun is the grammatical case used to mark the direct object of a transitive verb. In the English language, the only words that occur in the accusative case are pronouns: 'me,' 'him,' 'her,' 'us,' and ‘them’. The spelling of those words will change depending on how they are used in a sentence. For example, the pronoun ''they'', as the subject of a sentence, is in the nominative case ("They wrote a book"); but if the pronoun is instead the object, it is in the accusative case and ''they'' becomes ''them'' ("The book was written by them"). The accusative case is used in many languages for the objects of (some or all) prepositions. It is usually combined with the nominative case (for example in Latin). The English term, "accusative", derives from the Latin , which, in turn, is a translation of the Greek . The word may also mean "causative", and this may have been the Greeks' intention in this name, but the sense of the Roman translation has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old French
Old French (, , ; Modern French: ) was the language spoken in most of the northern half of France from approximately the 8th to the 14th centuries. Rather than a unified language, Old French was a linkage of Romance dialects, mutually intelligible yet diverse, spoken in the northern half of France. These dialects came to be collectively known as the , contrasting with the in the south of France. The mid-14th century witnessed the emergence of Middle French, the language of the French Renaissance in the Île de France region; this dialect was a predecessor to Modern French. Other dialects of Old French evolved themselves into modern forms (Poitevin-Saintongeais, Gallo, Norman, Picard, Walloon, etc.), each with its own linguistic features and history. The region where Old French was spoken natively roughly extended to the northern half of the Kingdom of France and its vassals (including parts of the Angevin Empire, which during the 12th century remained under Anglo-Norman rul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Song Of Roland
''The Song of Roland'' (french: La Chanson de Roland) is an 11th-century ''chanson de geste'' based on the Frankish military leader Roland at the Battle of Roncevaux Pass in 778 AD, during the reign of the Carolingian king Charlemagne. It is the oldest surviving major work of French literature. It exists in various manuscript versions, which testify to its enormous and enduring popularity in Medieval and Renaissance literature from the 12th to 16th centuries. The epic poem written in Vulgar Latin is the first and one of the most outstanding examples of the ''chanson de geste'', a literary form that flourished between the 11th and 16th centuries in Medieval Europe and celebrated legendary deeds. The date of composition is put in the period between 1040 AD and 1115 AD; an early version began around 1040 AD with additions and alterations made up until about 1115 AD. The final text contains about 4,000 lines of poetry. Manuscripts and dating Although set in the Carolingian era, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chivalry
Chivalry, or the chivalric code, is an informal and varying code of conduct developed in Europe between 1170 and 1220. It was associated with the medieval Christianity, Christian institution of knighthood; knights' and gentlemen's behaviours were governed by chivalrous social codes. The ideals of chivalry were popularized in medieval literature, particularly the literary cycles known as the Matter of France, relating to the legendary companions of Charlemagne and his men-at-arms, the paladins, and the Matter of Britain, informed by Geoffrey of Monmouth's ''Historia Regum Britanniae'', written in the 1130s, which popularized the legend of King Arthur and his knights of the Round Table. All of these were taken as historically accurate until the beginnings of modern scholarship in the 19th century. The code of chivalry that developed in medieval Europe had its roots in earlier centuries. It arose in the Carolingian Empire from the idealisation of the cavalryman—involving mili ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saracen
upright 1.5, Late 15th-century German woodcut depicting Saracens Saracen ( ) was a term used in the early centuries, both in Greek and Latin writings, to refer to the people who lived in and near what was designated by the Romans as Arabia Petraea and Arabia Deserta. The term's meaning evolved during its history of usage. During the Early Middle Ages, the term came to be associated with the tribes of Arabia. The oldest known source mentioning "Saracens" in relation to Islam dates back to the 7th century, in the Greek-language Christian tract ''Doctrina Jacobi''. Among other major events, the tract discusses the Muslim conquest of the Levant, which occurred after the rise of the Rashidun Caliphate following the death of the Islamic prophet Muhammad. The Roman-Catholic church and European Christian leaders used the term during the Middle Ages to refer to Muslims—usually Arabs, Turks, and Iranians. By the 12th century, "Saracen" had become synonymous with "Muslim" in Medieva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aspremont (chanson De Geste)
''Chanson d'Aspremont'' (or simply ''Aspremont'', or ''Agolant'') is a 12th-century Old French ''chanson de geste'' (before 1190). The poem comprises 11, 376 verses (unusually long for a ''chanson de geste''), grouped into rhymed laisses. The verses are decasyllables mixed with alexandrines. In this tale, the African Saracen king Agolant and his son Aumon (Almons,, passim. Eaumond) invade Calabria and defy Charlemagne (Charles) through their messenger Balan (vv. 1ff; 604ff). Charlemagne's troops come to fight them, but Charlemagne's nephew Roland is not allowed to join the battle due to his young age (referred to as "Rolandin", he is not considered a full adult). The armies reach Aspremont, and Charlemagne's paladins Naimes and Girart d'Eufrate prove their worth. Roland joins the battle by arming himself with a rod ( fro, tronçon) and mounting a horse (vv. 4969–71), and later commandeering Duke Naime's horse Morel (vv. 5749–5755). Charlemagne fights Aumon in single combat, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaut De Montauban
Renaud de Montauban (; also spelled ''Renaut'', ''Renault'', Italian: ''Rinaldo di Montalbano'', Dutch: ''Reinout van Montalba(e)n'') was a legendary hero and knight which appeared in a 12th-century Old French ''chanson de geste'' known as ''The Four Sons of Aymon''. The four sons of Duke Aymon are Renaud, Richard, Alard and Guiscard, and their cousin is the magician Maugris (French: ''Maugis'', Italian: ''Malagi'', ''Malagigi''). Renaud possesses the magical horse Bayard and the sword Froberge (Italian: ''Fusberta'', ''Frusberta'', French: ''Flamberge''). The story of Renaud was popular across Europe. The tale was adapted into Dutch, German, Italian and English versions throughout the Middle Ages, inspired the Old Icelandic '' Mágus saga jarls'', and also incited subsequent sequels and related texts that form part of the Doon de Mayence cycle of ''chansons''. Renaud, as Rinaldo, is an important character in Italian Renaissance epics, including ''Morgante'' by Luigi Pulci, ''Orl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prose Tristan
The Prose ''Tristan'' (''Tristan en prose)'' is an adaptation of the Tristan and Iseult story into a long prose romance, and the first to tie the subject entirely into the arc of the Arthurian legend. It was also the first major Arthurian prose cycle commenced after the widely popular Lancelot-Grail (Vulgate Cycle), which influenced especially the later portions of the Prose ''Tristan''. Authorship and dating According to the prologue, the first part of the book (i.e. everything before the Grail material) is attributed to the otherwise unknown Luce de Gat, and was probably begun between 1230 and 1235. The work was expanded and reworked sometime after 1240 to create the more popular version known as V2. In the epilogue of V2, its author names himself as "Helie de Boron", asserting that he is the nephew of the first author of the Arthurian Grail cycles, poet Robert de Boron. Helie de Boron claims, like the so-called authors of the ''Roman de la Rose'', to have picked up the story ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristan
Tristan (Latin/ Brythonic: ''Drustanus''; cy, Trystan), also known as Tristram or Tristain and similar names, is the hero of the legend of Tristan and Iseult. In the legend, he is tasked with escorting the Irish princess Iseult to wed Tristan's uncle, King Mark of Cornwall. Tristan and Iseult accidentally drink a love potion during the journey and fall in love, beginning an adulterous relationship that eventually leads to Tristan's banishment and death. The character's first recorded appearance is in retellings of British mythology from the 12th century by Thomas of Britain and Gottfried von Strassburg, and later in the Prose ''Tristan''. He is featured in Arthurian legends, including the seminal text '' Le Morte d'Arthur'', as a skilled knight and a friend of Lancelot. The historical roots of Tristan are unclear; his association with Cornwall may originate from the Tristan Stone, a 6th-century granite pillar in Cornwall inscribed with the name ''Drustanus'' (a varian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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