Contrafacta
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Contrafacta
In vocal music, contrafactum (or contrafact, pl. contrafacta) is "the substitution of one text for another without substantial change to the music". The earliest known examples of this procedure (sometimes referred to as ''adaptation''), date back to the 9th century used in connection with Gregorian Chant. Categories Translations meant for singing are not usually intentional "substitution". Types of contrafacta that are wholesale substitution of a different text include the following: Poems set to music An existing tune already possessing secular or sacred words is given a new poem, which often happens in hymns, and sometimes, more than one new set of words is created over time. Examples include: * The words of ''What Child Is This?'' were fitted to the tune of the folksong "Greensleeves". * The Charles Wesley hymn text Hark! The Herald Angels Sing was fitted by William Hayman Cummings to a tune from Mendelssohn's Gutenberg cantata Festgesang. * The hymn tune "Dix" has been giv ...
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Aquilino Coppini
Aquilino Coppini (died 1629) was an Italian musician and lyricist. While in the service of Cardinal Federico Borromeo, he specialized in creating sacred ''contrafacta'' of secular madrigals. His ''contrafacta'' are of interest for their concentration on Monteverdi's madrigals (especially the third, fourth and fifth books) and for the form in which he treats the poetic text. According to Antonio Delfino, "rather than simply replacing the original text with a liturgical one, he ‘spiritualized’ then through a careful translation which, like an exercise in rhetorical expertise, reproduces the phonemes, accents and rhythms of the secular text." In a letter to Hendrik van den Putten Erycius Puteanus (4 November 1574 – 17 September 1646) was a humanist and philologist from the Low Countries. Name Erycius Puteanus is a latinization of his name, which was rendered in various ways, including Hendrick van den Putte (Put, Putt ... published in ''Epistolarum libri sex'' (1613), Coppin ...
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Claudio Monteverdi
Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and Baroque periods of music history. Born in Cremona, where he undertook his first musical studies and compositions, Monteverdi developed his career first at the court of Mantua () and then until his death in the Republic of Venice where he was ''maestro di cappella'' at the basilica of San Marco. His surviving letters give insight into the life of a professional musician in Italy of the period, including problems of income, patronage and politics. Much of Monteverdi's output, including many stage works, has been lost. His surviving music includes nine books of madrigals, large-scale religious works, such as his ''Vespro della Beata Vergine'' (''Vespers for the Blessed Virgin'') ...
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Vocal Music
Vocal music is a type of singing performed by one or more singers, either with musical instruments, instrumental accompaniment, or without instrumental accompaniment (a cappella), in which singing provides the main focus of the piece. Music which employs singing but does not feature it prominently is generally considered to be instrumental music (e.g. the wordless women's choir in the final movement of Gustav Holst, Holst's symphonic work ''The Planets'') as is music without singing. Music without any non-vocal instrumental accompaniment is referred to as ''a cappella''. Vocal music typically features sung words called lyrics, although there are notable examples of vocal music that are performed using non-linguistic syllables, sounds, or noises, sometimes as musical onomatopoeia, such as jazz scat singing. A short piece of vocal music with lyrics is broadly termed a song, although in different styles of music, it may be called an aria or hymn. Vocal music often has a sequence of s ...
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Oh What A Circus
"Oh What a Circus" is a song from the 1976 musical '' Evita'', which had lyrics by Tim Rice and music by Andrew Lloyd Webber. It was recorded by English singer David Essex and released as a single on August 19, 1978, by Mercury Records. Essex played the character of Che in the original London production of the musical, and the song is sung from his point-of-view. Produced and arranged by Mike Batt, "Oh What a Circus" is a mid-tempo song, comparing the musical's title character Eva Perón's life with a circus, and calling her actions fraudulent. The song is a contrafactum, and shares its tune with the better known "Don't Cry for Me Argentina" from the same show. "Oh What a Circus" was a commercial success for Essex, who had been dropped by his previous record company due to his declining sales. The song reached number 3 on the UK Singles Chart, and the top-30 in Belgium and Netherlands. In subsequent productions of the musical, "Oh What a Circus" has been sung by numerous performe ...
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Spicks And Specks (TV Series)
''Spicks and Specks'' is an Australian music-themed comedic television quiz show in which the host, Adam Hills, asks two teams, of three people each, varying music-themed questions in different games. Team leaders are Myf Warhurst and Alan Brough. Members of each team vary from episode to episode; one per team generally comes from the world of music and the other from comedy. Scores are kept, but the prize for the winners is simply personal satisfaction. Many games are named after, or otherwise reference, well known song titles. The series originally aired on what was then ABC1 at 8:30pm on Wednesday nights, with the show repeated on Thursdays on what was then ABC2 at 8pm. The previous year's season was repeated every Friday at 2:30pm on ABC1. After the show's end in 2011, and an unsuccessful 2014 relaunch featuring new hosts, a new series began airing in an hour-long weekly format from 18 April 2021 with the original hosts. Format The show's general style, employing a mix of ...
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Mark Russell
Mark Russell (born August 23, 1932) is an American political satirist and comedian. He is best known for his series of semimonthly comedy specials on PBS television between 1975 and 2004. His routines were a mix of political stand-up humor covering current events and musical parodies in which he accompanied himself on his trademark American flag-themed piano. Early life Mark Russell was born Joseph Marcus Ruslander and grew up in Buffalo, New York, where he graduated from Canisius High School. After high school, his family briefly moved to Florida, then to Washington, D.C., where he enrolled at George Washington University, but stayed for only a month before joining the Marines. Career Beginning in the early 1960s, he was a regular entertainer at the Shoreham Hotel in Washington, D.C. and did his first PBS show in 1975. From 1979 to 1984, he was a correspondent on the NBC reality TV show ''Real People''. He also made brief appearances on all six episodes of the short lived Star ...
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Capitol Steps
The Capitol Steps was an American political-satire group that performed from 1981 to 2020. Most of the Capitol Steps' material parodied well-known contemporary songs, usually introduced with a short skit. The songs were interspersed with other routines, including a spoonerism routine ("Lirty Dies") near the end of each performance with innuendoes about recent scandals. They have released over 40 albums, primarily song parodies. Originally consisting of congressional staffers who performed around Washington, D.C., the troupe was later primarily made up of professional actors and singers. The Capitol Steps have performed on PBS, public radio and in small- and medium-size venues around the United States. On January 13, 2021, the Capitol Steps announced via Twitter that they would be shutting down after 39 years of performing. The shutdown is due to the loss of revenue as a result of the COVID-19 pandemic. Reagan years In 1981, three Republican congressional staffers ( Bill Strauss, ...
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Musical Theatre
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre w ...
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Forbidden Broadway
''Forbidden Broadway'' is an Off-Broadway revue parodying musical theatre, particularly Broadway musicals. It was conceived, written and directed by Gerard Alessandrini. The original version of the revue opened on January 15, 1982, at Palsson's Supper Club in New York City and ran for 2,332 performances. Alessandrini has rewritten the show more than a dozen times over the years to include parodies of newer shows. In the original iteration of the show, Alessandrini was one of the original actors alongside the actress Nora Mae Lyng, whom Alessandrini said he "created it for.". Michael Chapman directed and produced. In 1982, Jeff Martin succeeded Chapman as director. Alessandrini assumed the directing position subsequently, with Phillip George, Alessandrini's long-time collaborator, co-directing or directing all of the editions of the revue since 2004. The show, in its various editions, received over 9,000 performances by 2009 and has been seen in more than 200 U.S. cities as well as ...
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The Elements (song)
"The Elements" is a song by musical humorist and lecturer Tom Lehrer, which recites the names of all the chemical elements known at the time of writing, up to number 102, nobelium. It was written in 1959 and can be found on his albums ''Tom Lehrer in Concert'', '' More of Tom Lehrer'' and ''An Evening Wasted with Tom Lehrer''. The song is sung to the tune of the "Major-General's Song" from ''The Pirates of Penzance'' by Gilbert and Sullivan.Shepherd, Marc"Tom Lehrer's 'The Elements' and 'Clementine' (1959)" The Gilbert and Sullivan Discography, 5 October 2008, accessed December 15, 2017 The song is also included in the musical revue ''Tom Foolery'', along with many of Lehrer's other songs. Description of the song The ordering of elements in the lyrics fits the meter of the song, and includes much alliteration, and thus has little or no relation to the ordering in the periodic table. This can be seen for example in the opening and closing lines: :There's antimony, arsenic, alu ...
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The Pirates Of Penzance
''The Pirates of Penzance; or, The Slave of Duty'' is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, W. S. Gilbert. Its official premiere was at the Fifth Avenue Theatre in New York City on 31 December 1879, where it was well received by both audiences and critics. Its London debut was on 3 April 1880, at the Opera Comique, where it ran for 363 performances. The story concerns Frederic, who, having completed his 21st year, is released from his apprenticeship to a band of tender-hearted pirates. He meets the daughters of Major-General Stanley, including Mabel, and the two young people fall instantly in love. Frederic soon learns, however, that he was born on the 29th of February, and so, technically, he has a birthday only once each leap year. His indenture specifies that he remain apprenticed to the pirates until his "twenty-first birthday", meaning that he must serve for another 63 years. Bound by his own sense of duty, Freder ...
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Major-General's Song
"I Am the Very Model of a Modern Major-General" (often referred to as the "Major-General's Song" or "Modern Major-General's Song") is a patter song from Gilbert and Sullivan's 1879 comic opera ''The Pirates of Penzance''. It has been called the most famous Gilbert and Sullivan patter song. Sung by Major-General Stanley at his first entrance, towards the end of Act I, the character introduces himself by presenting his résumé and admitting to a few shortcomings. The song satirises the idea of the "modern" educated British Army officer of the latter 19th century. The song is replete with historical and cultural references, in which the Major-General describes his impressive and well-rounded education in non-military matters, but he says that his military knowledge has "only been brought down to the beginning of the century". The stage directions in the libretto state that at the end of each verse the Major-General is "bothered for a rhyme". Interpolated business occurs here, and ...
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