Comte De Pourtalès Collection
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Comte De Pourtalès Collection
The Art Collection of James-Alexandre, comte de Pourtalès-Gorgier was a collection of sculpture, antiques and paintings owned by James-Alexandre de Pourtalès, Comte de Pourtalès-Gorgier until his death in 1855. History The Comte de Pourtalès-Gorgier (1776–1855), was a Swiss-French banker who served as Chamberlain to the King of Prussia and was awarded the title of Count by King Frederick William III, who ruled Prussia during the Napoleonic Wars and the end of the Holy Roman Empire. The collection was largely held at Hôtel de Pourtalès, his hôtel particulier (essentially a grand townhouse) on Rue Tronchet in the 8th arrondissement of Paris. The collection, which started with a vase, included the ''Laughing Cavalier'' by Frans Hals and works by Bronzino, Rembrandt, Jean-Auguste-Dominique Ingres and a Sandro Botticelli portrait. In 1825, he donated a mummy and coffin he acquired from the Thedenat-Duvent sale, to the Berlin Museum. In February and March 1865, ten years a ...
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Jean-Auguste-Dominique Ingres
Jean-Auguste-Dominique Ingres ( , ; 29 August 1780 – 14 January 1867) was a French Neoclassicism, Neoclassical Painting, painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romanticism (art), Romantic style. Although he considered himself a History painting, painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists. Born into a modest family in Montauban, he travelled to Paris to study in the studio of Jacques-Louis David, David. In 1802 he made his Paris Salon, Salon debut, and won the Prix de Rome for his painting ''The Ambassadors of Agamemnon in the tent of Achilles''. By the time he departed in 1806 for his residency in Rom ...
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Carlo Dolci
Carlo (or Carlino) Dolci (25 May 1616 – 17 January 1686) was an Italian painter of the Baroque period, active mainly in Florence, known for highly finished religious pictures, often repeated in many versions. Biography He was born in Florence, on his mother's side the grandson of a painter. He was precocious and apprenticed at a young age to Jacopo Vignali, and when only eleven years of age he attempted a whole figure of St John, and a head of the infant Christ, which received some approbation. However Dolci was not prolific. "He would take weeks over a single foot", according to his biographer Baldinucci. His painstaking technique made him unsuited for large-scale fresco painting. He painted chiefly sacred subjects, and his works are generally small in scale, although he made a few life-size pictures. He often repeated the same composition in several versions, and his daughter, Agnese Dolci, also made excellent copies of his works. When only eleven years of age, he attempted ...
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Saint Philip Neri
Philip Romolo Neri ( ; it, italics=no, Filippo Romolo Neri, ; 22 July 151526 May 1595), known as the "Second Apostle of Rome", after Saint Peter, was an Italian priest noted for founding a society of secular clergy called the Congregation of the Oratory. Early life Philip was the son of Francesco di Neri, a lawyer, and his wife Lucrezia da Mosciano, whose family were nobility in the service of the state. He was carefully brought up, and received his early teaching from the friars at San Marco, the famous Dominican monastery in Florence. He was accustomed in later life to ascribing most of his progress to the teaching of two of them, Zenobio de' Medici and Servanzio Mini. At the age of 18, in 1533, Philip was sent to his uncle, Romolo, a wealthy merchant at San Germano (now Cassino), a then Neapolitan town near the base of Monte Cassino, to assist him in his business, and with the hope that he might inherit his uncle's fortune. He gained Romolo's confidence and affection, but so ...
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Agnolo Bronzino
Agnolo di Cosimo (; 17 November 150323 November 1572), usually known as Bronzino ( it, Il Bronzino ) or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, ''Bronzino'', may refer to his relatively dark skin or reddish hair. He lived all his life in Florence, and from his late 30s was kept busy as the court painter of Cosimo I de' Medici, Grand Duke of Tuscany. He was mainly a portraitist but also painted many religious subjects, and a few allegorical subjects, which include what is probably his best-known work, ''Venus, Cupid, Folly and Time'', c. 1544–45, now in London. Many portraits of the Medicis exist in several versions with varying degrees of participation by Bronzino himself, as Cosimo was a pioneer of the copied portrait sent as a diplomatic gift. He trained with Pontormo, the leading Florentine painter of the first generation of Mannerism, and his style was greatly influenced by him, but his elegant and somewhat elongated figures always a ...
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Portrait Of A Young Man With A Book (Bronzino)
The ''Portrait of a Young Man with a Book'' is an oil on board painting by Agnolo Bronzino, dated to the 1530s.''Metropolitan Museum of Art''. It likely depicts a literary friend of the artist holding open a collection of poetry. It entered the Metropolitan Museum of Art The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 ... in New York in 1929, where it is still held. References Bibliography *''The Metropolitan Museum of Art Guide'', The Metropolitan Museum of Art/Yale University Press, New York/New Haven 1994/2005. External linksMetropolitan Museum of Art.org: official ''Portrait of a Young Man with a Book'' catalogue webpage {{16C-painting-stub Young Man with a Book Young Man with a Book 1540 paintings Young Man with a Book Young Man with a Book Young Man with a Book ...
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Apollo Belvedere
The ''Apollo Belvedere'' (also called the ''Belvedere Apollo, Apollo of the Belvedere'', or ''Pythian Apollo'') is a celebrated marble sculpture from Classical Antiquity. The ''Apollo'' is now thought to be an original Roman creation of Hadrianic date (c. 120–140 AD), though in a Hellenistic style. The distinctively Roman footwear is one reason scholars believe it is not a copy of an original Greek statue. It was rediscovered in central Italy in the late 15th century during the Italian Renaissance and was placed on semi-public display in the Vatican Palace in 1511, where it remains. It is now in the ''Cortile del Belvedere'' of the Pio-Clementine Museum of the Vatican Museums complex. From the mid-18th century it was considered the greatest ancient sculpture by ardent neoclassicists, and for centuries it epitomized the ideals of aesthetic perfection for Europeans and westernized parts of the world. Description The Greek god Apollo is depicted as a standing archer having j ...
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Vincenzo Giustiniani
Marchese Vincenzo Giustiniani (13 September 1564 – 27 December 1637) was an aristocratic Italian banker, art collector and intellectual of the late 16th and early 17th centuries, known today largely for the Giustiniani art collection, assembled at the Palazzo Giustiniani, near the Pantheon, in Rome, and at the family palazzo at Bassano by Vincenzo and his brother, Cardinal Benedetto, and for his patronage of the artist Caravaggio. Biography Vincenzo's father, Giuseppe Giustiniani, had been the last Genoese ruler of the Aegean island of Chios, which had been a family possession for centuries. In 1566 the island was lost to the Ottomans. On April 14, 1566 an Ottoman fleet under Piali Pasha arrive at the port of Chios and occupied it. The island was pillaged; churches destroyed or converted to mosques. Some members of the family were taken captive and transported to Constantinople. About twenty younger Giustinianis were drafted as janissaries. Three accepted their fate; the oth ...
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Charles Thomas Newton
Sir Charles Thomas Newton (16 September 1816 – 28 November 1894) was a British archaeologist. He was made KCB in 1887. Life He was born in 1816, the second son of Newton Dickinson Hand Newton, vicar of Clungunford, Shropshire, and afterwards of Bredwardine, Herefordshire. He was educated at Shrewsbury School (then under Samuel Butler), and at Christ Church, Oxford (matriculating 17 Oct. 1833), where he graduated B.A. in 1837 and M.A. in 1840. Already in his undergraduate days Newton (as his friend and contemporary, John Ruskin, tells in ''Præterita'') was giving evidence of his natural bent; the scientific study of classical archaeology, which Winckelmann had set on foot in Germany, was in England to find its worthy apostle in Newton. In 1840, contrary to the wishes of his family, he entered the British Museum as an assistant in the department of antiquities. As a career the museum, as it then was, can have presented but few attractions to a young man; but the depar ...
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William Tyssen-Amherst, 1st Baron Amherst Of Hackney
William Amhurst Tyssen-Amherst, 1st Baron Amherst of Hackney, (25 April 1835 – 16 January 1909) was a British Conservative Member of Parliament and collector of books and works of art. Background and education Born William Amhurst Daniel-Tyssen, he was the eldest son of William George Daniel-Tyssen, High Sheriff of Norfolk in 1843, who was the son of William George Daniel, of Foley House, near Maidstone, Kent, High Sheriff of Kent in 1825, and his wife Amelia Amherst, the daughter of Captain John Amherst and Mary Tyssen, heiress of Foulden Hall, Norfolk. Amherst's mother was Mary, daughter of Andrew Fountaine, of Narford Hall, Norfolk. In 1852, he and his father assumed by Royal licence the surname of Tyssen-Amhurst. However, in 1877 he again changed it, to Tyssen-Amherst, also by Royal licence. Tyssen-Amherst was educated at Eton and Christ Church, Oxford. Political career In 1880, he was elected to Parliament for West Norfolk, a seat he held until 1885, and then represent ...
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James Mayer De Rothschild
James Mayer de Rothschild, Baron de Rothschild (born Jakob Mayer Rothschild; 15 May 1792 – 15 November 1868) was a German- French banker and the founder of the French branch of the Rothschild family. Early life James de Rothschild was born in Frankfurt-am-Main, then part of the Holy Roman Empire. He was the fifth son and youngest child of Mayer Amschel Rothschild (1744–1812) and Guttle Schnapper (1753–1849). Career In 1812, he moved to Paris to co-ordinate the purchase of specie and bullion for his brother Nathan Mayer Rothschild (1777–1836), and in 1814 and 1815 he was the linchpin in Nathan's plan to furnish Wellington's armies with funds. In 1817 he expanded the family banking empire to the city, opening De Rothschild Frères. By 1823 the Paris House was firmly established as banker to the French government. An adviser of ministers and kings, he became the most powerful banker in the country and following the Napoleonic Wars, played a major role in financing the ...
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Richard Seymour-Conway, 4th Marquess Of Hertford
Captain Richard Seymour-Conway, 4th Marquess of Hertford KG (22 February 1800 – 25 August 1870) was an English aristocrat and sometime politician who spent his life in France devoted to collecting art. From birth to 1822 he was styled Viscount Beauchamp and from 1822 to 1843 Earl of Yarmouth. Early life Lord Hertford was the son of Francis Seymour-Conway, 3rd Marquess of Hertford Francis Charles Seymour-Conway, 3rd Marquess of Hertford, (11 March 1777 – 1 March 1842), styled Viscount Beauchamp between 1793 and 1794 and Earl of Yarmouth between 1794 and 1822, of Ragley Hall in Warwickshire and of Sudbourne Hall in Su ... and Maria Seymour-Conway, Marchioness of Hertford. He had two siblings, Lord Henry Seymour-Conway, who also died unmarried, and Lady Frances Maria Seymour-Conway (the wife of the Marquis de Chevigne). His paternal grandparents were Francis Ingram-Seymour-Conway, 2nd Marquess of Hertford and, his second wife, Isabella Ingram-Seymour-Conway, Marchi ...
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