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Cornelius Cardew
Cornelius Cardew (7 May 193613 December 1981) was an English experimental music composer, and founder (with Howard Skempton and Michael Parsons) of the Scratch Orchestra, an experimental performing ensemble. He later rejected experimental music, explaining why he had "discontinued composing in an avantgarde idiom" in his own programme notes to his Piano Album 1973. Biography Cardew was born in Winchcombe, Gloucestershire. He was the second of three sons whose parents were both artists—his father was the potter Michael Cardew. The family moved to Wenford Bridge Pottery Cornwall a few years after his birth where he was first nurtured as a chorister at Canterbury Cathedral, and later at The King's School, Canterbury which had evacuated to the Carlyon Bay Hotel for the war. His musical career thus began as a chorister. From 1953 to 1957, Cardew studied piano, cello, and composition at the Royal Academy of Music in London. Career Having won a scholarship to study at the recently ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Music
Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music. Elements of experimental music include indeterminate music, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Artists may also approach a hybrid of disparate styles or incorporate unorthodox and unique elements. The practice became prominent in the mid-20th century, particularly in Europe and North America. John Cage was one of the earliest composers to use the term and one of experimental music's primary innovators, utilizing indeterminacy techniques and seeking unknown outcomes. In France, as early as 1953, Pierre Schaeffer had begun using the term ''musique expérimentale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Tudor
David Eugene Tudor (January 20, 1926 – August 13, 1996) was an American pianist and composer of experimental music. Life and career Tudor was born in Philadelphia, Pennsylvania. He studied piano with Irma Wolpe and composition with Stefan Wolpe and became known as one of the leading performers of avant garde piano music. He gave the first American performance of the '' Piano Sonata No. 2'' by Pierre Boulez in 1950, and a European tour in 1954 greatly enhanced his reputation. Karlheinz Stockhausen dedicated his ''Klavierstück VI'' (1955) to Tudor. Tudor also gave early performances of works by Morton Feldman, Earle Brown, Christian Wolff and La Monte Young. The composer with whom Tudor is particularly associated is John Cage; he gave the premiere of Cage's '' Music of Changes'', ''Concert For Piano and Orchestra'' and the notorious ''4' 33"''. Cage said that many of his pieces were written either specifically for Tudor to perform or with him in mind, once stating "what yo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lou Gare
Leslie Arthur "Lou" Gare (16 June 1939 – 6 October 2017) was a British free-jazz saxophonist born in Rugby, Warwickshire, England, perhaps best known for his works with the improvised music ensemble AMM and playing with musicians such as Eddie Prévost, Mike Westbrook, Cornelius Cardew, Keith Rowe and Sam Richards. Discography With AMM *''At the Roundhouse'' (Anomalous) *''AMM Group of London'' ( Mainstream) *''To Hear And Back Again'' (Matchless) *''Cornelius Cardew Cornelius Cardew (7 May 193613 December 1981) was an English experimental music composer, and founder (with Howard Skempton and Michael Parsons) of the Scratch Orchestra, an experimental performing ensemble. He later rejected experimental music, ... Memorial Concert'' (Impetus) *''The Crypt - 12 June 1968'' (Matchless) *"The Aarhus Sequences", disc one of ''LAMINAL'', a three CD retrospective AMM set (Matchless) Other than with AMM *''Saxophony Horn-Bill'', reed solos compilation 2005 (incl. John Butcher, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AMM (group)
AMM is a British free improvisation group that was founded in London, England, in 1965. The group was initially composed of Keith Rowe on guitar, Lou Gare on saxophone, and Eddie Prévost on drums. The three men shared an interest in exploring music beyond the boundaries of conventional jazz, as in free jazz and free improvisation. AMM never achieved widespread popularity, but have been influential in improvised music. Most of their albums have been released by Matchless Recordings, which is run by Eddie Prévost. In a 2001 interview, Keith Rowe was asked if "AMM" was an abbreviation. He replied, "The letters AMM stand for something, but as you probably know it's a secret!" History 1960s AMM was initially composed of Keith Rowe on guitar, Lou Gare on saxophone and Eddie Prévost on drums. Rowe and Gare were members of Mike Westbrook's jazz band; Prévost and Gare were also in a hard bop jazz quintet. The three men shared a common interest in exploring music beyond the boun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Improvisation
Free improvisation or free music is improvised music without any rules beyond the logic or inclination of the musician(s) involved. The term can refer to both a technique (employed by any musician in any genre) and as a recognizable genre in its own right. Free improvisation, as a genre of music, developed in the U.S. and Europe in the mid to late 1960s, largely as an outgrowth of free jazz and modern classical musics. Exponents of free improvised music include saxophonists Evan Parker, Anthony Braxton, Peter Brötzmann, and John Zorn, composer Pauline Oliveros, drummer Christian Lillinger, trombonist George E. Lewis, guitarists Derek Bailey, Henry Kaiser and Fred Frith and the improvising groups Spontaneous Music Ensemble, The Music Improvisation Company, Iskra 1903, The Art Ensemble of Chicago and AMM. Characteristics In an atonal context, free improvisation refers to where the focus shifts from harmony to other dimensions of music: timbre, melodic intervals, rhy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ezra Pound
Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an expatriate American poet and critic, a major figure in the early modernist poetry movement, and a Fascism, fascist collaborator in Italy during World War II. His works include ''Ripostes'' (1912), ''Hugh Selwyn Mauberley'' (1920), and his 800-page Epic poetry, epic poem, ''The Cantos'' (c. 1917–1962). Pound's contribution to poetry began in the early 20th century with his role in developing Imagism, a movement stressing precision and economy of language. Working in London as foreign editor of several American literary magazines, he helped discover and shape the work of contemporaries such as T. S. Eliot, Ernest Hemingway, and James Joyce. He was responsible for the 1914 serialization of Joyce's ''A Portrait of the Artist as a Young Man'', the 1915 publication of Eliot's "The Love Song of J. Alfred Prufrock", and the serialization from 1918 of Joyce's ''Ulysses (novel), Ulysses''. Hemingway wrote ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Confucius
Confucius ( ; zh, s=, p=Kǒng Fūzǐ, "Master Kǒng"; or commonly zh, s=, p=Kǒngzǐ, labels=no; – ) was a Chinese philosopher and politician of the Spring and Autumn period who is traditionally considered the paragon of Chinese sages. Confucius's teachings and philosophy underpin East Asian culture and society, remaining influential across China and East Asia to this day. Confucius considered himself a transmitter for the values of earlier periods which he claimed had been abandoned in his time. His philosophical teachings, called Confucianism, emphasized personal and governmental morality, correctness of social relationships, justice, kindness, and sincerity. His followers competed with many other schools during the Hundred Schools of Thought era, only to be suppressed in favor of the Legalists during the Qin dynasty. After the collapse of Qin and the victory of Han over Chu, Confucius's thoughts received official sanction in the new government. During the Tang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Great Learning (music)
The ''Great Learning'' or ''Daxue'' was one of the "Four Books" in Confucianism attributed to one of Confucius' disciples, Zengzi. The ''Great Learning'' had come from a chapter in the ''Book of Rites'' which formed one of the Five Classics. It consists of a short main text of the teachings of Confucius transcribed by Zengzi and then ten commentary chapters supposedly written by Zengzi. The ideals of the book were attributed to Confucius, but the text was written by Zengzi after his death. The "Four Books" were selected by the neo-Confucian Zhu Xi during the Song dynasty as a foundational introduction to Confucianism. Examinations for the state civil service in China came to follow his lead. Writing and influence Confucius, who incorporated ideas from earlier philosophers, compiled or edited the ''Classic of Rites'' and the ''Spring and Autumn Annals'', two of the Five Classics. Confucius' student Zengzi wrote the introduction and exposition of the ''Great Learning''. Zengzi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graphic Notation (music)
Graphic notation (or graphic score) is the representation of music through the use of visual symbols outside the realm of traditional music notation. Graphic notation became popular in the 1950s, and can be used either in combination with or instead of traditional music notation.Pryer, Anthony. "Graphic Notation." ''The Oxford Companion to Music'', edited by Alison Latham. ''Oxford Music Online''. 12 April 2011 Graphic notation was influenced by contemporary visual art trends in its conception, bringing stylistic components from modern art into music. Composers often rely on graphic notation in experimental music, where standard musical notation can be ineffective. Other uses include pieces where an aleatoric or undetermined effect is desired. One of the earliest pioneers of this technique was Earle Brown, who, along with John Cage, sought to liberate performers from the constraints of notation and make them active participants in the creation of the music. Characteristics Graph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Treatise (music)
''Treatise'' is a musical composition by British composer Cornelius Cardew (1936–81). Summary Written between 1963 and 1967, ''Treatise'' is a graphic musical score comprising 193 pages of lines, symbols, and various geometric or abstract shapes that largely eschew conventional musical notation. Implicit in the title is a reference to the philosophy of Ludwig Wittgenstein, which was of particular inspiration to Cardew in composing the work. The score is not accompanied by any explicit instructions to the performers in how to perform the work, or what sound-producing means are to be used. Although the bottom of each page has two five-line musical staves, this is apparently not meant to suggest piano or other keyboard instrument(s), only to indicate that the graphic elements are musical and not purely artistic in character. Although the score allows for absolute interpretive freedom (no one interpretation will sound like another), the work is not normally played spontaneously, as Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Wolff (composer)
Christian G. Wolff (born March 8, 1934) is an American composer of experimental classical music and classicist. Biography Wolff was born in Nice, France, to the German literary publishers Helen and Kurt Wolff, who had published works by Franz Kafka, Robert Musil, and Walter Benjamin. After relocating to the U.S. in 1941, they helped to found Pantheon Books with other European intellectuals who had fled Europe during the rise of fascism. The Wolffs published a series of notable English translations of European literature, mostly, as well as an edition of the ''I Ching'' that came to greatly impress John Cage after Wolff had given him a copy. Wolff became an American citizen in 1946. When he was sixteen (in 1950) his piano teacher Grete Sultan sent him for lessons in composition to the new music composer John Cage. Wolff soon became a close associate of Cage and his artistic circle which was part of the New York School and included the fellow composers Earle Brown and Morto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Earle Brown
Earle Brown (December 26, 1926 – July 2, 2002) was an American composer who established his own formal and notational systems. Brown was the creator of "open form," a style of musical construction that has influenced many composers since—notably the downtown New York scene of the 1980s (see John Zorn) and generations of younger composers. Among his most famous works are ''December 1952'', an entirely graphic score, and the open form pieces ''Available Forms I & II'', ''Centering'', and ''Cross Sections and Color Fields''. He was awarded a Foundation for Contemporary Arts John Cage Award (1998). Life Brown was born in Lunenburg, Massachusetts, and first devoted himself to playing jazz. He initially considered a career in engineering, and enrolled for engineering and mathematics at Northeastern University (1944–45). He enlisted in the U.S. Air Force in 1945. However, the war ended while he was still in basic training, and he was assigned to the base band at Randolph F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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