Composition With Red Blue And Yellow
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Composition With Red Blue And Yellow
''Composition with Red, Blue and Yellow'' is a 1930 painting by Piet Mondrian, a Dutch artist who was a leading figure in the Neo-Plasticism movement. It consists of thick, black brushwork, defining the borders of colored rectangles. As the title suggests, the only colors used in it besides black and white are red, blue, and yellow. The piece is very similar to Mondrian's 1930 Composition II in Red, Blue, and Yellow. According to Dr. Stephanie Chadwick, associate professor of art history at Lamar University, "Mondrian's Composition with Red, Blue, and Yellow demonstrates his commitment to relational opposites, asymmetry, and pure planes of color. Mondrian composed this painting as a harmony of contrasts that signifies both balance and the tension of dynamic forces." References External links * Entry on Composition with Red, Blue and Yellow' on thonline collectionof the Kunsthaus Zürich The Kunsthaus Zürich is in terms of area the biggest art museum of Switzerland and houses ...
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Piet Mondrian
Pieter Cornelis Mondriaan (), after 1906 known as Piet Mondrian (, also , ; 7 March 1872 – 1 February 1944), was a Dutch painter and art theoretician who is regarded as one of the greatest artists of the 20th century. He is known for being one of the pioneers of 20th-century abstract art, as he changed his artistic direction from figurative painting to an increasingly abstract style, until he reached a point where his artistic vocabulary was reduced to simple geometric elements. Mondrian's art was highly utopian and was concerned with a search for universal values and aesthetics. He proclaimed in 1914: "Art is higher than reality and has no direct relation to reality. To approach the spiritual in art, one will make as little use as possible of reality, because reality is opposed to the spiritual. We find ourselves in the presence of an abstract art. Art should be above reality, otherwise it would have no value for man." His art, however, always remained rooted in nature. H ...
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Kunsthaus Zürich
The Kunsthaus Zürich is in terms of area the biggest art museum of Switzerland and houses one of the most important art collections in Switzerland, assembled over the years by the local art association called '. The collection spans from the Medieval art, Middle Ages to contemporary art, with an emphasis on Swiss art. Architecture The old museum part was drawn-up by architects Karl Moser and Robert Curjel and opened in 1910. Particularly notable are the several preserved Moser interiors in the original section of the museum, decorated in masterful Neo-Grec version of Secession (art), Secession style. The bas-reliefs on the facade are by Moser's longtime collaborator Oskar Kiefer. The original museum building was extended in 1925, 1958 and 1976. A $230 million extension by London-based David Chipperfield was opened in 2020. Half of the extension's budget came from the city and canton of Zurich, with the other half provided by private donors. Chipperfield's design is a massive rec ...
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Neo-Plasticism
''De Stijl'' (; ), Dutch for "The Style", also known as Neoplasticism, was a Dutch art movement founded in 1917 in Leiden. De Stijl consisted of artists and architects. In a more narrow sense, the term ''De Stijl'' is used to refer to a body of work from 1917 to 1931 founded in the Netherlands. Proponents of De Stijl advocated pure abstraction and universality by a reduction to the essentials of form and colour; they simplified visual compositions to vertical and horizontal, using only black, white and primary colors. ''De Stijl'' is also the name of a journal that was published by the Dutch painter, designer, writer, and critic Theo van Doesburg that served to propagate the group's theories. Along with van Doesburg, the group's principal members were the painters Piet Mondrian, Vilmos Huszár, Bart van der Leck, and the architects Gerrit Rietveld, Robert van 't Hoff, and J. J. P. Oud. The artistic philosophy that formed a basis for the group's work is known as ''Neoplasticism ...
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Lamar University
Lamar University (Lamar or LU) is a public university in Beaumont, Texas. Lamar has been a member of the Texas State University System since 1995. It was the flagship institution of the former Lamar University System. As of the fall of 2021, the university enrollment was 16,191 students. Lamar University is accredited by the Southern Association of Colleges and Schools. The university is named for Mirabeau B. Lamar, the second president of the Republic of Texas. Lamar is most prominent for its intercollegiate athletic teams, the Cardinals. It has an urban setting, and the core campus of LU is 299+ acres. LU is organized into five undergraduate colleges including the Colleges of Arts and Sciences, Business, Engineering, Education and Human Development, and Fine Arts and Communication; one graduate college, the College of Graduate Studies; and an honors college, the Reaud Honors College. History Louis R. Pietzsch founded a public junior college in Beaumont's South Park. Lamar ...
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Paintings By Piet Mondrian
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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Abstract Art
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings. Abstraction indicates a departure from reality in depiction of imagery in art. This departure ...
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