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Cookie Cook
Charles “Cookie” Cook (February 11, 1914 – August, 1991) was a tap dancer who performed in the heyday of tap through the 1980s, and was a founding member of the Copasetics. He was the dance partner of Ernest “Brownie” Brown, with whom he performed from the days of vaudeville into the 1960s. They performed in film, such as Dorothy Dandridge 1942 “soundie” ''Cow Cow Boogie'', on Broadway in the 1948 musical '' Kiss Me, Kate'', twice at the Newport Jazz Festival, as well in other acts, including “Garbage and His Two Cans” in which they played the garbage cans. He headlined venues including New York's Palace, the Apollo, Radio City Music Hall, Cotton Club, and London Palladium.Constance Valis Hill, “Charles ‘Cookie’ Cook iography” Tap Dance in America: A Twentieth-Century Chronology of Tap Performance on Stage, Film, and Media, Library of Congress, accessed May 4, 2022, http://memory.loc.gov/diglib/ihas/loc.music.tdabio.58/default.html. Quoted as saying ...
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Tap Dance
Tap dance is a form of dance characterized by using the sounds of tap shoes striking the floor as a form of percussion. Two major variations on tap dance exist: rhythm (jazz) tap and Broadway tap. Broadway tap focuses on dance; it is widely performed in musical theater. Rhythm tap focuses on musicality, and practitioners consider themselves to be a part of the jazz tradition. The sound is made by shoes that have a metal "tap" on the heel and toe. There are different brands of shoes which sometimes differ in the way they sound. Ok History The fusion of several ethnic percussive dances, such as West African step dances and Welsh, Irish, and Scottish clog dancing, hornpipes, and jigs, tap dance is believed to have begun in the mid-1800s during the rise of minstrel shows. As minstrel shows began to decline in popularity, tap dance moved to the increasingly popular Vaudeville stage. Due to Vaudeville's unspoken "two-colored rule", which forbade blacks to perform solo, many Vaudevi ...
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