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Conjunto
The term ''conjunto'' (, literally 'group', 'ensemble') refers to several types of small musical ensembles present in different Latin American musical traditions, mainly in Mexico and Cuba. While Mexican conjuntos play styles such as '' norteño'' and '' tejano'', Cuban ''conjuntos'' specialize in the ''son'', as well as its derivations such as ''salsa''. Mexican Mexican conjunto music, also known as ''conjunto tejano'', was born in south Texas at the end of the 19th century, after German settlers introduced the button accordion. The ''bajo sexto'' has come to accompany the button accordion and is integral to the ''conjunto'' sound. Many ''conjuntos'' are concentrated in the Southwestern portion of the United States, primarily in Texas and California. In Mexico, the term ''conjunto'' is associated with '' norteño'' and ''tejano'' music. Since ''tejano'' was bred out of ''norteño'' music originally, this association is not entirely false. However, due to various cultural and so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tejano (music)
Tejano music ( es, música tejana), also known as Tex-Mex music, is a popular music style fusing Mexican and US influences. Typically, Tejano combines Mexican Spanish vocal styles with dance rhythms from Czech and German genres – particularly polka or waltz. Tejano music is traditionally played by small groups featuring accordion and guitar or bajo sexto. Its evolution began in northern Mexico (a variation known as ). It reached a much larger audience in the late 20th-century thanks to the explosive popularity of the singer Selena ("The Queen of Tejano"), Mazz, and other performers like Ramon Ayala, La Mafia, Ram Herrera, La Sombra, Elida Reyna, Elsa García, Laura Canales, Oscar Estrada, Jay Perez, Emilio Navaira, Esteban "Steve" Jordan, Shelly Lares, David Lee Garza, Jennifer Peña and La Fiebre. Origins Europeans from Germany (first during the Spanish regime in the 1830s), Poland, and what is now the Czech Republic migrated to Texas and Mexico, bringing with them their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Son Cubano
Son cubano is a genre of music and dance that originated in the highlands of eastern Cuba during the late 19th century. It is a syncretic genre that blends elements of Spanish and African origin. Among its fundamental Hispanic components are the vocal style, lyrical metre and the primacy of the tres, derived from the Spanish guitar. On the other hand, its characteristic clave rhythm, call and response structure and percussion section ( bongo, maracas, etc.) are all rooted in traditions of Bantu origin. Around 1909 the son reached Havana, where the first recordings were made in 1917. This marked the start of its expansion throughout the island, becoming Cuba's most popular and influential genre. While early groups had between three and five members, during the 1920s the ''sexteto'' (sextet) became the genre's primary format. By the 1930s, many bands had incorporated a trumpet, becoming ''septetos'', and in the 1940s a larger type of ensemble featuring congas and piano became th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bajo Sexto
Bajo sexto (Spanish: "sixth bass") is a Mexican string instrument from the guitar family with 12 strings in six double courses. A closely related instrument is the bajo quinto (Spanish: "fifth bass") which has 10 strings in five double courses. In playing, the left hand holds the strings against frets on a fingerboard, while the right hand plucks or strums the strings. When played in older styles of music where the instrument assumes the role of a bass, the strings are usually plucked with the fingers. In modern chordal and melodic styles, a pick is frequently used. Origins and use The history of the bajo sexto is somewhat unclear. There are few written sources, and until very recently most music dictionaries and encyclopedias did not mention the instrument. A few contemporary researchers have been working from oral sources—living players and luthiers—to tracing the background of the instrument. They descend from the Spanish bandurrias and lutes that used double strings and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flaco Jiménez
Leonardo "Flaco" Jiménez (born March 11, 1939) is an American singer, songwriter and accordionist from San Antonio, Texas. He is known for playing Norteño, Tex Mex and Tejano music. Jiménez has been a solo performer and session musician, as well as a member of the Texas Tornados and Los Super Seven. Over the course of his seven-decade career, he has received numerous awards and honors, including Lifetime Achievement Awards from the Grammys, Americana Music Awards, Tejano Music Awards, and '' Billboard'' magazine. Early life Jiménez, who is of Mexican descent, was born in San Antonio, Texas in 1939. He is descended from a line of musicians, including his father Santiago Jiménez Sr., and his grandfather Patricio Jiménez. He began performing at the age of seven with his father, a pioneer of conjunto music, and began recording at age fifteen as a member of Los Caporales. Jiménez's first instrument was the bajo sexto, but he later adopted the accordion after being influen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norteño (music)
''Norteño'' or ''Norteña'' (, ''northern''), also ''música norteña'', is a genre of Regional Mexican music. The music is most often based on duple and triple metre and its lyrics often deal with socially relevant topics, although there are also many norteño love songs. The accordion and the bajo sexto are traditional norteño's most characteristic instruments. Norteña music developed in the late 19th century, as a mixture between local Mexican music and Austrian-Czech-origin folk music. The genre is popular in both Mexico and the United States, especially among the Mexican and Mexican-American community, and it has become popular in other Spanish-speaking countries as far as Colombia and Chile. Though originating from rural areas, norteño is popular in both rural and urban areas. A ''conjunto norteño'' is a type of Mexican folk ensemble. It mostly includes diatonic accordion, bajo sexto, electric bass or double bass, and drums, and sometimes saxophone. Repertoire The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Requinto De Son Jarocho
The requinto jarocho or guitarra de son is plucked string instrument, played usually with a special pick. It is a four- or five-stringed instrument that has originated from Veracruz, Mexico. The ''requinto'' is used in conjunto jarocho ensembles. In the absence of the '' arpa'', the requinto typically introduces the melodic theme of the ''son'' and then continues by providing a largely improvised counterpoint to the vocal line. Characteristics The requinto jarocho is shaped like a guitar with a small body. The body, neck and tuning head is made from one piece of wood. It has a shallow body, and a slightly raised fingerboard. It also has 12 frets. The four-stringed requinto jarocho can follow the standard tuning of (ADGc), but is also commonly tuned to GADg and CDGc. The five-stringed requinto, however, adds a string above the standard tuning 5 half-steps below the initial first string, making it EADGc. The requinto jarocho strings are made of nylon; when played it sounds like ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arpa Jarocha
The arpa jarocha is a large wooden harp that is normally played while standing, although early examples from the 16th through the first three or four decades of the 19th centuries were smaller and were played while seated. It has a wooden frame, a resonator, a flat soundboard, 32-36 nylon strings (originally, gut strings), and does not have pedals. This harp is tuned diatonically over five octaves. The top of its soundboard sometimes arches outward due to the tension of the strings. Unlike other Mexican harps, the arpa jarocha has its sound holes located on the back of the sound board instead of on the front. Play style As previously stated, the arpa jarocha was once commonly played while seated, similarly to its ancestor the Spanish harp from the 16th century. In modern times, since approximately the 1940s, the arpa jarocha has been built in a larger scale, following the general pattern of the Western Mexican harps from Jalisco and Michoacan. One of the first recording artists o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chulas Fronteras
''Chulas Fronteras'' is a 1976 American documentary film which tells the story of the norteño or conjunto music which is played on both sides of the Mexico–Texas border. It was directed by Les Blank. A CD soundtrack of the music played in the film is also available, under the same title. In 1993, this film was selected for preservation in the United States National Film Registry by the Library of Congress The Library of Congress (LOC) is the research library that officially serves the United States Congress and is the ''de facto'' national library of the United States. It is the oldest federal cultural institution in the country. The library is ... as being "culturally, historically, or aesthetically significant". References External links *''Chulas Fronteras'' essaby David Wilt at National Film Registry *''Chulas Fronteras'' essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 201 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salsa Music
Salsa music is a style of Latin American music. Because most of the basic musical components predate the labeling of salsa, there have been many controversies regarding its origin. Most songs considered as salsa are primarily based on son montuno, with elements of Mambo (music), mambo, Latin jazz, Bomba (Puerto Rico), bomba, plena and guaracha. All of these elements are adapted to fit the basic son montuno template when performed within the context of salsa. Originally the name salsa was used to label commercially several styles of Latin dance music, but nowadays it is considered a musical style on its own and one of the staples of Latin American culture. The first self-identified salsa bands were predominantly assembled by Cubans, Cuban and Puerto Ricans, Puerto Rican musicians in New York City in the '70s. The music style was based on the late son montuno of Arsenio Rodríguez, Conjunto Chappottín and Roberto Faz. These musicians included Celia Cruz, Willie ColónRuben Blade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Son Jarocho
Son jarocho ("Veracruz Sound") is a regional folk musical style of Mexican Son from Veracruz, a Mexican state along the Gulf of Mexico. It evolved over the last two and a half centuries along the coastal portions of southern Tamaulipas state and Veracruz state, hence the term ''jarocho'', a colloquial term for people or things from the port city of Veracruz. Characteristics It represents a fusion of indigenous (primarily Huastecan), Spanish, and African musical elements, reflecting the population which evolved in the region from Spanish colonial times. Lyrics include humorous verses and subjects such as love, nature, sailors, and cattle breeding that still reflect life in colonial and 19th century Mexico. Verses are often shared with the wider Mexican and Hispanic Caribbean repertoire and some have even been borrowed from famous works by writers of the Spanish "Siglo de Oro". It is usually performed by an ensemble of musicians and instruments which collectively are termed a "co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Huapanguera
The huapanguera, guitarra quinta huapanguera or guitarra huapanguera is a Mexican guitar-like instrument that usually forms part of a conjunto huasteco ensemble, along with the jarana huasteca and violin. Because of its large body and deeper structure, the huapanguera is able provide a much deeper sound compared to a regular acoustic guitar. Here it takes on the role of the bass instrument using a rhythmical strumming technique. Its physical construction features a large resonating body with a short neck. It normally has around 10 frets which stop at the point where the fingerboard meets the top. The stringing and tuning arrangement consists of 8 nylon strings in 5 courses. Standard tuning is G2+G2 – D3+D3 – G3+G3 – B3+ – E4 (GG – dd – gg – b – e in Helmholtz pitch notation), although there are many other string arrangements and tunings. Son Huasteco The quinta huapanguera is an instrument distinct of the Huasteca region of Mexico. It is used when playing the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Güiro
The güiro () is a Puerto Rican percussion instrument consisting of an open-ended, hollow gourd with parallel notches cut in one side. It is played by rubbing a stick or tines (see photo) along the notches to produce a ratchet sound. The güiro is commonly used in Puerto Rican, Cuban and other forms of Latin American music, and plays a key role in the typical rhythm section of important genres like son, trova and salsa. Playing the güiro usually requires both long and short sounds, made by scraping up and down in long or short strokes. The güiro, like the maracas, is often played by a singer. It is closely related to the Cuban guayo, Dominican güira, and Haitian graj which are made of metal. Other instruments similar to the güiro are the Colombian guacharaca, the Brazilian reco-reco, the quijada (cow jawbone) and the frottoir (French) or fwotwa (French Creole) ( washboard). Etymology In the Arawakan language, a language of the indigenous people of Latin America and sprea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_on_stage_at_Farnham%2C_U.K.%2C_1985.jpg "Click for more on -> Flaco Jiménez")
