Concerto For Two Horns (Ries)
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Concerto For Two Horns (Ries)
Ferdinand Ries composed his Concerto for Two Horns in F major, WoO 19 in 1811, while staying in Kassel following his failure to obtain the position of Kapelmeister to the court of the Kingdom of Westphalia. Written for two virtuoso horn players in the Kassel Orchestra, Johann Michael and Johann Gottfried Schuncke, the concerto was premiered at a concert on 23 February 1811. Despite a favorable review of this performance, Ries elected not to have the work published, nor did he assign it an opus number.Source for key and tempimanuscript score at the Berlin State Library Bert Hagels speculates Ries made this decision because he regarded the work as an occasional piece; certainly its need for two highly skilled horn players would have made it harder to market compared with his solo concertos. Nevertheless, Ries retained the manuscript for the remainder of his life and it can now be found in the Berlin State Library. Instrumentation The concerto is scored for two natural horns (soloists) ...
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Ferdinand Ries
Ferdinand Ries (baptised 28 November 1784 – 13 January 1838) was a German composer. Ries was a friend, pupil and secretary of Ludwig van Beethoven. He composed eight symphonies, a violin concerto, nine piano concertos (the first concerto is not published), three operas, and numerous other works, including 26 string quartets. In 1838 he published a collection of reminiscences of his teacher Beethoven, co-written with Franz Wegeler. The symphonies, some chamber works—most of them with piano—his violin concerto and his piano concertos have been recorded, exhibiting a style which, given his connection to Beethoven, lies between the Classical and early Romantic styles. Early life Ries was born into a musical family of Bonn. His grandfather, Johann Ries (1723–1784), was appointed court trumpeter to the Elector of Cologne at Bonn. Ries was the eldest son of the violinist and Archbishopric Music Director Franz Anton Ries (1755–1846) and the brother of violinist and co ...
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Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ...
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Horn Concertos
Horn most often refers to: *Horn (acoustic), a conical or bell shaped aperture used to guide sound ** Horn (instrument), collective name for tube-shaped wind musical instruments *Horn (anatomy), a pointed, bony projection on the head of various animals, either the "true" horn, or other horn-like growths ** Horn, a colloquial reference to keratin, the substance that is the main component of the tissue that sheaths the bony core of horns and hoofs of various animals Horn may also refer to: Audio * Horn loudspeaker * Vehicle horn ** Train horn Personal name * Horn (surname) * Freyja, also known as ''Hörn'', a Norse goddess of love, beauty, fertility, war and death Places * Cape Horn, the southernmost point of South America * Horn of Africa, a peninsula in northeast Africa * Horn (district), a district of the state of Lower Austria in Austria ** Horn, Austria, a small town, capital of the Horn District * Horn, Germany, a municipality in Rhineland-Palatinate, Germany * Horn, Ha ...
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Concertos By Ferdinand Ries
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three-movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastian B ...
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