|
Confirmation (composition)
''Confirmation'' is a bebop standard composed by saxophonist Charlie Parker in 1945. It is known as a challenging number due to its long, complex head and rapid chord changes, which feature an extended cycle of fifths (see Bird changes). Jazz educator Dariusz Terefenko has pointed out the speed and intricacy of "Confirmation's" "harmonic rhythm" (the rate and manner in which chords change underneath the melody), which he notes is typical of the bebop era. The first recording of "Confirmation" was made by Dizzy Gillespie at a small group session for Dial Records by producer Ross Russell in February 1946 at which Parker was not present. Parker did not record a studio version of "Confirmation" until July 1953. However, Parker did play the piece frequently during live performances, and at least five live recordings of Parker performing "Confirmation" are known to exist. The earliest of these is a 1947 performance with Gillespie at Carnegie Hall. The musicologist Henry Martin ext ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bebop
Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody. Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style with a new "musician's music" that was not as danceable and demanded close listening.Lott, Eric. Double V, Double-Time: Bebop's Politics of Style. Callaloo, No. 36 (Summer, 1988), pp. 597–605 As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, chord substitutions, asymmetrical phrasing, and intricate melodi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donna Lee
"Donna Lee" is a bebop jazz standard attributed to Charlie Parker, although Miles Davis has also claimed authorship. Written in A-flat, it is based on the chord changes of the jazz standard "(Back Home Again in) Indiana". Beginning with an unusual half-bar rest, "Donna Lee" is a very complex, fast-moving chart with a compositional style based on four-note groups over each change. Authorship "Donna Lee" was originally attributed to Charlie Parker on the original 78-rpm recordingsChambers (1998), p. 61 and was copyrighted under his name in 1947. However, in various interviews and publications since, Miles Davis has claimed to be the composer. Among these is a statement Davis made in his autobiography: "I wrote a tune for the album called 'Donna Lee', which was the first tune of mine that was ever recorded. But when the record came out, it listed Bird arkeras the composer. It wasn't Bird's fault, though. The record company just made a mistake."Davis (1989), p. 103 Recordings "Donn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnaval (Ron Carter Album)
''Carnaval'' is a live album by bassist Ron Carter, pianist Hank Jones, saxophonist Sadao Watanabe and drummer Tony Williams which was recorded in Tokyo in 1978 and released on the Galaxy label in 1983. accessed November 13, 2017 Reception The review by Jim Todd called it "an exuberant, well-recorded set" and stated: "There is generous solo space for all, with each tune getting a solid workout on this date that definitely manages to share with the listener the excitement generated by the quartet in Tokyo's Denen Coliseum."Track listing # " |
Ron Carter
Ronald Levin Carter (born May 4, 1937) is an American jazz double bassist. His appearances on 2,221 recording sessions make him the most-recorded jazz bassist in history. He has won three Grammy awards, and is also a cellist who has recorded numerous times on that instrument. Some of his studio albums as a leader include: ''Blues Farm'' (1973), '' All Blues'' (1973), '' Spanish Blue'' (1974), ''Anything Goes'' (1975), '' Yellow & Green'' (1976), ''Pastels'' (1976), ''Piccolo'' (1977), '' Third Plane'' (1977), ''Peg Leg'' (1978), '' A Song for You'' (1978), ''Etudes'' (1982), ''The Golden Striker'' (2003), ''Dear Miles'' (2006), and ''Ron Carter's Great Big Band'' (2011). Early life Carter was born in Ferndale, Michigan. He started to play cello at the age of 10, and switched to bass while in high school. He earned a B.A. in music from the Eastman School of Music (1959) and a master's degree in music from the Manhattan School of Music (1961). Carter's first jobs as a jazz music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Night At Birdland Vol
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lou Donaldson
Lou Donaldson (born November 1, 1926) is an American retired jazz Alto saxophone, alto saxophonist. He is best known for his soulful, bluesy approach to playing the alto saxophone, although in his formative years he was, as many were of the bebop era, heavily influenced by Charlie Parker. Life and career Donaldson was born in Badin, North Carolina, United States. He attended North Carolina Agricultural and Technical State University in Greensboro in the early 1940s. He enlisted in the U.S. Navy during World War II and was trained at the Great Lakes bases in Chicago where he was introduced to bop music in the lively club scene. At the war's conclusion, he returned to Greensboro, where he worked club dates with the Rhythm Vets, a combo composed of A and T students who had served in the U.S. Navy. The band recorded the soundtrack to a musical comedy featurette, ''Pitch a Boogie Woogie'', in Greenville, North Carolina, in the summer of 1947. The movie had a limited run at black audie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clifford Brown
Clifford Benjamin Brown (October 30, 1930 – June 26, 1956) was an American jazz trumpeter and composer. He died at the age of 25 in a car accident, leaving behind four years' worth of recordings. His compositions "Sandu", "Joy Spring", and "Daahoud" have become jazz standards. Brown won the '' DownBeat'' magazine Critics' Poll for New Star of the Year in 1954; he was inducted into the ''DownBeat'' Hall of Fame in 1972. Early career Brown was born into a musical family in Wilmington, Delaware. His father organized his four sons, including Clifford, into a vocal quartet. Around age ten, Brown started playing trumpet at school after becoming fascinated with the shiny trumpet his father owned. At age thirteen, his father bought him a trumpet and provided him with private lessons. In high school, Brown received lessons from Robert Boysie Lowery and played in "a jazz group that Lowery organized", making trips to Philadelphia. Brown briefly attended Delaware State University as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Blakey
Arthur Blakey (October 11, 1919 – October 16, 1990) was an American jazz drummer and bandleader. He was also known as Abdullah Ibn Buhaina after he converted to Islam for a short time in the late 1940s. Blakey made a name for himself in the 1940s in the big bands of Fletcher Henderson and Billy Eckstine. He then worked with bebop musicians Thelonious Monk, Charlie Parker, and Dizzy Gillespie. In the mid-1950s, Horace Silver and Blakey formed the Jazz Messengers, a group that the drummer was associated with for the next 35 years. The group was formed as a collective of contemporaries, but over the years the band became known as an incubator for young talent, including Freddie Hubbard, Wayne Shorter, Lee Morgan, Benny Golson, Kenny Dorham, Hank Mobley, Donald Byrd, Jackie McLean, Johnny Griffin, Curtis Fuller, Chuck Mangione, Chick Corea, Keith Jarrett, Cedar Walton, Woody Shaw, Terence Blanchard, and Wynton Marsalis. ''The Biographical Encyclopedia of Jazz'' calls the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bird Lives! (Joe Albany Album)
''Bird Lives!'', (also released as ''Now's the Time''), is an album by pianist Joe Albany recorded in 1979 and released on the Interplay label.Interplay Records discography accessed March 19, 2018 accessed March 19, 2018 Reception 's Scott Yanow said: "Joe Albany's next-to-last recording features the veteran bop pianist performing seven compositions, his own "Charlie Parker Blues" and the stand ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Albany
Joe Albany (born Joseph Albani; January 24, 1924 – January 12, 1988) was an American modern jazz pianist who played bebop with Charlie Parker as well as being a leader on his own recordings. Life and career Born in Atlantic City, New Jersey, Albany studied piano as a child and, by 1943, was working on the West Coast in Benny Carter's orchestra.Feather, Leonard & Gitler, Ira (2007). ''The Biographical Encyclopedia of Jazz''. Oxford University Press, p. 9. In 1946, Lester Young recorded with Albany as his pianist, for Aladdin Records. Also that year, he played at least once with Parker and then 20-year-old Miles Davis. He continued for a few years afterward, and in 1957 recorded an album for Riverside with an unusual trio line-up with saxophonist Warne Marsh Warne Marion Marsh (October 26, 1927 – December 18, 1987) was an American tenor saxophonist. Born in Los Angeles, his playing first came to prominence in the 1950s as a protégé of pianist Lennie Tristano and earne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thirty-two-bar Form
The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century. As its alternative name ''AABA'' implies, this song form consists of four sections: an eight-bar A section; a second eight-bar A section (which may have slight changes from the first A section); an eight-bar B section, often with contrasting harmony or "feel"; and a final eight-bar A section. The core melody line is generally retained in each A section, although variations may be added, particularly for the last A section. Examples of 32-bar AABA form songs include " Over the Rainbow", "I Got Rhythm", "What'll I Do", "Make You Feel My Love", " The Man I Love", and " Blue Skies". Many show tunes that have become jazz standards are 32-bar song forms. Basic song form At its core, the basic AABA 32-bar song form consists of four sections, ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twilight Time (1944 Song)
"Twilight Time" is a popular song with lyrics by Buck Ram and music by the Three Suns (Morty Nevins, Al Nevins, and Artie Dunn). Ram said that he originally wrote it as a poem, without music, while in college. Original instrumental recordings of "Twilight Time" included those made respectively by the Three Suns (1944) and Les Brown & His Band of Renown (1945). Les Brown's version of "Twilight Time" was recorded in November 1944 and released in early 1945 as the B-side of " Sentimental Journey," the first recording of that song. While the A-side featured Doris Day's vocals, "Twilight Time" was an instrumental. The Platters recording It has been recorded by numerous groups over the years. However, the best-known version of the song was recorded by the Platters and became a number one hit on both the pop singles and R&B best sellers charts in 1958 in the United States. The song also reached number three in the United Kingdom. In 1963, the Platters recorded a Spanish version of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
