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Coronation Of The Virgin (Filippo Lippi)
The ''Coronation of the Virgin'' (in Italian ''Incoronazione Maringhi'') is a painting of the Coronation of the Virgin by the Italian Renaissance master Filippo Lippi, in the Uffizi, Florence. History Francesco Maringhi, ''procuratore'' of the church of Sant'Ambrogio, left money after his death in 1441 for a new painting at the high altar of the church. Bills of the payments for the work until 1447 have been preserved. In the late 1430s, brother Filippo Lippi had left the convent of the Carmine convent to open an artist workshop of his own; however, having no money enough to pay assistants and apprentices, he worked alone with two usual collaborators, Fra Carnevale and Fra Diamante, along with an unknown "Piero di Lorenzo dipintore". For the ''Coronation of the Virgin'', however, Lippi had to call in a total of six external painters, who were responsible also for the gilded frame, now lost. Originally the work had a predella, also lost, with the exception of a small panel with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Lippi
Filippo Lippi ( – 8 October 1469), also known as Lippo Lippi, was an Italian painter of the Quattrocento (15th century) and a Carmelite Priest. Biography Lippi was born in Florence in 1406 to Tommaso, a butcher, and his wife. He was orphaned when he was two years old and sent to live with his aunt Mona Lapaccia. Because she was too poor to rear him, she placed him in the neighboring Carmelite convent when he was eight years old. There, he started his education. In 1420 he was admitted to the community of Carmelite friars of the Priory of Our Lady of Mount Carmel in Florence, taking religious vows in the Order the following year, at the age of sixteen. He was ordained as a priest in approximately 1425 and remained in residence of that priory until 1432. Giorgio Vasari, the first art historian of the Renaissance, writes that Lippi was inspired to become a painter by watching Masaccio at work in the Carmine church. Lippi's early work, notably the Tarquinia Madonna (Gal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmelite Monk
, image = , caption = Coat of arms of the Carmelites , abbreviation = OCarm , formation = Late 12th century , founder = Early hermits of Mount Carmel , founding_location = Mount Carmel , type = Mendicant order of pontifical right , status = Institute of Consecrated Life , membership = 1,979 (1,294 priests) as of 2017 , leader_title = Motto , leader_name = la, Zelo zelatus sum pro Domino Deo exercituumEnglish: ''With zeal have I been zealous for the Lord God of hosts'' , leader_title2 = General Headquarters , leader_name2 = Curia Generalizia dei CarmelitaniVia Giovanni Lanza, 138, 00184 Roma, Italia , leader_title3 = Prior General , leader_name3 = Mícéal O'Neill, OCarm , leader_title4 = Patron saints , leader_name4 = Our Lady of Mt. Carmel, Elijah , parent_organization = Catholic Church , website = ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Of The Coronation Of The Virgin
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In The Collection Of The Uffizi
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Filippo Lippi
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1447 Paintings
Year 1447 ( MCDXLVII) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. Events January–December * March 6 – Pope Nicholas V succeeds Pope Eugene IV, to become the 208th pope. * March 16 – A major fire destroys the centre of Valencia. * July 15 – The Spanish Inquisition is revived. * December **Vlad II Dracul, ruler of Wallachia, and his eldest son Mircea are assassinated. Vladislav II succeeds him, with the assistance of John Hunyadi. **The Albanian–Venetian War of 1447–48 begins. Date unknown * Roman II seizes the throne of Moldavia after killing his uncle, Stephen II, and will have his other uncle, Petru as co-ruler. * The Siege of Soest occurs, in the course of the Soest Feud. * According to '' Ryūs own sources, Iizasa Ienao founds ''Tenshin Shōden Katori Shintō-ryū'', the earliest historically verifiable Japanese '' koryū'' martial art, that is still extant in modern times. Birt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Men And Women (poetry Collection)
''Men and Women'' is a collection of fifty-one poems in two volumes by Robert Browning, first published in 1855. While now generally considered to contain some of the best of Browning's poetry, at the time it was not received well and sold poorly. Background information ''Men and Women'' was Browning's first published work after a five year hiatus, and his first collection of shorter poems since his marriage to Elizabeth Barrett in 1846. His reputation had still not recovered from the disastrous failure of ''Sordello'' fifteen years previously, and Browning was at the time comprehensively overshadowed by his wife in terms of both critical reception and commercial success. Away from the spotlight, Browning was able to work on a long-considered project. He had long been associated with the dramatic monologue, having written two early volumes of poems entitled '' Dramatic Lyrics'' and '' Dramatic Romances and Lyrics'', but with ''Men and Women'' he took the concept a step further. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fra Lippo Lippi (poem)
''Fra Lippo Lippi'' is an 1855 dramatic monologue written by the Victorian poet Robert Browning which first appeared in his collection '' Men and Women''. Throughout this poem, Browning depicts a 15th-century real-life painter, Filippo Lippi. The poem asks the question whether art should be true to life or an idealized image of life. The poem is written in blank verse, non-rhyming iambic pentameter. A secondary theme of the dramatic monologue is the Church's influence on art. Although Fra Lippo paints real life pictures, it is the Church that requires him to redo much of it, instructing him to paint the soul In many religious and philosophical traditions, there is a belief that a soul is "the immaterial aspect or essence of a human being". Etymology The Modern English noun '' soul'' is derived from Old English ''sāwol, sāwel''. The earliest att ..., not the flesh. ("Paint the soul, never mind the legs and arms!"). Aside from the theme of the Church and its desires to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Browning
Robert Browning (7 May 1812 – 12 December 1889) was an English poet and playwright whose dramatic monologues put him high among the Victorian poets. He was noted for irony, characterization, dark humour, social commentary, historical settings and challenging vocabulary and syntax. His early long poems ''Pauline'' (1833) and ''Paracelsus'' (1835) were acclaimed, but his reputation dwindled for a time – his 1840 poem ''Sordello'' was seen as wilfully obscure – and took over a decade to recover, by which time he had moved from Shelleyan forms to a more personal style. In 1846 he married fellow poet Elizabeth Barrett and moved to Italy. By her death in 1861 he had published the collection ''Men and Women'' (1855). His ''Dramatis Personae'' (1864) and book-length epic poem ''The Ring and the Book'' (1868–1869) made him a leading poet. By his death in 1889 he was seen as a sage and philosopher-poet who had fed into Victorian social and political discourse. Societi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masaccio
Masaccio (, , ; December 21, 1401 – summer 1428), born Tommaso di Ser Giovanni di Simone, was a Florentine artist who is regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance. According to Vasari, Masaccio was the best painter of his generation because of his skill at imitating nature, recreating lifelike figures and movements as well as a convincing sense of three-dimensionality. He employed nudes and foreshortenings in his figures. This had seldom been done before him.Vasari, Giorgio, "The Lives of the Artists" Translated by Julia Conaway Bondanella and Peter Bondanella, Oxford World Classics. The name Masaccio is a humorous version of Maso (short for Tommaso), meaning "clumsy" or "messy" Tom. The name may have been created to distinguish him from his principal collaborator, also called Maso, who came to be known as Masolino ("little/delicate Tom"). Despite his brief career, he had a profound influence on other artists and is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Monaco
Lorenzo Monaco (1370 – 1425) was an Italian painter of the late Gothic to early Renaissance age. He was born Piero di Giovanni in Siena, Italy. Little is known about his youth, apart from the fact that he was apprenticed in Florence. He was influenced by Giotto and that artist's followers Spinello Aretino and Agnolo Gaddi. Life In 1390, Piero di Giovanni joined the Camaldolese monastery of Santa Maria degli Angeli. He was thenceforth generally known as ''Lorenzo Monaco'' ('Lawrence the Monk'). Starting from around 1404, his works show the influence of the International Gothic, of Lorenzo Ghiberti's earliest works and of Gherardo Starnina. From this period is the ''Pietà'' in the Galleria dell'Accademia in Florence. His works, often over a gilded background, showed in general a spiritual value, and usually did not feature profane elements. In 1414, he painted the ''Coronation of the Virgin'' (now at the Uffizi), characterized by a great number of saints and brilliant col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coronation Of The Virgin
The Coronation of the Virgin or Coronation of Mary is a subject in Christian art, especially popular in Italy in the 13th to 15th centuries, but continuing in popularity until the 18th century and beyond. Christ, sometimes accompanied by God the Father and the Holy Spirit in the form of a dove, places a crown on the head of Mary as Queen of Heaven. In early versions the setting is a Heaven imagined as an earthly court, staffed by saints and angels; in later versions Heaven is more often seen as in the sky, with the figures seated on clouds. The subject is also notable as one where the whole Christian Trinity is often shown together, sometimes in unusual ways. Crowned Virgins are also seen in Eastern Orthodox Christian icons, specifically in the Russian Orthodox church after the 18th century. Mary is sometimes shown, in both Eastern and Western Christian art, being crowned by one or two angels, but this is considered a different subject. The subject became common as part of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
