Contagious (Sitti Album)
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Contagious (Sitti Album)
''Contagious'' is the third full-length studio album of Philippine bossa nova singer Sitti, after 2006's ''Café Bossa'' and 2007's ''My Bossa Nova''. It was released in mid-2009. Track listing #"Your Love Is King" ( Sade Adu, Stuart Matthewman) - 4:32 #"How Insensitive (Insensatez)" ( Antonio Carlos Jobim, Vinicius de Moraes, Norman Gimbel) - 5:04 #"Is This Love" (George Noriega, Jorge Gonzalez, Andrew Fromm, Howard Dorough, Merecco Turner) - 4:05 #"Adia" (Pierre Marchand, Sarah McLachlan) - 4:34 #"Chega de Saudade" (Jobim, de Moraes) - 4:05 #"A Certain Sadness" (Carlos Eduardo Lyra, John Court) - 3:26 #"So Em Teus Braços" (Jobim) - 2:16 #" Dindi" (Jobim, Aloysio de Oliveria) - 5:13 #" La-La (Means I Love You)" ( Thom Bell, William Hart) - 3:58 #" Do You Really Want to Hurt Me" (Culture Club) - 4:23 #"No More I Love You's" (Joseph Hughes, David Freeman) - 3:44 #"Let Me In" (Mike Francis) - 3:41 #"Promises / New Day for You" ( Basia, Danny White, Peter Ross) - 4:46 #" One on On ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Pierre Marchand
Pierre Marchand (born 1958) is a Canadian songwriter, musician and record producer. Marchand is known for his ongoing collaboration with Sarah McLachlan, having produced all of her albums since ''Solace'' in 1991. He also co-wrote several of McLachlan's singles, including "Building a Mystery", "Adia", " Into the Fire", and "Fumbling Towards Ecstasy". Marchand has also worked with many other singer-songwriters, including Kate & Anna McGarrigle, Rufus Wainwright, Ron Sexsmith, Leigh Nash, Stevie Nicks, Daniel Lanois, The Devlins, Greg Keelor, Patty Larkin and Lhasa de Sela. He has been awarded the Juno Award for songwriting and producing, as well as a Felix Award for Producer of the Year. In 2014, he translated several songs by Whitehorse into French for that band's EP ''Éphémère sans repère''.
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Meredith Willson
Robert Reiniger Meredith Willson (May 18, 1902 – June 15, 1984) was an American flutist, composer, conductor, musical arranger, bandleader, playwright, and writer. He is perhaps best known for writing the book, music, and lyrics for the 1957 hit Broadway musical ''The Music Man'' and "It's Beginning to Look a Lot Like Christmas" (1951). Willson wrote three other Broadway musicals and composed symphonies and popular songs. He was twice nominated for Academy Awards for film scores. Early life Willson was born in Mason City, Iowa, to Rosalie Reiniger Willson and John David Willson. He had a brother two years his senior, John Cedrick, and a sister 12 years his senior, children's writer Dixie Willson. Willson attended Frank Damrosch's Institute of Musical Art (which later became the Juilliard School) in New York City. He married his high-school sweetheart, Elizabeth "Peggy" Wilson, on August 29, 1920; they were married for 26 years.
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Till There Was You
"Till There Was You" is a show tune written in 1950 by Meredith Willson, originally entitled "Till I Met You." It was originally recorded October 25, 1950, by Meredith Willson & his Orchestra and Eileen Wilson. The song was retitled and used in his musical play ''The Music Man'' (1957), and also appeared in the 1962 movie version. It is sung by librarian Marian Paroo (performed by Barbara Cook on Broadway, and by Shirley Jones in the film) to "Professor" Harold Hill (portrayed on Broadway and in the film by Robert Preston) toward the end of Act Two. In 1959, the song became the first of four US Top 40 hits for Anita Bryant. "Till There Was You" was recorded by the Beatles in 1963. History The first recording of the song to be released was produced by Nelson Riddle, featuring his orchestra and 17-year-old vocalist Sue Raney. Promotional copies of the 45 rpm single, Capitol P3847, were released on November 26, 1957, even before the Broadway production had premiered on Decem ...
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Daryl Hall
Daryl Franklin Hohl (born October 11, 1946), known professionally as Daryl Hall, is an American rock, R&B and soul singer and musician, best known as the co-founder and principal lead vocalist of Daryl Hall and John Oates (with guitarist and songwriter John Oates). Outside of his work in Hall & Oates, he has also released five solo albums, including the 1980 progressive rock collaboration with guitarist Robert Fripp titled ''Sacred Songs'' and the 1986 album ''Three Hearts in the Happy Ending Machine'', which provided his best selling single, "Dreamtime", that peaked at number five on the ''Billboard'' Hot 100. He has also collaborated on numerous works by other artists, such as Fripp's 1979 release '' Exposure'', and Dusty Springfield's 1995 album '' A Very Fine Love'', which produced a UK Top 40 hit with " Wherever Would I Be". Since late 2007, he has hosted the streaming television series ''Live from Daryl's House,'' in which he performs alongside other artists, doing ...
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One On One (song)
"One on One" is a song performed by American duo Daryl Hall & John Oates. Written by member Daryl Hall, the song was released as the second single from their eleventh studio album '' H2O'' in January 1983. Backed by minimalistic, synthesizer-based production, the song's lyrics incorporate various sports metaphors to describe seduction. Daryl Hall performs lead vocals, while John Oates provides backing harmony vocals. It peaked at number seven on the United States ''Billboard'' Hot 100, becoming one of three top ten singles from ''H2O''. Music video The song's music video, directed by Mick Haggerty and C.D. Taylor, depicts Hall walking around a city street singing the song, interspersed with shots of him performing on a stage with Oates. Robert Christgau of ''The Village Voice'' named it the eighth-best video of the year in his ballot for the annual Pazz & Jop critics' poll. Reception '' Cash Box'' praised the "straightforward vocals", "church-like synthesizer portion and a ...
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Basia Trzetrzelewska
Barbara Stanisława Trzetrzelewska (Polish: , born 30 September 1954), better known as Basia, is a Polish singer-songwriter and recording artist noted for her Latin-inspired jazz-pop music. She began singing professionally in various Polish bands from the late 1960s throughout the 1970s, then relocated to the UK in 1981. She rose to fame as a singer in the British trio Matt Bianco. By 1986, Basia and her bandmate Danny White (musician), Danny White had left the group to focus on her solo career. She signed on with Epic Records and enjoyed a successful international career between 1987 and 1995, particularly in the USA where her first two albums ''Time and Tide (Basia album), Time and Tide'' and ''London Warsaw New York'' were platinum-certified, million-unit sellers. During that period, her biggest hits were "Time and Tide (Basia song), Time and Tide", "New Day for You", "Promises (Basia song), Promises", "Baby You're Mine", "Cruising for Bruising", and "Drunk on Love (Basia song ...
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No More I Love You's
No (and variant writings) may refer to one of these articles: English language * ''Yes'' and ''no'' (responses) * A determiner in noun phrases Alphanumeric symbols * No (kana), a letter/syllable in Japanese script * No symbol, displayed 🚫 * Numero sign, a typographic symbol for the word 'number', also represented as "No." or similar variants Geography * Norway (ISO 3166-1 country code NO) ** Norwegian language (ISO 639-1 code "no"), a North Germanic language that is also the official language of Norway ** .no, the internet ccTLD for Norway * Lake No, in South Sudan * No, Denmark, village in Denmark * Nō, Niigata, a former town in Japan * No Creek (other) * Acronym for the U.S. city of New Orleans, Louisiana or its professional sports teams ** New Orleans Saints of the National Football League ** New Orleans Pelicans of the National Basketball Association Arts and entertainment Film and television * ''Dr. No'' (film), a 1962 ''James Bond'' film ** Juli ...
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Culture Club
Culture Club are an English pop band formed in London in 1981. The band comprises Boy George (lead vocals), Roy Hay (guitar and keyboards), Mikey Craig (bass guitar) and formerly included Jon Moss (drums and percussion). Emerging in the New Romantic scene, they are considered one of the most representative and influential groups of the 1980s. Led by singer and frontman Boy George, whose androgynous style of dressing caught the attention of the public and the media in the early 1980s, the band have sold more than 50 million records including over 6 million BPI certified records sold in the UK and over 7 million RIAA certified records sold in the US. Their hits include "Do You Really Want to Hurt Me", "Time (Clock of the Heart)", "I'll Tumble 4 Ya", "Church of the Poison Mind", "Karma Chameleon", " Victims", "Miss Me Blind", " It's a Miracle", "The War Song", "Move Away", and "I Just Wanna Be Loved". In the UK they amassed twelve Top 40 hit singles between 1982 and 1999, inclu ...
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Do You Really Want To Hurt Me
"Do You Really Want to Hurt Me" is a song written and performed by English new wave band Culture Club. Released as a single in September 1982 from the group's platinum-selling debut album, '' Kissing to Be Clever'' (1982), it was the band's first UK No. 1 hit. In the United States, the single was released in November 1982 and also became a hit, reaching No. 2 for three weeks. Release "Do You Really Want to Hurt Me" was the third single released in Europe by Culture Club and their debut release in the United States and Canada. The song became a UK No. 1 single for three weeks in October 1982. It entered the American Pop chart the week ending 4 December 1982, hit No. 1 in ''Cash Box'' magazine, and held at No. 2 for three weeks on the ''Billboard'' Hot 100 chart in March and April 1983 (kept from the No. 1 spot by the massive success of Michael Jackson's "Billie Jean"). The single hit No. 1 in Canada. It was also number one in Australia. This was Culture Club's first major succe ...
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Thom Bell
Thomas Randolph Bell (January 27th, 1943 – December 22, 2022) was an American singer, songwriter, record producer, arranger, pianist, and composer known as one of the creators of Philadelphia soul in the 1970s. He found success as a producer and songwriter for the Delfonics, Stylistics, and Spinners. In June 2006, Bell was inducted into the Songwriters Hall of Fame. In 2016, Bell was inducted into the Musicians Hall of Fame and Museum. Background Thomas Randolph Bell was born in Jamaica and brought over by his Jamaican parents at the age of four based on his interview with Terry Gross.Philadelphia, Pennsylvania His father was from amaica, and his mother was born in Jamaica. His grandparents were born in Jamaica and so too Thomas Bedward Burke, his maternal grandfather, who was born in Kingston, Jamaica.His father was a botanist.His mother a secretary. He grew up poor in the large family. Career Bell, classically trained as a musician, sang as a teenager with K ...
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La-La (Means I Love You)
"La-La (Means I Love You)" is an R&B/Soul music, soul song by American vocal group The Delfonics. Released on January 26, 1968, by Philly Groove Records, the song was written by Thom Bell and William Hart, and produced by Bell and Stan Watson. Background The song was a number four U.S. ''Billboard (magazine), Billboard'' Billboard Hot 100, pop, number two Hot R&B/Hip-Hop Songs, R&B hit in 1968. A 1971, release peaked at number 19 on the UK Singles Chart. The song is one of the Delfonics' most enduring recordings and perhaps their best loved, noting a number of cover versions. Chart performance Other versions *Alton Ellis and the Flames recorded a rocksteady version in 1968 on the Jamaican Supersonics label. *Family group The Jets (Minnesota band), The Jets covered it in 1985 in for their The Jets (album), self-titled album. *Booker T. & the M.G.'s covered an instrumental version of the song in their 1968 album, ''Soul Limbo''. *The Jackson 5 covered the song in their 1970 alb ...
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