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Corporeal Mime
Corporeal mime is an aspect of physical theater whose objective is to place drama inside the moving human body, rather than to substitute gesture for speech as in pantomime. In this medium, the mime must apply to physical movement those principles that are at the heart of drama: pause, hesitation, weight, resistance and surprise. Corporeal mime accentuates the vital importance of the body and physical action on stage. Étienne Decroux’s dramatic corporeal mime is taking the body as a main means of expression and the actor as a starting point for creation with the aim of “making the invisible visible” (Étienne Decroux), of allowing the actor to show thought movement. Art of movement rather than art of silence, dramatic corporeal mime is first of all the art of the actor/actress. An actor, whatever his artistic ambition might be, must, before all, be present, “be” on stage and this presence is shown through the body. The body is what sustains the costume, what the specta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Physical Theater
Physical theatre is a genre of theatrical performance that encompasses storytelling primarily through physical movement. Although several performance theatre disciplines are often described as "physical theatre," the genre's characteristic aspect is a reliance on the performers' physical motion rather than, or combined with, text to convey storytelling. Performers can communicate through various body gestures (including using the body to portray emotions). Common elements Certain institutions suggest that all physical theatre genres share common characteristics, although individual performances do not need to exhibit all such characteristics to be defined as physical theatre. Research into the training or "work" of physical theatre artists cites an amalgamation of numerous elements adopted as a means to further inform the theatrical research/production. These elements include: * Inter-disciplinary origins, spanning music, dance, visual art, etc., as well as theatre * Challengin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Lecoq
Jacques Lecoq (15 December 1921 – 19 January 1999) was a French stage actor and acting movement coach. He was best known for his teaching methods in physical theatre, movement, and mime which he taught at the school he founded in Paris known as École internationale de théâtre Jacques Lecoq. He taught there from 1956 until his death from a cerebral hemorrhage in 1999. Jacques Lecoq was known as the only noteworthy movement instructor and theatre pedagogue with a professional background in sports and sports rehabilitation in the twentieth century. Life As a teenager, Lecoq participated in many sports such as running, swimming, and gymnastics. Lecoq was particularly drawn to gymnastics. He began learning gymnastics at the age of seventeen, and through work on the parallel bars and horizontal bar, he came to see and understand the geometry of movement. Lecoq described the movement of the body through space as required by gymnastics to be purely abstract. He came to understand t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Physical Theatre
Physical theatre is a genre of theatrical performance that encompasses storytelling primarily through physical movement. Although several performance theatre disciplines are often described as "physical theatre," the genre's characteristic aspect is a reliance on the performers' physical motion rather than, or combined with, text to convey storytelling. Performers can communicate through various body gestures (including using the body to portray emotions). Common elements Certain institutions suggest that all physical theatre genres share common characteristics, although individual performances do not need to exhibit all such characteristics to be defined as physical theatre. Research into the training or "work" of physical theatre artists cites an amalgamation of numerous elements adopted as a means to further inform the theatrical research/production. These elements include: * Inter-disciplinary origins, spanning music, dance, visual art, etc., as well as theatre * Challengin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Popping
Popping is a street dance adapted out of the earlier Boogaloo (funk dance) cultural movement in Oakland, California. As Boogaloo spread, it would be referred to as Robottin in Richmond, California, Strutting movements in San Francisco and San Jose, and the Strikin dances of the Oak Park community of Sacramento which were popular through the mid-1960s to the 1970s.Guzman-Sanchez, T. (2012) Underground Dance Masters: Final History of a Forgotten Era. Praeger. Popping would be eventually adapted from earlier Boogaloo (freestyle dance) movements in Fresno, California, in the late 1970s by way of California high-school gatherings of track & meet events - the West Coast Relays. The dance is rooted through the rhythms of live funk music, and is based on the technique of Boogaloo's posing approach, quickly contracting and relaxing muscles to cause a jerk or can be a sudden stop in the dancer's body, referred to as a ''pose'', ''pop'' or a ''hit''.Guzman-Sanchez, T. (2012) "The Oakland ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pantomime
Pantomime (; informally panto) is a type of musical comedy stage production designed for family entertainment. It was developed in England and is performed throughout the United Kingdom, Ireland and (to a lesser extent) in other English-speaking countries, especially during the Christmas and New Year season. Modern pantomime includes songs, gags, slapstick comedy and dancing. It employs gender-crossing actors and combines topical humour with a story more or less based on a well-known fairy tale, fable or folk tale.Reid-Walsh, Jacqueline. "Pantomime", ''The Oxford Encyclopedia of Children's Literature'', Jack Zipes (ed.), Oxford University Press (2006), Pantomime is a participatory form of theatre, in which the audience is encouraged and expected to sing along with certain parts of the music and shout out phrases to the performers. Pantomime has a long theatrical history in Western culture dating back to the era of classical theatre. It developed partly from the 16th century c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mummers Play
Mummers' plays are folk plays performed by troupes of amateur actors, traditionally all male, known as mummers or guisers (also by local names such as ''rhymers'', ''pace-eggers'', ''soulers'', ''tipteerers'', ''wrenboys'', and ''galoshins''). Historically, mummers' plays consisted of informal groups of costumed community members that visited from house to house on various holidays. Today the term refers especially to a play in which a number of characters are called on stage, two of whom engage in a combat, the loser being revived by a doctor character. This play is sometimes found associated with a sword dance though both also exist in Britain independently. Mumming spread from the British Isles to a number of former British colonies. It is sometimes performed in the street but more usually during visits to houses and pubs. It is generally performed seasonally or annually, often at Christmas, Easter or on Plough Monday, more rarely on Halloween or All Souls' Day, and often wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liquid And Digits
Liquid and digits is a type of gestural, interpretive, rave and urban street dance that sometimes involve aspects of pantomime. The term invokes the word ''liquid'' to describe the fluid-like motion of the dancer's body and appendages and ''digits'' to refer to illusions constructed with the dancer's fingers. Liquid dancing has many moves in common with popping and waving. ("Waving" is a style of dance where the dancer tries to make it appear that waves are rolling through their body.) The exact origins of the dances are uncertain, although they came out of either popping, raves, or both sometime from the 1970s to 1990s. The dance is typically done to a variety of electronic dance music genres from trance to drum and bass Drum and bass (also written as drum & bass or drum'n'bass and commonly abbreviated as D&B, DnB, or D'n'B) is a genre of electronic dance music characterized by fast breakbeats (typically 165–185 beats per minute) with heavy bass and sub-ba ... to glit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adam Darius
Adam Darius (10 May 1930 – 3 December 2017) was an Turkish origin American dancer, mime artist, writer and choreographer. As a performer, he appeared in over 86 countries across six continents.The extensive archives of Adam Darius´s career as dancer, mime artist and author are now housed in Espoo, Finland and at the Royal Academy of Dance in London. As a writer, he published 19 books and wrote 22 plays. A full catalogue of Adam Darius' publications can be seen at thMime Centre . In a program devoted to his career, the BBC World Service described him as "one of the most exceptional talents of the 20th century".In a program devoted to his career, broadcast in October, 1993, the BBC World Service in London, hosted by the voice of Latin America, Araceli Uriarte, described Adam Darius as "one of the most exceptional talents of the 20th century". Biography Adam Darius was born in Manhattan, New York City, into a family of Turkish and Russian ancestry. Ballet career Adam Darius b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgio Strehler
Giorgio Strehler (; ; 14 August 1921 – 25 December 1997) was an actor, Italian opera and theatre director. Biography Strehler was born in Barcola, Trieste; His father, Bruno Strehler, was a native of Trieste with family roots in Vienna and died when Giorgio was only three. His maternal grandfather, Olimpio Lovrich, subsequently became his father figure. Olimpio was one of the finest horn players of his day and the impresario of the Teatro Comunale Giuseppe Verdi, Trieste's Opera House. When he was seven, his grandfather died and he moved to Milan with his mother and grandmother. As a child, Giorgio was not impressed by theater. He found it "false" and decided it did not have the power to stir one's emotions as film did. His opinions changed one hot summer night while on his way to the cinema. He noticed a sign advertising the air-conditioning posted by the Odeon Theater. He walked in for some relief from the weather to see a performance of Carlo Goldoni's ''Una delle ultime ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mime Artist
A mime artist, or simply mime (from Greek , , "imitator, actor"), is a person who uses ''mime'' (also called ''pantomime'' outside of Britain), the acting out of a story through body motions without the use of speech, as a theatrical medium or as a performance art. In earlier times, in English, such a performer would typically be referred to as a mummer. Miming is distinguished from silent comedy, in which the artist is a character in a film or skit without sound. Jacques Copeau, strongly influenced by Commedia dell'arte and Japanese Noh theatre, used masks in the training of his actors. His pupil Étienne Decroux was highly influenced by this, started exploring and developing the possibilities of mime, and developed corporeal mime into a highly sculptural form, taking it outside the realms of naturalism. Jacques Lecoq contributed significantly to the development of mime and physical theatre with his training methods. As a result of this, the practice of mime has been includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piccolo Teatro (Milan)
The Piccolo Teatro di Milano (translation: "Little Theatre of the City of Milan") is a theatre in Milan, Italy. Founded in 1947, it is Italy's first permanent theatre, and a national "teatro stabile", or permanent repertory company, and is considered a theatre of major national and European importance. The theatre has three venues: Teatro Grassi, in Via Rovello, between Sforza Castle and the Piazza del Duomo; Teatro Studio, which was originally intended to be the theater's rehearsal hall; and Teatro Strehler, which opened in 1998 with a seating capacity of 974. Its annual programme consists of approximately thirty performances. In addition, the venue hosts cultural events, from festivals and films, to concerts, conferences, and conventions, as well as supporting the Paolo Grassi Drama School. History Piccolo Teatro was founded by theatre impresario Paolo Grassi and actor and director Giorgio Strehler, along with Mario Apollonio, Virgilio Tosi and Nina Vinchi. According to Grassi, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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