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Copenhagen (song)
Copenhagen is a jazz standard composed in 1924 by bandleader Charlie Davis and first recorded in that year by the Wolverine Orchestra featuring Bix Beiderbecke in a foxtrot tempo. The title refers to Copenhagen tobacco, favored by Davis's bass player. Lyrics were added by Walter Melrose to the tune, which is a blues in B-flat. History On April 5, 1924, Davis's jazz band began an engagement at the Ohio Theater in Indianapolis, Indiana, and performed the song "Copenhagen." That evening, members of The Wolverines, including cornetist Bix Beiderbecke, heard the performance and asked Davis to be allowed to perform the tune in their own engagement. Davis agreed. The Wolverines subsequently worked out their own arrangement in the course of engagements at Indiana University and elsewhere over the following weeks. The Wolverines recorded it at Gennett Studios in Richmond, Indiana on May 6, 1924. The single was released by Gennett Records as 5453-B and also by Claxtonola Records as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Copenhagen Wolverine Orchestra Gennett 5453
Copenhagen ( or .; da, København ) is the capital and most populous city of Denmark, with a proper population of around 815.000 in the last quarter of 2022; and some 1.370,000 in the urban area; and the wider Copenhagen metropolitan area has 2,057,142 people. Copenhagen is on the islands of Zealand and Amager, separated from Malmö, Sweden, by the Øresund strait. The Øresund Bridge connects the two cities by rail and road. Originally a Vikings, Viking fishing village established in the 10th century in the vicinity of what is now Gammel Strand, Copenhagen became the capital of Denmark in the early 15th century. Beginning in the 17th century, it consolidated its position as a regional centre of power with its institutions, defences, and armed forces. During the Renaissance the city served as the de facto capital of the Kalmar Union, being the seat of monarchy, governing the majority of the present day Nordic countries, Nordic region in a personal union with Sweden and N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timeless Records
Timeless Records is a jazz record label based in the Netherlands. Timeless was founded in Wageningen in 1975 by Wim Wigt. It has specialized in bebop, though it also did a sub-series of releases of Dixieland and swing recordings. As of 2000, the label had issued some 600 albums, and had two sub-labels, World Wide Jazz and Limetree Records. In the late 1970s, Timeless partnered with Muse Records to distribute Timeless Muse. The label sponsored the Timeless All Stars, a six-piece ensemble founded by Wigt in 1981. The initial membership of the group was Harold Land, Curtis Fuller, Bobby Hutcherson, Cedar Walton, Buster Williams, and Billy Higgins. Among the label's significant releases are '' Dizzy Gillespie Meets Phil Woods Quintet'', McCoy Tyner's '' Bon Voyage'', Lou Donaldson's ''Forgotten Man'' and albums by the George Adams-Don Pullen Quartet. Timeless Historical is a sub-label of Timeless Records that contain CDs dedicated to early jazz. The series started in 1991 under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Compositions
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Instrumentals
A backing track is an audio recording on audiotape, CD or a digital recording medium or a MIDI recording of synthesized instruments, sometimes of purely rhythmic accompaniment, often of a rhythm section or other accompaniment parts that live musicians play along with or sing along to. Backing tracks enable singers and bands to add parts to their music which would be impractical or impossible to perform live, such as string section or choir parts which were recorded in the studio. A backing track can be used by a one person band (e.g., a singer-guitarist) to add any amount of bass, drums and keyboards to their live shows without the cost of hiring extra musicians. A small pop group or rock band (e.g., a power trio) can use backing tracks to add a string section, horn section, drumming or backing vocals to their live shows. Uses Bands or solo musicians may use backing tracks to add extra instrumental or vocal tracks to a live performance, to enhance the sound (as in the employment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1920s Jazz Standards
Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1920s that are considered standards by at least one major book publication or reference work. Some of the tunes listed were already well-known standards by the 1930s, while others were popularized later. The time of the most influential recordings of a song, where appropriate, is indicated on the list. A period known as the " Jazz Age" started in the United States in the 1920s. Jazz had become popular music in the country, although older generations considered the music immoral and threatening to old cultural values. Dances such as the Charleston and the Black Bottom were very popular during the period, and jazz bands typically consisted of seven to twelve musicians. Important orchestras in New York were led by Fletcher Henderson, Paul Whiteman and Duke Ellington. Many New Orleans jazzm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1924 Songs
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theresa Brewer
Teresa Brewer (born Theresa Veronica Breuer; May 7, 1931 – October 17, 2007) was an American singer whose style incorporated pop, country, jazz, R&B, musicals, and novelty songs. She was one of the most prolific and popular female singers of the 1950s, recording nearly 600 songs. Early life Brewer was born in Toledo, Ohio, the eldest of five siblings. Her father was a glass inspector for the Libbey Owens Company (now part of Pilkington Glass), and her mother was a housewife. Her father was from Germany. Her mother's family had a background in Hungary and Belarus. Career An agent, Richie Lisella, heard her sing and took her career in hand, and soon she was signed to a contract with London Records. In 1949 she recorded the song Copenhagen (a jazz perennial) with the Dixieland All-Stars. For the B side she recorded the song "Music! Music! Music!". Unexpectedly, it was not the A side but the B side which took off, selling over a million copies and becoming Teresa's signature song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorsey Brothers Orchestra
The Dorsey Brothers were an American studio dance band, led by Tommy and Jimmy Dorsey. They started recording in 1928 for OKeh Records. History The Dorsey Brothers recorded songs for the dime store labels (Banner, Cameo, Domino, Jewel, Oriole, Perfect). A handful of sides during their Brunswick period were issued by Vocalion. They signed to Decca in 1934, formed a touring band, with Tommy as front man, and a rather unusual lineup of one trumpet, three trombones, three saxes and four rhythm. The band performed live mainly in the New England area, with acrimony between the brothers steadily building up, until a definitive falling out between Tommy and Jimmy over the tempo of "I'll Never Say Never Again Again" in May 1935, after which Tommy walked off the stage. Glenn Miller composed four songs for the Dorsey Brothers when he was a member in 1934 and 1935, " Annie's Cousin Fannie", on which both Tommy and Glenn share the rather racy vocal, "Dese Dem Dose", "Harlem Chapel Chimes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artie Shaw
Artie Shaw (born Arthur Jacob Arshawsky; May 23, 1910 – December 30, 2004) was an American clarinetist, composer, bandleader, actor and author of both fiction and non-fiction. Widely regarded as "one of jazz's finest clarinetists", Shaw led one of the United States' most popular big bands in the late 1930s through the early 1940s. Though he had numerous hit records, he was perhaps best known for his 1938 recording of Cole Porter's "Begin the Beguine." Before the release of "Beguine," Shaw and his fledgling band had languished in relative obscurity for over two years and, after its release, he became a major pop artist within short order. The record eventually became one of the era's defining recordings. Musically restless, Shaw was also an early proponent of what became known much later as Third Stream music, which blended elements of classical and jazz forms and traditions. His music influenced other musicians, such as Monty Norman in England, with the vamp of the James Bond ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kid Ory
Edward "Kid" Ory (December 25, 1886 – January 23, 1973) was an American jazz composer, trombonist and bandleader. One of the early users of the glissando technique, he helped establish it as a central element of New Orleans jazz. He was born near LaPlace, Louisiana and moved to New Orleans on his 21st birthday, to Los Angeles in 1910 and to Chicago in 1925. The Ory band later was an important force in reviving interest in New Orleans jazz, making radio broadcasts on ''The Orson Welles Almanac'' program in 1944, among other shows. In 1944–45, the group made a series of recordings for the Crescent label, which was founded by Nesuhi Ertegun for the express purpose of recording Ory's band. Ory retired from music in 1966 and spent his last years in Hawaii. Biography Ory was born in 1886 to a Louisiana French-speaking family of Black Creole descent, on Woodland Plantation in Laplace, now the site of 1811 Kid Ory Historic House. Ory started playing music with homemade ins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Earl Hines
Earl Kenneth Hines, also known as Earl "Fatha" Hines (December 28, 1903 – April 22, 1983), was an American jazz pianist and bandleader. He was one of the most influential figures in the development of jazz piano and, according to one source, "one of a small number of pianists whose playing shaped the history of jazz". The trumpeter Dizzy Gillespie (a member of Hines's big band, along with Charlie Parker) wrote, The piano is the basis of modern harmony. This little guy came out of Chicago, Earl Hines. He changed the style of the piano. You can find the roots of Bud Powell, Herbie Hancock, all the guys who came after that. If it hadn't been for Earl Hines blazing the path for the next generation to come, it's no telling where or how they would be playing now. There were individual variations but the style of … the modern piano came from Earl Hines. The pianist Lennie Tristano said, "Earl Hines is the ''only'' one of us capable of creating real jazz and real swing when play ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bud Freeman
Lawrence "Bud" Freeman (April 13, 1906 – March 15, 1991) was an American jazz musician, bandleader, and composer, known mainly for playing tenor saxophone, but also the clarinet. Biography In 1922, Freeman and some friends from high school formed the Austin High School Gang. Freeman played the C melody saxophone with band members such as Jimmy McPartland and Frank Teschemacher. before switching to tenor saxophone two years later. The band was influenced by the New Orleans Rhythm Kings and Louis Armstrong. While Armstrong was in King Oliver's Creole Jazz Band, Freeman attended performances at Lincoln Gardens with McPartland. They were nicknamed "Alligators". In 1927, he moved to New York City, where he worked as a session musician and band member with Red Nichols, Roger Wolfe Kahn, Ben Pollack, and Joe Venuti. One of his most notable performances was a solo on Eddie Condon's 1933 recording, ''The Eel'', which became Freeman's nickname for his long snake-like improvisation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
