Comparison Of MIDI Standards
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Comparison Of MIDI Standards
This table provides summary of comparison of various MIDI enhancement standards by various parameters. References * * * , an extensive guide to various models and their capabilities GM modules for the masses a comparison article {{PC sound standards * MIDI standards MIDI (; Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and rel ...
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MIDI
MIDI (; Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. The specification originates in the paper ''Universal Synthesizer Interface'' published by Dave Smith and Chet Wood of Sequential Circuits at the 1981 Audio Engineering Society conference in New York City. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and loudness. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which t ...
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MPU-401
The MPU-401, where ''MPU'' stands for MIDI Processing Unit, is an important but now obsolete interface for connecting MIDI-equipped electronic music hardware to personal computers. It was designed by Roland Corporation, which also co-authored the MIDI standard. Design Released around 1984, the original MPU-401 was an external breakout box providing MIDI IN/MIDI OUT/MIDI THRU/TAPE IN/TAPE OUT/MIDI SYNC connectors, for use with a separately-sold interface card/cartridge ("MPU-401 interface kit") inserted into a computer system. For this setup, the following "interface kits" were made: * MIF-APL: For the Apple II. * MIF-C64: For the Commodore 64. * MIF-FM7: For the Fujitsu FM7. * MIF-IPC: For the IBM PC/IBM XT. It turned out not to work reliably with 286 and faster processors. Early versions of the actual PCB had IF-MIDI/IBM as a silk screen. * MIF-IPC-A: For the IBM AT, works with PC and XT as well. * Xanadu MUSICOM IFM-PC: For the IBM PC / IBM XT / IBM AT. This was a third party ...
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Roland MT-32
The Roland MT-32 Multi-Timbre Sound Module is a MIDI synthesizer module first released in 1987 by Roland Corporation. It was originally marketed to amateur musicians as a budget external synthesizer with an original list price of $695. However, it became more famous along with its compatible modules as an early ''de facto'' standard in computer music. Since it was made prior to the release of the General MIDI standard, it uses its own proprietary format for MIDI file playback. Within Roland's family of Linear Arithmetic (LA) synthesizers, the multitimbral MT-32 series constitutes the budget prosumer line for computer music at home, the multitimbral D-5, D-10, D-20 and D-110 models constitute the professional line for general studio use, and the high-end monotimbral D-50 and D-550 models are for sophisticated multi-track studio work. It was the first product in Roland's line of Desktop Music System (DTM) packages in Japan. Features Like the Roland D-50 Linear Synthesizer, ...
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General MIDI
General MIDI (also known as GM or GM 1) is a standardized specification for electronic musical instruments that respond to MIDI messages. GM was developed by the American MIDI Manufacturers Association (MMA) and the Japan MIDI Standards Committee (JMSC) and first published in 1991. The official specification is available in English from the MMA, bound together with the MIDI 1.0 specification, and in Japanese from the Association of Musical Electronic Industry (AMEI). GM imposes several requirements beyond the more abstract MIDI 1.0 specification. While MIDI 1.0 by itself provides a communications protocol which ensures that different instruments can interoperate at a fundamental level — for example, that pressing keys on a MIDI keyboard will cause an attached MIDI sound module to play musical notes — GM goes further in two ways. First, GM requires that all compliant MIDI instruments meet a certain minimal set of features, such as being able to play at least 24 notes simultan ...
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Roland GS
Roland GS, or just GS, sometimes expanded as General Standard or General Sound, is a MIDI specification. It requires that all GS-compatible equipment must meet a certain set of features and it documents interpretations of some MIDI commands and bytes sequences, thus defining instrument tones, controllers for sound effects, etc. In addition to the simpler General MIDI standard, GS defines 98 additional tone instruments, 15 more percussion instruments, 8 more drum kits, 3 effects (reverb/chorus/variation) and some other features. The Roland SC-55 was the first synthesizer to support the GS standard. History The GS extensions were first introduced and implemented on Roland Sound Canvas series modules, starting with the Roland SC-55 in 1991. The first model supported 317 instruments, 16 simultaneous melodic voices, 8 percussion voices and a compatibility mode for Roland MT-32 (although it only emulated it and lacked programmability of original MT-32) and gained explosive popularit ...
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Yamaha XG
Yamaha XG (EXtended General MIDI) is an extension to the General MIDI standard, created by Yamaha. It is similar in purpose to the Roland GS standard. Features Relative to General MIDI, XG gained popularity by increasing the number of available instruments from 128 to 480 (361 in some interpretations) with additional 11 drum kit sounds, and introduced a large set of standard controllers and parameters that composers could employ to achieve greater subtlety and realism in their compositions. The XG also has a synthesizer that provides a 32/64 note polyphonic feature which is shared through the supported 16 MIDI channels. XG has a wide range of sounds to form such complex chords and produces a vast variety of lower synthesizer sounds to choose from. History In 1994, Yamaha released the first XG-based product: Yamaha MU80 Tone Generator. In 1995, Yamaha released the first XG-based product for PC users, the DB50XG daughterboard, a Creative Wave Blaster competitor. In 1996, Yamaha ...
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General MIDI Level 2
General MIDI Level 2 or GM2 is a specification for synthesizers which defines several requirements beyond the more abstract MIDI standard and is based on General MIDI and GS extensions. It was adopted in 1999 by the MIDI Manufacturers Association (MMA). General requirements * Number of Notes: 32 simultaneous notes * MIDI Channels: 16 * Simultaneous Melodic Instruments – up to 16 (all Channels) * Simultaneous Percussion Kits – up to 2 (Channel 10/11) Parameters Program and bank change events General MIDI 2 compatible synthesizers access all of the 256 instruments by setting cc#0 (Bank Select MSB) to 121 and using cc#32 (Bank Select LSB) to select the variation bank before a Program Change. Variation bank 0 contains the full GM — that is, General MIDI 1 — sound set. Variations using other bank numbers are new to General MIDI 2, and correspond to variation sounds introduced in Roland GS. Melodic sounds = Piano = = Chromatic Percussion = = Organ = = Guitar = = Bass ...
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Yamaha XGlite
Yamaha may refer to: * Yamaha Corporation, a Japanese company with a wide range of products and services, established in 1887. The company is the largest shareholder of Yamaha Motor Company (below). ** Yamaha Music Foundation, an organization established by the authority of Japanese Ministry of Education for the purpose of promoting music education and music popularization ** Yamaha Pro Audio, a Japanese company specializing in products for the professional audio market * Yamaha Motor Company, a Japanese motorized vehicle-producing company. The company was established in 1955 upon separation from Yamaha Corporation (above), and is currently one of the major shareholders of Yamaha Corporation (See: Cross ownership). ** Yamaha Júbilo, a Japanese rugby team ** Yamaha Stadium is a football stadium located in Iwata City, Shizuoka Prefecture, Japan, owned by Yamaha Motors, next to whose plant it is located, and was purpose-designed for use with soccer and rugby union. It is the hom ...
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Electronic Musician
''Electronic Musician'' is a monthly magazine published by Future US featuring articles on synthesizers, music production and electronic musicians. History and profile ''Electronic Musician'' began as ''Polyphony'' magazine in 1975, published by PAiA Electronics as a synthesizer hobbyist magazine. In 1976 it was spun off as a separate company, Polyphony Publishing Company. It was sold to Mix Publications in 1985. Mix Publications was bought by Act III Communications around 1989, which in the 1990s was bought by Primedia. Primedia's business magazines were spun off as Prism Business Media in 2005; Prism merged with Penton Media the next year. NewBay Media bought the magazine in 2011. ''EQ Magazine'' was merged into ''Electronic Musician'' in May 2011. Future acquired NewBay in 2018. The headquarters is in San Bruno, California San Bruno ( Spanish for " St. Bruno") is a city in San Mateo County, California, United States, incorporated in 1914. The population was 43,908 at ...
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Roland Corporation
is a Japanese manufacturer of electronic musical instruments, electronic equipment, and software. It was founded by Ikutaro Kakehashi in Osaka on 18 April 1972. In 2005, its headquarters relocated to Hamamatsu in Shizuoka Prefecture. It has factories in Malaysia, Taiwan, Japan, and the United States. As of 31 March 2010, it employed 2,699 people. In 2014, it was subject to a management buyout by its CEO, Junichi Miki, supported by Taiyo Pacific Partners. Roland has manufactured numerous instruments that have had lasting impacts on music, such as the Juno-106 synthesizer, TB-303 bass synthesizer, and TR-808 and TR-909 drum machines. It was also instrumental in the development of MIDI, a standardized means of synchronizing electronic instruments manufactured by different companies. In 2016, ''Fact'' wrote that Roland had arguably had more influence on electronic music than any other company. History 1970s Having created Ace Electronic Industries Inc in 1960, Ikutaro Kakeh ...
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Japan MIDI Standards Committee
The Japan MIDI Standards Committee (JMSC) is the body that ratifies and proposes MIDI standards within the Japanese manufacturing and developer community. It now operates within the Association of Musical Electronics Industry (AMEI). The JMSC ratifies MIDI as Japanese Industrial Standards through the Japanese Industrial Standards Committee. See also * MIDI Manufacturers Association The MIDI Manufacturers Association (MMA) is a non-profit trade organization where companies work together to create MIDI standards that assure compatibility among MIDI products. The MMA is a U.S. organization established in 1985 by the original dev ... References External links Association of Musical Electronics Industry (AMEI) MIDI {{business-org-stub ...
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Association Of Musical Electronics Industry
The Association of Musical Electronics Industry (AMEI) is an organization where companies work together to create the standards that assure compatibility among electronic musical instruments, particularly MIDI products. The AMEI is a Japanese organization established in 1996. See also * MIDI Manufacturers Association * Japan MIDI Standards Committee The Japan MIDI Standards Committee (JMSC) is the body that ratifies and proposes MIDI standards within the Japanese manufacturing and developer community. It now operates within the Association of Musical Electronics Industry (AMEI). The JMSC ratifi ... References External links Association of Musical Electronics Industry (AMEI) MIDI {{business-org-stub ...
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