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Concerto (Barraqué)
The Concerto for six instrumental formations and two solo instruments (vibraphone and clarinet) is a work composed by Jean Barraqué, started in 1962 and finished in 1968. History The initial impulse to write the Concerto came when Pierre Boulez wrote to Barraqué asking for a new work for the Domaine musical's 1962–63 season. Barraqué wrote back, suggesting the Concerto, and he began composing it on Easter Monday, 23 April 1962. He did not finish it at that time, however. He resumed work in the summer of 1968 in Perros-Guirec, and completed the score in Florence on 22 October of the same year. It was premiered on 20 November 1968 at the Royal Festival Hall in London, by Hubert Rostaing (clarinet), Tristan Fry (vibraphone), and the BBC Symphony Orchestra conducted by Gilbert Amy. The manuscript score was dedicated on 20 March 1969 to Claude and Hubert Rostaing.; ; . Instrumentation There are two solo instruments, clarinet and vibraphone, accompanied by six instrumental form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibraphone
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which it often plays a featured role, and was a defining element ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Klangforum Wien
The Klangforum Wien is an Austrian chamber orchestra, based in Vienna at the Konzerthaus, which specialises in contemporary classical music. Founded by composer and conductor Beat Furrer in 1985, it is run on collective principles, having no official principal conductor. Sylvain Cambreling is principal guest conductor emeritus. Principal guest conductor is since the 2018/2019 concert season. The group is often cited as Austria's leading contemporary music ensemble, , ''RadioKulturHaus.ORF.at''. and is particularly noted for its performances of music by composers of the German-speaking countries, including , |
Serial Compositions
Serial may refer to: Arts, entertainment, and media The presentation of works in sequential segments * Serial (literature), serialised literature in print * Serial (publishing), periodical publications and newspapers * Serial (radio and television), series of radio and television programs that rely on a continuing plot * Serial film, a series of short subjects, with a continuing story, originally shown in theaters, in conjunction with feature films, particularly in the 1930s and 1940s * Indian serial, a type of Indian television program Other uses in arts, entertainment, and media * ''Serial'' (1980 film), based on McFadden's novel, starring Martin Mull and Tuesday Weld * ''Serial'' (podcast), a podcast spinoff of the radio series ''This American Life'' * ''The Serial: A Year in the Life of Marin County'', a 1977 novel by Cyra McFadden Computing and technology * SerDes, a Serializer/Deserializer (pronounced sir-deez) * Serial ATA * Serial attached SCSI * Serial bus, e.g., **I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
20th-century Classical Music
20th-century classical music describes art music that was written nominally from 1901 to 2000, inclusive. Musical style diverged during the 20th century as it never had previously. So this century was without a dominant style. Modernism, impressionism, and post-romanticism can all be traced to the decades before the turn of the 20th century, but can be included because they evolved beyond the musical boundaries of the 19th-century styles that were part of the earlier common practice period. Neoclassicism and expressionism came mostly after 1900. Minimalism started much later in the century and can be seen as a change from the modern to post-modern era, although some date post-modernism from as early as about 1930. Aleatory, atonality, serialism, '' musique concrète'', electronic music, and concept music were all developed during the century. Jazz and ethnic folk music became important influences on many composers during this century. History At the turn of the century, music was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1968 Compositions
The year was highlighted by protests and other unrests that occurred worldwide. Events January–February * January 5 – " Prague Spring": Alexander Dubček is chosen as leader of the Communist Party of Czechoslovakia. * January 10 – John Gorton is sworn in as 19th Prime Minister of Australia, taking over from John McEwen after being elected leader of the Liberal Party the previous day, following the disappearance of Harold Holt. Gorton becomes the only Senator to become Prime Minister, though he immediately transfers to the House of Representatives through the 1968 Higgins by-election in Holt's vacant seat. * January 15 – The 1968 Belice earthquake in Sicily kills 380 and injures around 1,000. * January 21 ** Vietnam War: Battle of Khe Sanh – One of the most publicized and controversial battles of the war begins, ending on April 8. ** 1968 Thule Air Base B-52 crash: A U.S. B-52 Stratofortress crashes in Greenland, discharging 4 nuclear bombs. * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Jean Barraqué
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gramophone (magazine)
''Gramophone'' is a magazine published monthly in London, devoted to classical music, particularly to reviews of recordings. It was founded in 1923 by the Scottish author Compton Mackenzie who continued to edit the magazine until 1961. It was acquired by Haymarket in 1999. In 2013 the Mark Allen Group became the publisher. The magazine presents the Gramophone Awards each year to the classical recordings which it considers the finest in a variety of categories. On its website ''Gramophone'' claims to be: "The world's authority on classical music since 1923." This used to appear on the front cover of every issue; recent editions have changed the wording to "The world's best classical music reviews." Its circulation, including digital subscribers, was 24,380 in 2014. Listings and the ''Gramophone'' Hall of Fame Apart from the annual Gramophone Classical Music Awards, each month features a dozen recordings as Gramophone Editor's Choice (now Gramophone Choice). Then, in the annua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold Whittall
Arnold Whittall (born 1935, Shrewsbury, Shropshire, England) is a British musicologist and writer. He is Professor Emeritus at King's College London. Between 1975 and 1996 he was Professor at King's. Previously he lectured at Cambridge, Nottingham (1964–1969) and Cardiff (1969–1975), where one of his students was Australian composer Norma Tyer. Since the 1960s he has published books, articles and contributed chapters to multi-authored books. Books * ''Schoenberg Chamber Music''. London: BBC, 1972. * ''Music since the First World War''. London : Dent, 1977. * ''The Music of Britten and Tippett – Studies in Themes and Techniques''. Cambridge: Cambridge University Press, 1982. (Second edition 1990) * ''Romantic Music : a concise history from Schubert to Sibelius''. London : Thames and Hudson, 1987. * (Co-authored with Jonathan Dunsby Jonathan Mark Dunsby (born 16 March 1953) is a British classical pianist, musicologist, author and translator, particularly known for his resea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo (journal)
''Tempo'' is a quarterly peer-reviewed academic journal that specialises in music of the 20th century and contemporary music. It was established in 1939 as the 'house magazine' of the music publisher Boosey & Hawkes. ''Tempo'' was the brain-child of Arnold Schoenberg's pupil Erwin Stein, who worked for Boosey & Hawkes as a music editor. The journal's first editor was Ernest Chapman and it was intended to be a bi-monthly publication. Issues 1 to 4 appeared from January to July 1939; but owing to the outbreak of World War II there was a hiatus in publication until August 1941, when issue 5 appeared, and another until February 1944, when regular publication resumed with issue 6 on a roughly quarterly basis. Meanwhile, the New York City office of Boosey & Hawkes set up a separate American edition which produced six issues in 1940–1942 (numbered 1–6, independent of the UK numbering) and an unnumbered 'wartime edition' in February 1944. In 1946, the journal was enlarged and r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perspectives Of New Music
''Perspectives of New Music'' (PNM) is a peer-reviewed academic journal specializing in music theory and analysis. It was established in 1962 by Arthur Berger and Benjamin Boretz (who were its initial editors-in-chief). ''Perspectives'' was first published by the Princeton University Press, initially supported by the Fromm Music Foundation.David Carson Berry, "''Journal of Music Theory'' under Allen Forte's Editorship," ''Journal of Music Theory'' 50/1 (2006), 21, n49. The first issue was favorably reviewed in the ''Journal of Music Theory'', which observed that Berger and Boretz had produced "a first issue which sustains such a high quality of interest and cogency among its articles that one suspects the long delay preceding the yet-unborn Spring 1963 issue may reflect a scarcity of material up to their standard". However, as the journal's editorial "perspective" coalesced, Fromm became—in the words of David Gable—disenchanted with the "exclusive viewpoint hatcame to dominate" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adrian Jack
Adrian Frederick Joseph Jack (born 16 March 1943, in England) is a British Composer. Biography Adrian Jack was born on 16 March 1943, in Datchet, near Slough, Buckinghamshire, England. He was educated at Merchant Taylors' School, Northwood (1954–60), and the Royal College of Music, London (1961–64), where he studied composition with Peter Racine Fricker, fugue and orchestration with Gordon Jacob, piano with Antony Hopkins and organ with John Birch. From 1967 to 1969 he studied composition and electronic music with Włodzimierz Kotoński at the State Higher School of Music in Warsaw, Poland. Jack started composing at the age of 13. He later studied at the Royal College of Music. The main conscious influence at that time was Messiaen. Hearing Boulez's " Le marteau sans maitre" brought a new atonal complexity to his music, replaced by an austere paring-down following his discovery of Edgard Varèse. He actually wrote to Varèse to ask if he could study with him in New York ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Griffiths (writer)
Paul Anthony Griffiths (born 1947) is a British music critic, novelist and librettist. He is particularly noted for his writings on modern classical music and for having written the libretti for two 20th century operas, Tan Dun's ''Marco Polo'' and Elliott Carter's ''What Next?''. Career Paul Griffiths was born on 24 November 1947 in the Welsh town of Bridgend to Fred and Jeanne Griffiths. He received his BA and MSc in biochemistry from University of Oxford, and from 1971 worked as a freelance music critic. He joined the editorial staff of ''The New Grove Dictionary of Music and Musicians'' in 1973 and in 1982 became the chief music critic for ''The Times'', a post which he held for ten years. From 1992 to 1996, he was a music critic for ''The New Yorker'', and from 1997 to 2005, for ''The New York Times''. A collection of his musical criticism for these and other periodicals was published in 2005 as ''The substance of things heard: writings about music'', Volume 31 of ''Eas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
