Convento De San Esteban, Salamanca
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Convento De San Esteban, Salamanca
The Convento de San Esteban is a Dominican monastery situated in the Plaza del Concilio de Trento (Council of Trent) in the Spanish city of Salamanca. History The Dominicans settled in Salamanca in about 1255, but their original monastery was demolished to construct the parish church of St. Stephen in 1524, at the initiative of Cardinal Juan Álvarez de Toledo. Construction took until 1610, and involved Martin de Santiago, Rodrigo Gil de Hontañón, and Pedro Gutiérrez. However, the layout and design are by Juan de Álava, who began the work in 1524, as evidenced by a plan in his possession. Rodrigo Gil de Hontañón was involved with the transepts and the dome. Although the church is considered to be an excellent example of the Plateresque style, the long period of construction explains the mixture of styles ranging from Gothic to the late Baroque, the latter not so noticeable in the architecture but very apparent in the reredos of the main altar by José de Churriguera. ...
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Iglesia San Esteban Salamanca
Iglesia may refer to: * Iglesia Department * Iglesia ni Cristo * Iglesia Filipina Independiente , native_name_lang = fil , icon = Logo of the Philippine Independent Church (Aglipayan Church).svg , icon_width = 80px , icon_alt = Coat of arms of the Philippine Independent Church , image ... * Iglesia (Metro Madrid), a station on Line 1 {{disambiguation ...
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Francisco De Vitoria
Francisco de Vitoria ( – 12 August 1546; also known as Francisco de Victoria) was a Spanish Roman Catholic philosophy, philosopher, theology, theologian, and jurist of Renaissance Spain. He is the founder of the tradition in philosophy known as the School of Salamanca, noted especially for his concept of just war and international law. He has in the past been described by scholars as the "father of international law", along with Alberico Gentili and Hugo Grotius, though some contemporary academics have suggested that such a description is anachronistic, since the concept of postmodern international law did not truly develop until much later. American jurist Arthur Nussbaum noted Vitoria's influence on international law as it pertained to the right to trade overseas. Later this was interpreted as "freedom of commerce". Life Vitoria was born in Burgos or Vitoria-Gasteiz and was raised in Burgos, the son of Pedro de Vitoria, of Alava, and Catalina de Compludo, both of noble fami ...
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Convento De San Esteban
The Convento de San Esteban is a Dominican monastery situated in the Plaza del Concilio de Trento (Council of Trent) in the Spanish city of Salamanca. History The Dominicans settled in Salamanca in about 1255, but their original monastery was demolished to construct the parish church of St. Stephen in 1524, at the initiative of Cardinal Juan Álvarez de Toledo. Construction took until 1610, and involved Martin de Santiago, Rodrigo Gil de Hontañón, and Pedro Gutiérrez. However, the layout and design are by Juan de Álava, who began the work in 1524, as evidenced by a plan in his possession. Rodrigo Gil de Hontañón was involved with the transepts and the dome. Although the church is considered to be an excellent example of the Plateresque style, the long period of construction explains the mixture of styles ranging from Gothic to the late Baroque, the latter not so noticeable in the architecture but very apparent in the reredos of the main altar by José de Churriguera. A ...
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Domingo De Soto
Domingo de Soto, O.P. (1494 – 15 November 1560) was a Spanish Dominican priest and Scholastic theologian born in Segovia (Spain), and died in Salamanca (Spain), at the age of 66. He is best known as one of the founders of international law and of the Spanish Thomistic philosophical and theological movement known as the School of Salamanca. He is also known for his contributions to Mechanical Physics. Biography De Soto was born in Segovia. Trained in Alcalá, Spain, and Paris, France, before being made professor of philosophy at Alcalá in 1520, he left academia in 1524 to join the Dominicans and returned to take the chair of theology at Salamanca University in 1532. He is best known in economic theory and theological circles for his writings defending the price differential in usury as compatible with "just price" from the perspective of the Thomists. He held powerful positions, including Confessor of Holy Roman Emperor Charles V and the emperor's representative at the Cou ...
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Presbytery (architecture)
In church architecture, the chancel is the space around the altar, including the choir and the sanctuary (sometimes called the presbytery), at the liturgical east end of a traditional Christian church building. It may terminate in an apse. Overview The chancel is generally the area used by the clergy and choir during worship, while the congregation is in the nave. Direct access may be provided by a priest's door, usually on the south side of the church. This is one definition, sometimes called the "strict" one; in practice in churches where the eastern end contains other elements such as an ambulatory and side chapels, these are also often counted as part of the chancel, especially when discussing architecture. In smaller churches, where the altar is backed by the outside east wall and there is no distinct choir, the chancel and sanctuary may be the same area. In churches with a retroquire area behind the altar, this may only be included in the broader definition of chancel. I ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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Choir
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a polychoral composition. In typical 18th century to 21st century oratorios and masses, 'choru ...
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Nave
The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts.Cram, Ralph Adams Nave The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. Accessed 13 July 2018 Either way, the nave is distinct from the area reserved for the choir and clergy. Description The nave extends from the entry—which may have a separate vestibule (the narthex)—to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three naves. ...
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Latin Cross
A Latin cross or ''crux immissa'' is a type of cross in which the vertical beam sticks above the crossbeam, with the three upper arms either equally long or with the vertical topmost arm shorter than the two horizontal arms, and always with a much longer bottom arm. If displayed upside down it is called St. Peter's Cross, because he was reputedly executed on this type of cross.Joyce Mori, ''Crosses of Many Cultures'' (Harrisburg, PA: Morehouse Publishing, 1998), p. 32 When displayed sideways it is called St. Philip's cross for the same reason. History In a broad sense, the Latin cross is used to represent all of Christianity and Christendom, given that it teaches that Jesus sacrificed himself for humanity upon it, atoning for the sins of the world. It is especially used among the denominations of Western Christianity, including the Roman Catholic tradition and several Protestant traditions, such as Lutheranism, Moravianism, Anglicanism, Methodism, and Reformed Christianity, ...
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Spandrel
A spandrel is a roughly triangular space, usually found in pairs, between the top of an arch and a rectangular frame; between the tops of two adjacent arches or one of the four spaces between a circle within a square. They are frequently filled with decorative elements. Meaning There are four or five accepted and cognate meanings of the term ''spandrel'' in architectural and art history, mostly relating to the space between a curved figure and a rectangular boundary – such as the space between the curve of an arch and a rectilinear bounding moulding, or the wallspace bounded by adjacent arches in an arcade and the stringcourse or moulding above them, or the space between the central medallion of a carpet and its rectangular corners, or the space between the circular face of a clock and the corners of the square revealed by its hood. Also included is the space under a flight of stairs, if it is not occupied by another flight of stairs. In a building with more than one floor ...
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