Convent Thoughts
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Convent Thoughts
''Convent Thoughts'' is a painting by the Pre-Raphaelite painter Charles Allston Collins which was created between 1850 and 1851. Collins sent it to the Royal Academy of Arts in 1851 where it was exhibited. The painting shows a nun contemplating a passion flower symbolising the crucifixion of Christ. She is standing in a walled garden full of minutely detailed flowers. In her left hand she holds an illumination (manuscript), illuminated missal, held not as though she had been reading it but so as to show us the Annunciation and the Crucifixion. Her costume shows that she is a novice, presumably meditating on her final vows. The flowers were painted in the Oxford garden of Thomas Combe, an early collector of Pre-Raphaelite paintings, and the model is often said to have been his housemaid, Frances Sarah Ludlow, later Mrs Brucker. Probably she modelled for preliminary sketches for the painting, but recent research has shown that the face is almost certainly that of Sarah Eliza Hack ...
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Charles Allston Collins
''Convent Thoughts'' (1850–51; Ashmolean Museum, Oxford) Charles Allston Collins (London 25 January 1828 – 9 April 1873) was a British painter, writer, and illustrator associated with the Pre-Raphaelite Brotherhood. Life and work Early years Collins was born in Hampstead, north London, the son of landscape and genre painter William Collins. His older brother was the novelist Wilkie Collins. He was educated at Stonyhurst College in Lancashire. Painting career Collins met John Everett Millais and became influenced by the ideas of the Pre-Raphaelites, completing his painting '' Berengaria's Alarm'' in 1850. This depicted the wife of King Richard the Lionheart noticing her missing husband's girdle offered for sale by a peddlar. The flattened modelling, emphasis on pattern making, and imagery of embroidery were all characteristic features of Pre-Raphaelitism. Millais proposed that Collins should become a member of the Brotherhood, but Thomas Woolner and William Mich ...
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The Times
''The Times'' is a British daily national newspaper based in London. It began in 1785 under the title ''The Daily Universal Register'', adopting its current name on 1 January 1788. ''The Times'' and its sister paper ''The Sunday Times'' (founded in 1821) are published by Times Newspapers, since 1981 a subsidiary of News UK, in turn wholly owned by News Corp. ''The Times'' and ''The Sunday Times'', which do not share editorial staff, were founded independently and have only had common ownership since 1966. In general, the political position of ''The Times'' is considered to be centre-right. ''The Times'' is the first newspaper to have borne that name, lending it to numerous other papers around the world, such as ''The Times of India'', ''The New York Times'', and more recently, digital-first publications such as TheTimesBlog.com (Since 2017). In countries where these other titles are popular, the newspaper is often referred to as , or as , although the newspaper is of nationa ...
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Paintings In The Collection Of The Ashmolean Museum
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Pre-Raphaelite Paintings
The Pre-Raphaelite Brotherhood (later known as the Pre-Raphaelites) was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner who formed a seven-member "Brotherhood" modelled in part on the Nazarene movement. The Brotherhood was only ever a loose association and their principles were shared by other artists of the time, including Ford Madox Brown, Arthur Hughes and Marie Spartali Stillman. Later followers of the principles of the Brotherhood included Edward Burne-Jones, William Morris and John William Waterhouse. The group sought a return to the abundant detail, intense colours and complex compositions of Quattrocento Italian art. They rejected what they regarded as the mechanistic approach first adopted by Mannerist artists who succeeded Raphael and Michelangelo. The Brotherhood believed the Classica ...
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1851 Paintings
Events January–March * January 11 – Hong Xiuquan officially begins the Taiping Rebellion. * January 15 – Christian Female College, modern-day Columbia College, receives its charter from the Missouri General Assembly. * January 23 – The flip of a coin, subsequently named Portland Penny, determines whether a new city in the Oregon Territory is named after Boston, Massachusetts, or Portland, Maine, with Portland winning. * January 28 – Northwestern University is founded in Illinois. * February 1 – ''Brandtaucher'', the oldest surviving submersible craft, sinks during acceptance trials in the German port of Kiel, but the designer, Wilhelm Bauer, and the two crew escape successfully. * February 6 – Black Thursday in Australia: Bushfires sweep across the state of Victoria, burning about a quarter of its area. * February 12 – Edward Hargraves claims to have found gold in Australia. * February 15 – In Boston, Massachusetts, ...
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Tim Barringer
Tim Barringer is the Paul Mellon professor of the history of art at Yale University. Selected publications *''Opulence and Anxiety: Landscape Paintings from the Royal Academy''. Kineton, Warwickshire: Compton Verney, 2007. *''Men at Work: Art and Labour in Victorian Britain''. New Haven: Yale University Press, 2006.Winner of the Historians of British Art book prize, best book on British art after 1800, 2007. *''Art and the British Empire''. Manchester: Manchester University Press Manchester University Press is the university press of the University of Manchester, England and a publisher of academic books and journals. Manchester University Press has developed into an international publisher. It maintains its links with th ..., 2007. (edited with Geoff Quilley and Douglas Fordham) *''Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds''. New Haven: Yale University Press, 2007. (Edited with Gillian Forrester and Barbaro Martinez-Ruiz) *"Sonic Spectacles of Empire ...
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Tate Publishing Ltd
Tate Publishing is a publisher of visual arts books, associated with the Tate Gallery in London, England. It was established in 1911; nowadays it is a division of Tate Enterprises Ltd, an independent company wholly owned by the Trustees of Tate, and is based at Tate Britain, Millbank, London.Tate Publishing Ltd information
, Applegate Business to Business Directory. Retrieved 2009-09-02. In 2001, it produced 30 new book titles and had gross sales of £4 million, a large increase over previous years due to the opening of the
Tate Modern Tate Modern is an art gallery located in London. It houses the United Kingdom's national collection of international modern and contemporary art, and forms ...
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Elizabeth Prettejohn
Elizabeth Francesca Prettejohn (born 15 May 1961) is an art historian and author of several books about art history. Her books have included ''Rossetti and his Circle'' (1997), ''The Art of the Pre-Raphaelites'' (2000) and ''Art for Art's Sake'' (2007). She has also co-edited and co-authored several publications. She has written exhibition catalogues and papers for journals such as ''The Burlington Magazine'', ''Journal of Victorian Culture'' and ''Art Bulletin''. Education and career Prettejohn was the Professor of the history of art at the University of Bristol from 2005, before becoming head of the history of art at the University of York in 2012. She had also been the Professor of Modern Art at the University of Plymouth and (briefly) the curator of Paintings and Sculpture at Birmingham Museum and Art Gallery. She studied at Harvard University, where she got her Bachelor of Arts degree (summa cum laude), and at the Courtauld Institute of Art, where she got her Master of Ar ...
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Alisma
''Alisma'' is a genus of flowering plants in the family Alismataceae, members of which are commonly known as water-plantains. The genus consists of aquatic plants with leaves either floating or submerged, found in a variety of still water habitats around the world (nearly worldwide). The flowers are hermaphrodite, and are arranged in panicles, racemes, or umbels. ''Alisma'' flowers have six stamens, numerous free carpels in a single whorl, each with 1 ovule, and subventral styles. The fruit is an achene with a short beak. The nineteenth century British art and social critic John Ruskin believed that the particular curve of the leaf-ribs of ''Alisma'' represented a model of ' divine proportion' and helped shape his theory of Gothic architecture.J. Mordaunt Crook, "Ruskinian Gothic" in The Ruskin Polygon: Essays on the Imagination of John Ruskin ed. John Dixon Hunt and Faith M. Holland (Manchester University Press, 1982) pp. 65–93. ''Copóg Phádraig'' ("Patrick's leaf ...
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John Ruskin
John Ruskin (8 February 1819 20 January 1900) was an English writer, philosopher, art critic and polymath of the Victorian era. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and political economy. Ruskin's writing styles and literary forms were equally varied. He wrote essays and treatises, poetry and lectures, travel guides and manuals, letters and even a fairy tale. He also made detailed sketches and paintings of rocks, plants, birds, landscapes, architectural structures and ornamentation. The elaborate style that characterised his earliest writing on art gave way in time to plainer language designed to communicate his ideas more effectively. In all of his writing, he emphasised the connections between nature, art and society. Ruskin was hugely influential in the latter half of the 19th century and up to the First World War. After a period of relative decline, his reputation has steadily improved since the 1960s wi ...
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Martha Combe
Martha Howell Bennett Combe ( Edwards; 1806 - 27 December 1893) was a British art collector who was influential in supporting and promoting the work of the Pre-Raphaelite Brotherhood. Biography Combe was born in Oxford, one of the five daughters of a local ironmonger. In 1840 she married Thomas Combe, then a superintendent at the Oxford University Press but who became a senior partner at the Press and also very rich in the process. This allowed the couple to support several local charities and also to build their art collection. In particular they met and befriended Charles Allston Collins and John Everett Millais. Although the work of the Pre-Raphaelites' was being denounced by art critics, the Combes bought several substantial examples of their work. These included ''A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids'' by William Holman Hunt in 1850, ''The Return of the Dove to the Ark'' by Millais in 1851 and Collins' ''Convent ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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