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Contrabass Sarrusophone
The contrabass sarrusophone is the deepest of the family of sarrusophones, and was made in three sizes. The EE version was the only sarrusophone that was ever mass-produced in the United States. It was made by companies such as Gautrot, Couesnon, Romeo Orsi, Rampone (and Cazzani), Buffet Crampon (Evette and Schaeffer), and C.G. Conn. Tone The EE♭ sarrusophone has the tone of a reedy contrabass saxophone, while the CC sarrusophone sounds much like the contrabassoon. The BB♭ contrabass sarrusophone is the lowest of the sarrusophones, and was the lowest-pitched wind instrument until the invention of the EEE♭ octocontra-alto and the BBB♭ octocontrabass clarinets, and the BB♭ subcontrabass tubax. Contrabass sarrusophones come in two bore widths: big pipes, which sound mellower and softer, but are still reedy; and small pipes, which are extremely reedy. The EE and BB sarrusophones are transposing instruments. The contrabass sarrusophone is sometimes confused with the r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wind Instrument
A wind instrument is a musical instrument that contains some type of resonator (usually a tube) in which a column of air is set into vibration by the player blowing into (or over) a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece, while yet others require the player to blow into a hole at an edge, which splits the air column and creates the sound. Methods for obtaining different notes * Using different air columns for different tones, such as in the pan flute. These instruments can play several notes at once. * Changing the length of the vibrating air column by changing the length of the tube through engaging valves ''(see rotary valve, piston valve)'' which route the air through additional tubing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Sarrusophone
The bass sarrusophone is the bass member of the sarrusophone family of metal double reed conical bore wind instruments. Pitched in the key of B♭, it has a range almost identical to the bass saxophone, and can cover the bassoon range up to F. Historically it was built in the late 19th and early 20th centuries principally by its inventor Gautrot and his successor Couesnon & Co., as well as Evette & Schaeffer (now Buffet Crampon) and Orsi of Milan. It is currently only available by custom order from Orsi. There is very little repertoire specifically for bass sarrusophone; Roupen Shakarian Roupen is a Western Armenian variant of Reuben or Ruben It may refer to: * Roupenids or Rubenids, an Armenian dynasty who dominated parts of Cilicia ** Roupen I of Armenia (1025/1035 – 1095), the first lord of Armenian Cilicia or "Lord of the ... has written a piece for it called ''Sarruso Rex''. References Sarrusophones Single oboes with conical bore {{DoubleReed-instrument ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer. Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism, baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, ''Boléro'' (1928), in which repetition takes the place of development. Renowned for his abilities in orchestration, Ravel made some orchestral arrangements of other compose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paderewski
Ignacy Jan Paderewski (; – 29 June 1941) was a Polish pianist and composer who became a spokesman for Polish independence. In 1919, he was the new nation's Prime Minister and foreign minister during which he signed the Treaty of Versailles, which ended World War I. A favorite of concert audiences around the world, his musical fame opened access to diplomacy and the media, as possibly did his status as a freemason, and charitable work of his second wife, Helena Paderewska. During World War I, Paderewski advocated an independent Poland, including by touring the United States, where he met with President Woodrow Wilson, who came to support the creation of an independent Poland in his Fourteen Points at the Paris Peace Conference in 1919, which led to the Treaty of Versailles.Hanna Marczewska-Zagdanska, and Janina Dorosz, "Wilson – Paderewski – Masaryk: Their Visions of Independence and Conceptions of how to Organize Europe," ''Acta Poloniae Historica'' (1996), Issue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percy Grainger
Percy Aldridge Grainger (born George Percy Grainger; 8 July 188220 February 1961) was an Australian-born composer, arranger and pianist who lived in the United States from 1914 and became an American citizen in 1918. In the course of a long and innovative career he played a prominent role in the revival of interest in British folk music in the early years of the 20th century. Although much of his work was experimental and unusual, the piece with which he is most generally associated is his piano arrangement of the folk-dance tune " Country Gardens". Grainger left Australia at the age of 13 to attend the Hoch Conservatory in Frankfurt. Between 1901 and 1914 he was based in London, where he established himself first as a society pianist and later as a concert performer, composer and collector of original folk melodies. As his reputation grew he met many of the significant figures in European music, forming important friendships with Frederick Delius and Edvard Grieg. He became a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Saxophone
The bass saxophone is one of the lowest-pitched members of the saxophone family—larger and lower than the more common baritone saxophone. It was likely the first type of saxophone built by Adolphe Sax, as first observed by Berlioz in 1842. It is a transposing instrument pitched in B, an octave below the tenor saxophone and a perfect fourth below the baritone saxophone. A bass saxophone in C, intended for orchestral use, was included in Adolphe Sax's patent, but few known examples were built. The bass saxophone is not a commonly used instrument, but it is heard on some 1920s jazz recordings, in free jazz, in saxophone choirs and sextets, and occasionally in concert bands and rock music. Music for bass saxophone is written in treble clef, just as for the other saxophones, with the pitches sounding two octaves and a major second lower than written. As with most other members of the saxophone family, the lowest written note is the B below the staff—in the bass's case, sounding a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone Saxophone
The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F family ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reed Contrabass
The reed contrabass in C, otherwise known as the it, contrabbasso ad ancia or french: contrabasse à anche, is a type of woodwind instrument. It is reminiscent of an ophicleide in appearance but, unlike the ophicleide, employs a double reed (akin to that of an oboe or Bassoon) for the purpose of sound production. It was developed by the Belgian maker Mahillion in the 1860s based on a slightly earlier design by the Czech maker Červený. The instrument is typically of metal construction, with a conical and unusually wide bore. This width allows each note to be produced by opening only one tone hole, whereas, in other woodwind instruments, several tone holes must be opened to produce most notes (for this reason, all keys but that for the lowest note remain normally closed). This property greatly simplifies the fingering of the instrument, in that no alternative fingerings for individual notes or trill keys are needed, nor exist. The lowest note that the reed contrabass may typ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transposing Instrument
A transposing instrument is a musical instrument for which music notation is not written at concert pitch (concert pitch is the pitch on a non-transposing instrument such as the piano). For example, playing a written middle C on a transposing instrument produces a pitch other than middle C; that sounding pitch identifies the interval of transposition when describing the instrument. Playing a written C on clarinet or soprano saxophone produces a concert B (i.e. B at concert pitch), so these are referred to as B instruments. Providing transposed music for these instruments is a convention of musical notation. The instruments do not transpose the music; rather, their music is written at a transposed pitch. Where chords are indicated for improvisation they are also written in the appropriate transposed form. For some instruments, a written C sounds as a C, but is in a different octave; these instruments are said to transpose "at the octave". Pitches on the piccolo sound an octave ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tubax
The tubax is a modified contrabass saxophone developed in 1999 by the German instrument maker Benedikt Eppelsheim. Although it has the same fingering as the saxophone, it has a narrower bore, smaller mouthpiece, and more compactly folded tubing. The tubax exists in E♭ contrabass and B♭ or C subcontrabass sizes. Its name is a portmanteau of the words "tuba" and "sax". History The first size of tubax to be developed was the E♭ tubax. It first appeared in 1998, and was intended as a more practical alternative to the somewhat unwieldy contrabass saxophone. The larger B♭ tubax appeared soon after and is equivalent to the subcontrabass saxophone, which although envisioned by Adolphe Sax in his 1846 patent, was only first built in 2010 by Brazilian manufacturer J'Élle Stainer. This subcontrabass size is also available in C, but only one model has been manufactured, sold to Thomas Mejer of Switzerland in July 2002. Construction The E♭ and B♭ tubax have the same length ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subcontrabass Clarinet
The contrabass clarinet (also pedal clarinet, after the pedals of pipe organs) and contra-alto clarinet are the two largest members of the clarinet family that are in common usage. Modern contrabass clarinets are transposing instruments pitched in B♭, sounding two octaves lower than the common B♭ soprano clarinet and one octave below the bass clarinet. Some contrabass clarinet models have extra keys to extend the range down to low written E♭, D or C. This gives a tessitura written range, notated in treble clef, of C – F, which sounds B♭ – E♭. Some early instruments were pitched in C; Arnold Schoenberg's '' Fünf Orchesterstücke'' specifies a contrabass clarinet in A, but there is no evidence such an instrument has ever existed. The smaller E♭ contra-alto clarinet is sometimes referred to as the "E♭ contrabass clarinet" and is pitched one octave lower than the E♭ alto clarinet. Two models of subcontrabass clarinet (the octocontralto and octocontrabass), l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contrabassoon
The contrabassoon, also known as the double bassoon, is a larger version of the bassoon, sounding an octave lower. Its technique is similar to its smaller cousin, with a few notable differences. Differences from the bassoon The reed is considerably larger than the bassoon's, at in total length (and in width) compared with for most bassoon reeds. The large blades allow ample vibration that produces the low register of the instrument. The contrabassoon reed is similar to an average bassoon's in that scraping the reed affects both the intonation and response of the instrument. Contrabassoons feature a slightly simplified version of bassoon keywork, though all open toneholes on bassoon have necessarily been replaced with keys and pads due to the physical distances. In the lower register, its fingerings are nearly identical to bassoon. However, the octave mechanism used to play in the middle register works differently than on bassoon, and the upper register fingerings are of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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