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Corona (album)
''Corona'' is a live album by Cecil Taylor recorded during the "Total Music Meeting" at the "Podewil", the headquarters of the Kulturprojekte Berlin non-profit organisation, on November 1, 1996, one day before the recording of the Taylor album '' Almeda'', and two days before the recording of ''The Light of Corona''. It was released in 2018 in digital format by the FMP label as part of their Archive Edition, and was reissued in 2021 in CD format by Corbett vs. Dempsey. The album consists of three tracks. Track one begins with a Taylor poetry recitation, accompanied by vocalizations by the members of the ensemble that would join him on ''Almeda'' and ''The Light of Corona''. Track two is a long duet featuring Taylor and drummer Sunny Murray, with whom Taylor last recorded on the 1981 album ''It Is in the Brewing Luminous''. The vocalizing musicians return for track three, and Taylor completes his poetry recitation. Ensemble member Chris Jonas recalled being surprised by Murray's app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cecil Taylor
Cecil Percival Taylor (March 25, 1929April 5, 2018) was an American pianist and poet. Taylor was classically trained and was one of the pioneers of free jazz. His music is characterized by an energetic, physical approach, resulting in complex improvisation often involving tone clusters and intricate polyrhythms. His technique has been compared to percussion. Referring to the number of keys on a standard piano, Val Wilmer used the phrase "eighty-eight tuned drums" to describe Taylor's style. He has been referred to as being "like Art Tatum with contemporary-classical leanings". Early life and education Cecil Percival Taylor was born on March 25, 1929, in Long Island City, Queens, and raised in Corona, Queens. Ratliff, Ben (May 3, 2012)"Lessons From the Dean of the School of Improv" ''The New York Times''. Retrieved December 9, 2017: "I recently spoke with the 83-year-old improvising pianist Cecil Taylor for about five hours over two days. One day was at his three-story home ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
FMP Records
Free Music Production (FMP) is a German record label that specialises in free jazz. Origins FMP originated from the New Artists Guild, which was an informal cooperative of musicians in the mid-1960s. In 1968, The New Artists Guild sponsored the Total Music Meeting, a festival that presented different forms of music from those performed at the Berliner Jazztage. The name FMP was adopted the following year and the group "began operating as a cooperative venture under the administrative guidance of a former double bass player, Jost Gebers ..At some point the operation of FMP transferred from the cooperative to Gebers alone." Company activities The label's first release was Manfred Schoof's ''European Echoes''. Specialising in free jazz from the beginning, FMP soon released recordings by saxophonist Peter Brötzmann, pianist Alexander von Schlippenbach, bassist Peter Kowald and drummer Detlef Schonenberg. The collective ended in 1976 and Gebers, who was running the company part-time ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Always A Pleasure
''Always a Pleasure'' is a live album by Cecil Taylor recorded during the Workshop Freie Musik at the Akademie der Kunste, Berlin on April 8, 1993, and released in 1996 on the FMP label. The album features a concert performance by Taylor with Longineu Parsons, Harri Sjöström, Charles Gayle, Tristan Honsinger, Sirone and Rashid Bakr. A recording of part five of the concert, titled "Fifth Pleasure", was released by FMP in 1998 on the Taylor compilation album ''Concrete''. Reception In a review for AllMusic, Thom Jurek called the group "an ensemble that plays so intrinsically 'together' that it feels like the band Taylor has been trying to assemble since the death of his altoist, Jimmy Lyons", and wrote: "This is easily the best large-unit Taylor record of the '90s. Fans and curiosity seekers would be well-advised to seek it out and prepare themselves to be blown away by the depth and dimension Taylor's musical soul reveals when it is challenged and upheld by such a phenomenal g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Almeda (album)
''Almeda'' is a live album by Cecil Taylor recorded during the "Total Music Meeting" at the "Podewil", the headquarters of the Kulturprojekte Berlin non-profit organisation, on November 2, 1996, and released in 2004 on the FMP Records, FMP label. The album features Taylor with eight other musicians, and is a recording of a single performance lasting over an hour. The same group recorded the album ''The Light of Corona'' the following day. In 2012, FMP also released ''Almeda (To Matie)'', with the same musicians, as part of their Archive Edition. In the album liner notes, Volker Spicker wrote: "The diversity of musical relationships within the ensemble, the profusion of changes and the form of the entity create a process which is as manifold as life and nature itself. If you allow yourself to open up, the music raises the sensitivity, the attention for every process, for life in general in oneself. As in trance, the preconceived patterns of perception which normally put the world in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Light Of Corona
''The Light of Corona'' is a live album by Cecil Taylor recorded during the "Total Music Meeting" at the "Podewil", the headquarters of the Kulturprojekte Berlin non-profit organisation, on November 3, 1996, and released in 2003 on the FMP label. The album features Taylor with eight other musicians, and is a recording of two sections of a piece with a total duration of over an hour. The same group recorded the album '' Almeda'' the previous day. In the album liner notes, Volker Spicker wrote: "This concert reorganised your own consciousness, took you to spheres previously unknown, took unexpected turns, concentrating on the essential things, on the living, showed the meaning of being free and creative, of being alive. The music simply mirrored the infinite processes taking place within each of us and around us at the same time, processes which equal life, inspiring sensitivity and attentiveness... The precondition is being prepared to let go of expectations, the well-known, to let ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sunny Murray
James Marcellus Arthur "Sunny" Murray (September 21, 1936 – December 7, 2017) was an American musician, and was one of the pioneers of the free jazz style of drumming. Biography Murray was born in Idabel, Oklahoma, where he was raised by an uncle who later died after being refused treatment at a hospital because of his race. He began playing drums at the age of nine. As a teen, he lived in a rough part of Philadelphia, and spent two years in a reformatory. In 1956, he moved to New York City, where he worked in a car wash and as a building superintendent. During this time, he played with musicians such as trumpeters Red Allen and Ted Curson, pianist Willie "The Lion" Smith, and saxophonists Rocky Boyd and Jackie McLean. In 1959, he played for the first time with pianist Cecil Taylor and, according to Murray, " r six years all the other things were wiped from my mind..." "With Cecil, I had to originate a complete new direction on drums." Murray stated: "We played for about a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
It Is In The Brewing Luminous
''It is in the Brewing Luminous'' is a live album by Cecil Taylor recorded at Fat Tuesdays, NYC, on February 8 & 9, 1980 and released on the Hat Hut label. The album features performances by Taylor with Jimmy Lyons, Ramsey Ameen, Alan Silva, Jerome Cooper and Sunny Murray. The album was originally released as a double LP then rereleased as a single CD. Reception An Allmusic review by Scott Yanow states: "Not too surprisingly, the playing is quite intense and dense with only a few moments of lyricism popping through. Taylor sounds very much like a human dynamo while Lyons' solos are full of fragile beauty. This is brilliant music that will not sound 'safe' or 'easy listening' even a century from now". In a New York Times article, Robert Palmer praised the interplay of the two drummers, and called the album "an intriguing microcosm of the sort of ensemble interplay Mr. Taylor has always encouraged." The authors of the ''Penguin Guide to Jazz Recordings'' commented: "There is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New York City Jazz Record
''The New York City Jazz Record'' is a monthly New York City based publication that includes features, reviews and concert announcements regarding jazz music. It is available in print form (black and white hardcopy) as well as online at www.nycjazzrecord.com (in full color). It was launched in May 2002 by co-founders Laurence Donohue-Greene (Managing Editor) and Andrey Henkin (Editorial Director/Production Manager) under the name ''AllAboutJazz-New York''. The gazette’s name change switched permanently to ''The New York City Jazz Record'' as of March 2011. Saxophonist Joe Lovano says of ''The New York City Jazz Record'': "Simply the hippest journal about jazz in New York that has ever been published.” It has been nominated on many occasions as “Best Jazz Periodical” by the Jazz Journalists Association The Jazz Journalists Association (JJA) is an international organization of all types of media professionals who document, promulgate, or appreciate jazz. As of 2016, it has app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dominic Duval
Dominic Duval (c. 1944 – July 22, 2016) was an American free jazz bassist. Since the 1990s, Duval was active principally on the New York City jazz scene. He did not begin recording regularly until the 1990s, but since then had appeared on a very large number of albums, particularly on the labels CIMP, Cadence Jazz, and Leo Records. As a result, Duval was described by Allmusic as "unquestionably...one of the most-recorded free jazz bassists on the planet". Todd Jenkins describes Duval and drummer Jay Rosen as the "house rhythm section" for CIMP, given the number of recordings on which they have jointly appeared. Duval's freedom of expression was paramount in his playing. Duval played his Hutchings bass more often like a violin, guitar or lead saxophone. He displayed fast lines and rich textures. Seldom did he play the bass in a traditional role low pitch rhythmic role. Instead he freely interacted with other members within the ensemble. Duval died on July 22, 2016. Discography ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristan Honsinger
Tristan Honsinger (born October 23, 1949) is an American cello player active in free jazz and free improvisation. He is perhaps best known for his long-running collaboration with free jazz pianist Cecil Taylor and guitarist Derek Bailey. Born in Burlington, Vermont, United States, Honsinger was given music lessons from a very early age, as his mother had hopes of creating a chamber orchestra together with his brother and sister. At the age of 12, Tristan would give concerts on a nearly weekly basis. He studied classical cello at the New England Conservatory in Boston before moving to Montreal in 1969 to avoid the draft. While in Canada, he became interested in improvisational music. Honsinger moved to Europe in 1974 and was active throughout the continent. He operates from Amsterdam in the Netherlands. Honsinger has a striking appearance, with body language reminiscent of that of a slapstick actor. He has experimented with a combo of three string-players (violin, cello and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
