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Complete Live At The Spotlite Club 1958
''Complete Live at the Spotlite Club 1958'' is a live album by American jazz pianist Ahmad Jamal featuring performances recorded at the Spotlight club in Washington D.C. in 1958, some of which were originally released on the albums ''Ahmad Jamal Trio Volume IV'' and ''Portfolio of Ahmad Jamal'' on the Argo label.Ahmad Jamal discography accessed May 22, 2012 Reception The Allmusic review awarded the album 5 stars stating "Best heard at sunset, late at night by candlelight, or in a cozy room softly illumined by indirect incandescence, this music offers the listener an opportunity to savor both what Jamal plays and what he doesn't play. His sense of timing, the way he employs contrasting dynamics and ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ahmad Jamal
Ahmad Jamal (born Frederick Russell Jones, July 2, 1930) is an American jazz pianist, composer, bandleader and educator. For six decades, he has been one of the most successful small-group leaders in jazz. Biography Early life Jamal was born Frederick Russell Jones in Pittsburgh, Pennsylvania, on July 2, 1930. He began playing piano at the age of three, when his uncle Lawrence challenged him to duplicate what he was doing on the piano. Jamal began formal piano training at the age of seven with Mary Cardwell Dawson, whom he describes as greatly influencing him. His Pittsburgh roots have remained an important part of his identity ("Pittsburgh meant everything to me and it still does," he said in 2001) and it was there that he was immersed in the influence of jazz artists such as Earl Hines, Billy Strayhorn, Mary Lou Williams, and Erroll Garner. Jamal also studied with pianist James Miller and began playing piano professionally at the age of fourteen, at which point he was recogniz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Mercer
John Herndon Mercer (November 18, 1909 – June 25, 1976) was an American lyricist, songwriter, and singer, as well as a record label executive who co-founded Capitol Records with music industry businessmen Buddy DeSylva and Glenn E. Wallichs. He is best known as a Tin Pan Alley lyricist, but he also composed music, and was a popular singer who recorded his own songs as well as songs written by others from the mid-1930s through the mid-1950s. Mercer's songs were among the most successful hits of the time, including " Moon River", " Days of Wine and Roses", " Autumn Leaves", and "Hooray for Hollywood". He wrote the lyrics to more than 1,500 songs, including compositions for movies and Broadway shows. He received nineteen Oscar nominations, and won four Best Original Song Oscars. Early life Mercer was born in Savannah, Georgia, where one of his first jobs, aged 10, was sweeping floors at the original 1919 location of Leopold's Ice Cream. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margarita Lecuona
Margarita Lecuona (1910–1981) was a Cuban singer and composer who is remembered for composing Afro songs such as "Babalú" and "Tabú". Biography Born in Havana on 18 April 1910, Lecuona was the daughter of Eugenio Lecuona, the Cuban consul in New York. She attended the Colegio Nuestra Señora de las Mercedes and the Colegio Sepúlveda in Havana before embarking on her secondary education at the Instituto de La Habana which she left after her first two years. She studied singing under Julia Lucignani and the piano under Eulalia Santana before attending the Escuela de Guitarra de Pro-Arte Musical to study the guitar under Clara Romero de Nicola. She studied dance at the Escuela de Ballet under the ballet master Nikolai Yavorsky, performing in a number of his works. In 1930, while still studying, she wrote "Soñadora" which she sang playing the guitar. After performing in a number of stage productions, in 1942, she first created a duo with Olga Luque and then a group called the L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Hodges
Cornelius "Johnny" Hodges (July 25, 1907 – May 11, 1970) was an American alto saxophonist, best known for solo work with Duke Ellington's big band. He played lead alto in the saxophone section for many years. Hodges was also featured on soprano saxophone, but refused to play soprano after 1946. Along with Benny Carter, Hodges is considered to be one of the definitive alto saxophone players of the big band era. After beginning his career as a teenager in Boston, Hodges began to travel to New York and played with Lloyd Scott, Sidney Bechet, Luckey Roberts and Chick Webb. When Ellington wanted to expand his band in 1928, Ellington's clarinet player Barney Bigard recommended Hodges. His playing became one of the identifying voices of the Ellington orchestra. From 1951 to 1955, Hodges left the Duke to lead his own band, but returned shortly before Ellington's triumphant return to prominence – the orchestra's performance at the 1956 Newport Jazz Festival. Biography Early life Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Francis Webster
Paul Francis Webster (December 20, 1907 – March 18, 1984) was an American lyricist who won three Academy Awards for Best Original Song, and was nominated sixteen times for the award. Life and career Webster was born in New York City, United States, the son of Myron Lawrence Webster and Blanche Pauline Stonehill Webster. His family was Jewish. His father was born in Augustów, Poland. He attended the Horace Mann School ( Riverdale, Bronx, New York), graduating in 1926, and then went to Cornell University from 1927 to 1928 and New York University from 1928 to 1930, leaving without receiving a degree. He worked on ships throughout Asia and then became a dance instructor at an Arthur Murray studio in New York City. By 1931, however, he turned his career direction to writing song lyrics. His first professional lyric was "Masquerade" (music by John Jacob Loeb) which became a hit in 1932, performed by Paul Whiteman. In 1935, Twentieth Century Fox signed him to a contract to write lyr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sammy Fain
Sammy Fain (born Samuel E. Feinberg; June 17, 1902 – December 6, 1989) was an American composer of popular music. In the 1920s and early 1930s, he contributed numerous songs that form part of The Great American Songbook, and to Broadway theatre. Fain was also a popular musician and vocalist. Biography Sammy Fain was born in New York City, New York, United States, the son of a cantor. In 1923, Fain appeared in the short sound film, "Sammy Fain and Artie Dunn" directed by Lee De Forest filmed in DeForest's Phonofilm sound-on-film process. In 1925, Fain left the Fain-Dunn act to devote himself to music. Fain was a self-taught pianist who played by ear. He began working as a staff pianist and composer for music publisher Jack Mills. In 1932 he appeared in the short film "The Crooning Composer." Later, Fain worked extensively in collaboration with Irving Kahal. Together they wrote classics such as "Let a Smile Be Your Umbrella" and "You Brought a New Kind of Love to Me," (co-writ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Secret Love (Doris Day Song)
"Secret Love" is a song composed by Sammy Fain (music) and Paul Francis Webster (lyrics) for ''Calamity Jane'', a 1953 musical film in which it was introduced by Doris Day in the title role. Ranked as a number 1 hit for Day on both the ''Billboard'' and ''Cash Box'', the song also afforded Day a number 1 hit in the UK. "Secret Love" has subsequently been recorded by a wide range of artists, becoming a C&W hit firstly for Slim Whitman and later for Freddy Fender, with the song also becoming an R&B hit for Billy Stewart, whose version also reached the top 40 as did Freddy Fender's. In the UK, "Secret Love" would become the career record of Kathy Kirby via her 1963 remake of the song. The melody bears a slight resemblance to the opening theme of Schubert's A-major piano sonata, D.664. Doris Day version Doris Day first heard "Secret Love" when its co-writer Sammy Fain visited the singer's home and played it for her, Day being so moved by the song that she'd recall her reaction as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugh Martin
Hugh Martin (August 11, 1914 – March 11, 2011) was an American musical theater and film composer, arranger, vocal coach, and playwright. He was best known for his score for the 1944 MGM musical ''Meet Me in St. Louis'', in which Judy Garland sang three Martin songs, "The Boy Next Door (song), The Boy Next Door," "The Trolley Song," and "Have Yourself a Merry Little Christmas." The last of these has become a Christmas season standard in the United States and around the English-speaking world. Martin became a close friend of Garland and was her accompanist at many of her concert performances in the 1950s, including her appearances at the Palace Theater (Broadway), Palace Theater. Early life Martin was born in Birmingham, Alabama, the son of Ellie Gordon (Robinson) and Hugh Martin Sr., an architect. He attended Birmingham-Southern College where he studied music. He was a member of the Beta Beta Chapter of the Alpha Tau Omega fraternity. Career Martin wrote the music, and in so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Blane
Ralph Blane (July 26, 1914 – November 13, 1995) was an American composer, lyricist, and performer. Life and career Blane was born Ralph Uriah Hunsecker in Broken Arrow, Oklahoma. He attended Tulsa Central High School. He studied singing with Estelle Liebling in New York City. He began his career as a radio singer for NBC in the 1930s before turning to Broadway, where he was featured in ''New Faces of 1936'' (1936), ''Hooray for What!'' (1937), and ''Louisiana Purchase'' (1940). In 1940 he formed a vocal quartet ("The Martins") with his friend Hugh Martin which performed on radio and in nightclubs. Martin and Blane formed a songwriting partnership. Together they wrote music and lyrics to '' Best Foot Forward'' (1941) and ''Three Wishes for Jamie'' (1952). The duo penned many American standards for the stage and MGM musicals. The team's best-known songs include " The Boy Next Door", "Have Yourself a Merry Little Christmas" and "The Trolley Song", all written for the 1944 film m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Boy Next Door (song)
"The Boy Next Door" is a 1944 popular song by Hugh Martin and Ralph Blane. It was introduced in the musical film ''Meet Me in St. Louis,'' where it was performed by Judy Garland to an arrangement of Conrad Salinger conducted by Georgie Stoll. It has been praised as a perfect example of how to advance story and reveal a character’s emotions efficiently on screen. In 1954, Vic Damone sang it in the first minutes of the film ''Athena''. It has subsequently become a popular standard, performed by many artists. It is sometimes performed and recorded under the title "The Girl Next Door". Other recordings *Judy Garland - recorded for Decca Records (catalog No. 23362) on April 20, 1944, using essentially the same soundtrack arrangement but with a shortened orchestral interlude. *Jo Stafford (1945). *Frank Sinatra - ''Songs for Young Lovers'' (1954, Capitol) and '' All Alone'' (1962, Reprise) *Vic Damone (1954). *Don Fagerquist - ''Portrait of a Great Jazz Artist'' (1956). *Sarah Vaughan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irving Berlin
Irving Berlin (born Israel Beilin; yi, ישראל ביילין; May 11, 1888 – September 22, 1989) was a Russian-American composer, songwriter and lyricist. His music forms a large part of the Great American Songbook. Born in Imperial Russia, Berlin arrived in the United States at the age of five. He published his first song, "Marie from Sunny Italy", in 1907, receiving 33 cents for the publishing rights,Starr, Larry and Waterman, Christopher, American Popular Music: From Minstrelsy to MP3, Oxford University Press, 2009, pg. 64 and had his first major international hit, "Alexander's Ragtime Band", in 1911. He also was an owner of the Music Box Theatre on Broadway. For much of his career Berlin could not read sheet music, and was such a limited piano player that he could only play in the key of F-sharp; he used his custom piano equipped with a transposing lever when he needed to play in keys other than F-sharp. "Alexander's Ragtime Band" sparked an international dance craze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cheek To Cheek
"Cheek to Cheek" is a song written by Irving Berlin in 1934–35, specifically for the star of his new musical, Fred Astaire. The movie was ''Top Hat'', co-starring Ginger Rogers."Cheek to Cheek" by Fred Astaire, 1935 ; from the University of Virginia's American Studies website, subsection : 1935-1939"; retrieved 2012-03-07. In the movie, Astaire sings the song to Rogers as they dance. The song was nominated for the Best Song for 1936, which it lost to " [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
