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Concerto Vocale
Concerto Vocale is a Belgian musical ensemble for baroque music. History Concerto Vocale was founded in Amsterdam in 1977 by the Belgian countertenor and Conducting, conductor René Jacobs. The vocal ensemble has included sopranos María Cristina Kiehr and Martina Bovet, countertenor Andreas Scholl, tenors Gerd Türk and , baritones and , and Bass (voice type), basses Ulrich Messthaler and Franz-Josef Selig. It is complemented by an instrumental ensemble including, among others, Jean Tubéry, William Dongois and Gottfried Bach. Selected discography * 1978: 3 ''Leçons de Ténèbres du Mercredy Sainct,'' H.96, H.97, H.98, 3 ''Répons'' ''du Mercrediy Sainct,'' H.111, H.112'','' H.113, 3 ''Leçons de Ténèbres du Jeudy Sainct,'' H.102, H.103, H.109 by Marc-Antoine Charpentier (recorded 08/1977 and 01/1978) 3 LP Harmonia Mundi HM 1005/6/7 * 1979: 3 ''Leçons de Ténèbres du Vendredy Sainct,'' H.105, H.106, H.110, 6 ''Répons du Mercredy Sainct.'' H.114.H.115, H.116, H.117, H. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Ensemble
A musical ensemble, also known as a music group or musical group, is a group of people who perform instrumental and/or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instrumentalists, such as the jazz quartet or the orchestra. Other music ensembles consist solely of singers, such as choirs and doo wop groups. In both popular music and classical music, there are ensembles in which both instrumentalists and singers perform, such as the rock band or the Baroque chamber group for basso continuo ( harpsichord and cello) and one or more singers. In classical music, trios or quartets either blend the sounds of musical instrument families (such as piano, strings, and wind instruments) or group together instruments from the same instrument family, such as string ensembles (e.g., string quartet) or wind ensembles (e.g., wind quintet). Some ensembles blend the sounds of a variety of instrument families, such as the orchestra, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lamento D'Arianna
' ( SV 291, ''Ariadne'') is the lost second opera by Italian composer Claudio Monteverdi. One of the earliest operas in general, it was composed in 1607–1608 and first performed on 28 May 1608, as part of the musical festivities for a royal wedding at the court of Duke Vincenzo Gonzaga in Mantua. All the music is lost apart from the extended recitative known as "" ("Ariadne's Lament"). The libretto, which survives complete, was written in eight scenes by Ottavio Rinuccini, who used Ovid's ''Heroides'' and other classical sources to relate the story of Ariadne's abandonment by Theseus on the island of Naxos and her subsequent elevation as bride to the god Bacchus. The opera was composed under severe pressure of time; the composer later said that the effort of creating it almost killed him. The initial performance, produced with lavish and innovative special effects, was highly praised, and the work was equally well received in Venice when it was revived under the composer's di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xerse
''Il Xerse'' ( in its 1660 French version ''Xerxès'') is an opera by Francesco Cavalli (specifically, a ''dramma per musica'') about Xerxes I. The libretto was written by Nicolò Minato, and was later set by both Giovanni Bononcini (1694, ''Xerse'' and George Frideric Handel (''Serse'', 1738). Minato's plot outline is loosely based on Book 7 of Herodotus's '' Histories''. The opera, Cavalli's twenty-first, consisting of a prologue and three acts, was first performed at Venice on 12 January 1655, at the Teatro SS. Giovanni e Paolo.Clinkscale (2001) It was dedicated to the Ferrarese nobleman Marchese Cornelio Bentivoglio. Background The premiere at Venice was probably conducted by Cavalli from the keyboard.da Silva (2021), p. 12 The opera was highly popular in Italy, not least due to Cavalli's setting of "Ombra mai fu" (later more famously set by Handel): nine different revivals were given across Italy while Cavalli lived. In 1660 Cavalli was persuaded to travel to France to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giasone
''Giasone'' (''Jason'') is an opera in three acts and a prologue with music by Francesco Cavalli and a libretto by Giacinto Andrea Cicognini. It was premiered at the Teatro San Cassiano, Venice on 5 January 1649, during carnival. The plot is loosely based on the story of Jason and the golden fleece, but the opera contains many comic elements too. ''Giasone'' was "the single most popular opera of the 17th century". It is rarely revived today, but has been performed by for example English Touring Opera (2013). Recordings include a 1988 version directed by René Jacobs with Michael Chance in the title role. A 2010 production by the Vlaamse Opera, with Christophe Dumaux in the title role, was released on DVD. Roles Synopsis Prologue Two mythological characters appear in the prologue: Sole (the sun, i.e. Apollo) and Amore (love, i.e. Cupid). Sole opens with an aria about the gloriousness of the day because Giasone (i.e. Jason) will set out leading his Argonauts on a quest to find ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre De La Monnaie
The Royal Theatre of La Monnaie (french: Théâtre Royal de la Monnaie, italic=no, ; nl, Koninklijke Muntschouwburg, italic=no; both translating as the "Royal Theatre of the Mint") is an opera house in central Brussels, Belgium. The National Opera of Belgium, a federal institution, takes the name of this theatre in which it is housed—La Monnaie in French or De Munt in Dutch—referring both to the building as well as the opera company. As Belgium's leading opera house, it is one of the few cultural institutions which receive financial support from the Federal Government of Belgium. Other opera houses in Belgium, such as the Vlaamse Opera and the Opéra Royal de Wallonie, are funded by regional governments. La Monnaie is located on the Place de la Monnaie/Muntplein, not far from the Rue Neuve/Nieuwstraat and the Place de Brouckère/De Brouckèreplein. The current edifice is the third theatre on the site. The facade dates from 1818 with major alterations made in 1856 and 198 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Cavalli
Francesco Cavalli (born Pietro Francesco Caletti-Bruni; 14 February 1602 – 14 January 1676) was a Republic of Venice, Venetian composer, organist and singer of the early Baroque music, Baroque period. He succeeded his teacher Claudio Monteverdi as the dominant and leading opera composer of the mid 17th-century. A central figure of Venetian musical life, Cavalli wrote more than forty operas, almost all of which premiered in the city's theaters. His best known works include ''Ormindo'' (1644), ''Giasone'' (1649) and ''La Calisto'' (1651). Life Cavalli was born at Crema, Lombardy, Crema, then an Domini di Terraferma, inland province of the Venetian Republic. He became a singer (boy soprano) at St Mark's Basilica in Venice in 1616, where he had the opportunity to work under the tutorship of Claudio Monteverdi. He became second organist in 1639, first organist in 1665, and in 1668 ''Kapellmeister, maestro di cappella''. He took the name "Cavalli" from his patron, Venetian nobleman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vespro Della Beata Vergine
''Vespro della Beata Vergine'' (''Vespers for the Blessed Virgin''), SV 206, is a musical setting by Claudio Monteverdi of the evening vespers on Marian feasts, scored for soloists, choirs, and orchestra. It is an ambitious work in scope and in its variety of style and scoring, and has a duration of around 90 minutes. Published in Venice (with a dedication to Pope Paul V dated 1 September 1610) as ("Mass for the Most Holy Virgin for six voices, and Vespers for several voices with some sacred songs, suitable for chapels and ducal chambers"), it is sometimes called Monteverdi's ''Vespers of 1610''. Monteverdi composed the music while musician and composer for the Gonzagas, the dukes of Mantua. The libretto is compiled from several Latin Biblical and liturgical texts. The thirteen movements include the introductory ''Deus in adiutorium'', five Psalms, four ''concertato'' motets and a vocal sonata on the " Sancta Maria" litany, several differently scored stanzas of the hymn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Ritorno D'Ulisse In Patria
''Il ritorno d'Ulisse in patria'' (Stattkus-Verzeichnis, SV 325, ''The Return of Ulysses to his Homeland'') is an List of operas by Claudio Monteverdi, opera consisting of a prologue and five acts (later revised to three), set by Claudio Monteverdi to a libretto by Giacomo Badoaro. The opera was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1639–1640 carnival season. The story, taken from the second half of Homer's ''Odyssey'', tells how constancy and virtue are ultimately rewarded, treachery and deception overcome. After his long journey home from the Trojan Wars Ulisse, king of Homer's Ithaca, Ithaca, finally returns to his kingdom where he finds that a trio of villainous suitors are importuning his faithful queen, Penelope. With the assistance of the gods, his son Telemachus, Telemaco and a staunch friend Eumete, Odysseus, Ulisse vanquishes the suitors and recovers his kingdom. ''Il ritorno'' is the first of three full-length works which Monteverdi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'incoronazione Di Poppea
''L'incoronazione di Poppea'' ( SV 308, ''The Coronation of Poppaea'') is an Italian opera by Claudio Monteverdi. It was Monteverdi's last opera, with a libretto by Giovanni Francesco Busenello, and was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1643 carnival season. One of the first operas to use historical events and people, it describes how Poppaea, mistress of the Roman emperor Nero, is able to achieve her ambition and be crowned empress. The opera was revived in Naples in 1651, but was then neglected until the rediscovery of the score in 1888, after which it became the subject of scholarly attention in the late 19th and early 20th centuries. Since the 1960s, the opera has been performed and recorded many times. The original manuscript of the score does not exist; two surviving copies from the 1650s show significant differences from each other, and each differs to some extent from the libretto. How much of the music is actually Monteverdi's, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dieterich Buxtehude
Dieterich Buxtehude (; ; born Diderik Hansen Buxtehude; c. 1637 – 9 May 1707) was a Danish organist and composer of the Baroque period, whose works are typical of the North German organ school. As a composer who worked in various vocal and instrumental idioms, Buxtehude's style greatly influenced other composers, such as Johann Sebastian Bach. Buxtehude is considered one of the most important composers of the 17th century. Life Early years in Denmark He is thought to have been born with the name Diderich Buxtehude.Snyder, Kerala J. Dieterich Buxtehude: Organist in Lübeck. New York: Schirmer Books, 1987. His parents were Johannes (Hans Jensen) Buxtehude and Helle Jespersdatter. His father originated from Oldesloe in the Duchy of Holstein, which at that time was a part of the Danish realms in Northern Germany. Scholars dispute both the year and country of Dieterich's birth, although most now accept that he was born in 1637 in Helsingborg, Skåne at the time part of De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Membra Jesu Nostri
''Membra Jesu nostri'', BuxWV 75, is a cycle of seven cantatas composed in 1680 by Dieterich Buxtehude and dedicated to Gustaf Düben. More specifically and fully it is, in Buxtehude’s phrase, a ''devotionedecantata,”'' or “sung devotion,” titled ''Membra Jesu nostri patientis sanctissima'', which translates from the Latin as ''Limbs Most Holy of Our Suffering Jesus''. Regarding genre, the cycle consists in seven concerto-aria cantatas, a form that had emerged in Germany in the 1660s. The stanzas of its main text are drawn from the medieval hymn ''Salve mundi salutare'', also known as the ''Rhythmica oratio'', formerly ascribed to Bernard of Clairvaux but now thought to be by Arnulf of Leuven. Each cantata addresses a part of Jesus’ crucified body: feet, knees, hands, side, breast, heart and face; in each, Biblical words referring to the limb frame verses of the hymn’s text. Structure Each cantata in ''Membra Jesu nostri'' is divided into six sections; an instrume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christmas Story (Schütz)
The ''Christmas Story'' (''Weihnachtshistorie''), SWV 435, is a musical setting of the Nativity in German by Heinrich Schütz, probably first performed in 1660 in Dresden. It was published as ''Historia der Geburt Jesu Christi'' (''Historia'' of the birth of Jesus Christ). History and words ''Christmas Story'' is a '' Historia'', a setting of the Gospel intended to be performed during a service instead of the Gospel reading. The original title read: ''Historia der freuden- und gnadenreichen Geburt Gottes und Marien Sohnes Jesu Christi'' (''Historia'' of the joyful und blessed birth of Jesus Christ, son of God and Mary). Schütz had composed a ''Resurrection Story'' (Auferstehungshistorie) already in 1623, when he had taken the position of ''Kapellmeister'' at the court of the Elector of Saxony. The music was probably first performed in a Christmas service at the court chapel of Johann Georg II, Elector of Saxony, in Dresden in 1660. Schütz mentions the elector in the long titl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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