Connection (dance)
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Connection (dance)
In partner dancing, connection is a term that refers to physical, non-verbal communication between dancers to facilitate synchronized or coordinated dance movements. Some forms of connection involve "lead/follow" in which one dancer (the "lead") directs the movements of the other dancer (the "follower") by means of non-verbal directions conveyed through a physical connection between the dancers. In other forms, connection involves multiple dancers (more than two) without a distinct leader or follower (e.g. contact improvisation). Connection refers to a host of different techniques in many types of partner dancing, especially (but not exclusively) those that feature significant physical contact between the dancers, including the Argentine Tango, Lindy Hop, Balboa, East Coast Swing, West Coast Swing, Salsa, and other ballroom dances. Other forms of communication, such as visual cues or spoken cues, sometimes aid in connecting with one's partner, but are often used in specific circ ...
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Partner Dancing
Partner dances are dances whose basic choreography involves coordinated dancing of two partners, as opposed to individuals dancing alone or individually in a non-coordinated manner, and as opposed to groups of people dancing simultaneously in a coordinated manner. United States dance history Prior to the 20th century, many ballroom dance and folk dances existed in America. As jazz music developed at the start of the 20th century, Black American communities in tandem developed the Charleston and eventually the Lindy Hop by the end of the 1920s. Many cities had regular local competitions such as the Savoy Ballroom which accelerated the development and popularization of the dance. The dances were introduced to wider public through movies and regular performances such as those done at the Cotton Club in New York. An unusual (for the time) feature of the dance was the inclusion of sections where the dancers would move apart from each other and perform individual steps (known as th ...
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Frame (dance)
In ballroom dancing and other dances, frame is the way the dancers' upper bodies are held when in dancing position. In swing dance, swing and blues dances, frame is the body shape and muscle tone maintained by dancers, which allows the lead and follow, leader to communicate dance move, moves to the follower. Ballroom and other dances The frame is the way the dancers hold their hands, arms, shoulders, neck, head and upper torso. A good frame helps with balance and movement and also produces a good appearance of the dance couple. The correct way to hold a frame depends on the particular dance; it is different in Glossary of partner dance terms#International Standard, International Standard, International Latin dance, Latin, social Latin dances such as salsa (dance), salsa, and others. Swing and blues dances The frame provides connection (dance), connection between the dance partners, making lead and follow (dance), leading and following possible. A frame is a stable structural comb ...
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Lead And Follow
In some types of partner dance, lead and follow are designations for the two dancers' roles in a dance pairing. The leader is responsible for guiding the couple and initiating transitions to different dance steps and, in improvised dances, for choosing the dance steps to perform. The leader communicates choices to the follower, and directs the follower by means of subtle physical and visual signals, thereby allowing the pair to be smoothly coordinated. The amount of direction given by the leader depends on several factors, including dance style, social context of the dance, and experience and personalities of the dancers. Gender roles Traditionally, the male dance partner is the leader and the female dance partner is the follower, though this is not always the case, such as in Schottische danced in the Madrid style where women lead and men follow (although this is not totally true: during the dance there is an exchange of roles, the leader becomes the follower and vice versa.). M ...
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Dance Move
Dance moves or dance steps (more complex dance moves are called dance patterns, dance figures, dance movements, or dance variations) are usually isolated, defined, and organized so that beginning dancers can learn and use them independently of each other. However, more complex movements are influenced by musicality and lyrical relevance to express emotions or refer to a message. Dance moves tend to emphasize the concepts of lead and follow and connection. In most cases, dance moves by themselves are independent of musicality, which is the appropriateness of a move to the music (for a notable exception, see Bharatanatyam). Generally, they are memorized in sets of eight counts. Also there are two different movements: concrete and abstract. These two movements show time, space, relationship, quality and focus. For example, relationship could describe the movement of two or more different dancers. The names of moves may be somewhat arbitrary and vary from person to person and city to ...
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Frame (dance)
In ballroom dancing and other dances, frame is the way the dancers' upper bodies are held when in dancing position. In swing dance, swing and blues dances, frame is the body shape and muscle tone maintained by dancers, which allows the lead and follow, leader to communicate dance move, moves to the follower. Ballroom and other dances The frame is the way the dancers hold their hands, arms, shoulders, neck, head and upper torso. A good frame helps with balance and movement and also produces a good appearance of the dance couple. The correct way to hold a frame depends on the particular dance; it is different in Glossary of partner dance terms#International Standard, International Standard, International Latin dance, Latin, social Latin dances such as salsa (dance), salsa, and others. Swing and blues dances The frame provides connection (dance), connection between the dance partners, making lead and follow (dance), leading and following possible. A frame is a stable structural comb ...
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Modern Jive
Modern Jive is a dance style derived from swing, Lindy Hop, rock and roll, salsa and others, the main difference being the simplification of footwork by removing syncopation such as chasse. The term "French Jive" is occasionally used instead, reflecting the origins of the style, as is the term "Smooth Jive". The word "modern" distinguishes it from ballroom Jive. History Modern Jive was developed in the United Kingdom during the 1980s at three London clubs: Ceroc, Le Roc, and Cosmopolitan Jive. The style was based on a type of Jive that evolved in France after World War II when American dances such as the jitterbug were popular due to the presence of the American military. Modern Jive was not created in France, but its origin owes something to the French version of Le Bop. The dance commonly known as Modern Jive is different from Le Bop, a high tempo dance. Michel Ange Lau played a major role in the change from Le Bop to Modern Jive at a club called Centre Charles Peguy). Two B ...
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Ballroom Dance
Ballroom dance is a set of partner dances, which are enjoyed both socially and competitively around the world, mostly because of its performance and entertainment aspects. Ballroom dancing is also widely enjoyed on stage, film, and television. ''Ballroom dance'' may refer, at its widest definition, to almost any recreational dance with a partner. However, with the emergence of dance competition (now known as Dancesport), two principal schools have emerged and the term is used more narrowly to refer to the dances recognized by those schools. * The International School, originally developed in EnglandFranks A.H. 1963. ''Social dance: a short history''. Routledge & Kegan Paul, London. and now regulated by the World Dance CouncilWDC and the World DanceSport FederationWDSF, is most prevalent in Europe. It encompasses two categories, Standard and Latin, each of which consist of five dances—International Waltz, International Tango, International Viennese Waltz, International Slow F ...
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Closed Position
In partner dancing, closed position is a category of positions in which partners hold each other while facing at least approximately toward each other. Closed positions employ either body contact or body support, that is, holding each other is not limited to handhold. If the partners are comfortable with each other and the dance style allows it, body contact increases the connection between the partners. Some dances, such as Balboa and Collegiate Shag are only done in body contact. Routine The most commonly used kind of closed position comes from the waltz, and is very commonly used in ballroom dance. The leader's right hand is on the follower's back (or, rarely, on the left upper arm near the shoulder); its exact placement on the back ranges from the waist to the left shoulder blade. The follower's left hand is on the leader's right shoulder, or the upper arm near the shoulder. The other two hands are clasped together at or near chest or shoulder height. Unlike the ballroo ...
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Open Position
In partner dancing, open position refers to positions in which partners are connected primarily at the hands as opposed to closer body contact, as in closed position. The connection is through the hands, wrists, and fingers, and relies heavily on frame and the compression and tension of both partners' arms. We Many forms of dancing use the open position. Modern Jive, East Coast Swing, West Coast Swing, Lindy Hop, and Latin are primary examples, but an open position is used in waltz The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the wa ..., country, and other styles at times. Partner dance technique {{dance-stub ...
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Ilya Vidrin
Ilya, Iliya, Ilia, Ilja, or Ilija (russian: Илья́, Il'ja, , or russian: Илия́, Ilija, ; uk, Ілля́, Illia, ; be, Ілья́, Iĺja ) is the East Slavic form of the male Hebrew name Eliyahu (Eliahu), meaning "My God is Yahu/ Jah." It comes from the Byzantine Greek pronunciation of the vocative (Ilía) of the Greek Elias (Ηλίας, Ilías). It is pronounced with stress on the second syllable. The diminutive form is Iliusha or Iliushen'ka. The Russian patronymic for a son of Ilya is " Ilyich", and a daughter is "Ilyinichna". People with the name Real people *Ilya (Archbishop of Novgorod), 12th-century Russian Orthodox cleric and saint * Ilya Ivanovitch Alekseyev (1772–1830), commander of the Russian Imperial Army *Ilya Borok (born 1993), Russian jiujitsu fighter *Ilya Bryzgalov (born 1980), Russian ice hockey goalie *Ilya Ehrenburg (1891–1967), Russian writer and Soviet cultural ambassador *Ilya Glazunov (1930–2017), Russian painter *Ilya Gringolts (born 1982 ...
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Contact Improvisation
Contact improvisation is a form of improvised partner dancing that has been developing internationally since 1972. It involves the exploration of one's body in relationship to others by using the fundamentals of sharing weight, touch, and movement awareness. It has evolved into a broad global community of social dancing around "jams" characterized by their welcoming attitude towards newcomers to dance, as well as seasoned practitioners, and is often found overlapping with ecstatic dance communities. American dancer and choreographer Steve Paxton originated contact improvisation, drawing from his past training in aikido, a martial art form, to explore and push boundaries with his colleagues and students to develop this new practice. Contact improvisation plays with the artistry of falling off balance, counterbalance, finding the shelves of the body, learning the mechanics of the body in order to handle someone else's weight or be lifted, breathing techniques, and can involve the ...
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Ballroom Dances
Ballroom dance is a set of partner dances, which are enjoyed both socially and competitively around the world, mostly because of its performance and entertainment aspects. Ballroom dancing is also widely enjoyed on stage, film, and television. ''Ballroom dance'' may refer, at its widest definition, to almost any recreational dance with a partner. However, with the emergence of dance competition (now known as Dancesport), two principal schools have emerged and the term is used more narrowly to refer to the dances recognized by those schools. * The International School, originally developed in EnglandFranks A.H. 1963. ''Social dance: a short history''. Routledge & Kegan Paul, London. and now regulated by the World Dance CouncilWDC and the World DanceSport FederationWDSF, is most prevalent in Europe. It encompasses two categories, Standard and Latin, each of which consist of five dances—International Waltz, International Tango, International Viennese Waltz, International Slow ...
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