Comic Potential (play)
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Comic Potential (play)
''Comic Potential'' by Alan Ayckbourn is a romantic sci-fi comedy play. It is set in a TV studio in the foreseeable future, when low-cost androids (known as "actoids") have largely replaced actors. Background The play was Ayckbourn's second exploration into science fiction, the first being '' Henceforward...'' This play originated from the idea that the ability to laugh and the ability to fall in love are both characteristics that differentiate humans from androids, as both are illogical from an objective viewpoint, thus raising the question as to whether either of the actions in an android would be considered a malfunction. The comedy also explores the Pygmalion syndrome and competing desires for autonomy and certainty. Plot summary Idealistic young writer Adam Trainsmith meets Chandler Tate, a former director of classic comedies, who makes a living by directing a never-ending soap opera. The leading-role android makes a series of mistakes. Supporting role android JC-F31-333, ...
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Alan Ayckbourn
Sir Alan Ayckbourn (born 12 April 1939) is a prolific British playwright and director. He has written and produced as of 2021, more than eighty full-length plays in Scarborough and London and was, between 1972 and 2009, the artistic director of the Stephen Joseph Theatre in Scarborough, where all but four of his plays have received their first performance. More than 40 have subsequently been produced in the West End, at the Royal National Theatre or by the Royal Shakespeare Company since his first hit '' Relatively Speaking'' opened at the Duke of York's Theatre in 1967. Major successes include ''Absurd Person Singular'' (1975), ''The Norman Conquests'' trilogy (1973), '' Bedroom Farce'' (1975), ''Just Between Ourselves'' (1976), '' A Chorus of Disapproval'' (1984), ''Woman in Mind'' (1985), ''A Small Family Business'' (1987), '' Man of the Moment'' (1988), ''House'' & ''Garden'' (1999) and ''Private Fears in Public Places'' (2004). His plays have won numerous awards, includi ...
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Premiere
A première, also spelled premiere, is the debut (first public presentation) of a play, film, dance, or musical composition. A work will often have many premières: a world première (the first time it is shown anywhere in the world), its first presentation in each country, and an online première (the first time it is published on the Internet). When a work originates in a country that speaks a different language from that in which it is receiving its national or international première, it is possible to have two premières for the same work in the same country—for example, the play ''The Maids'' by the French dramatist Jean Genet received its British première (which also happened to be its world première) in 1952, in a production given in the French language. Four years later, it was staged again, this time in English, which was its English-language première in Britain. History Raymond F. Betts attributes the introduction of the film premiere to showman Sid Grauman, who ...
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Plays By Alan Ayckbourn
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Times'' ...
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Drama Desk Award
The Drama Desk Award is an annual prize recognizing excellence in New York theatre. First bestowed in 1955 as the Vernon Rice Award, the prize initially honored Off-Broadway productions, as well as Off-off-Broadway, and those in the vicinity. Following the 1964 renaming as the Drama Desk Awards, Broadway productions were included beginning with the 1968–69 award season. The awards are considered a significant American theater distinction. History The Drama Desk organization was formed in 1949 by a group of New York theater critics, editors, reporters and publishers, in order to make the public aware of the vital issues concerning the theatrical industry. They debuted the presentations of the ''Vernon Rice Awards''. The name honors the ''New York Post'' critic Vernon Rice, who had pioneered Off-Broadway coverage in the New York press. The name was changed for the 1963–1964 awards season to the ''Drama Desk Awards''. In 1974, the Drama Desk became incorporated as a not-for-pr ...
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Outer Critics Circle Award
The Outer Critics Circle Awards are presented annually for theatrical achievements both on Broadway and Off-Broadway. They are presented by the Outer Critics Circle (OCC), the official organization of New York theater writers for out-of-town newspapers, digital and national publications, and other media beyond Broadway. The awards were first presented during the 1949–50 theater season, celebrating their 70th anniversary in 2020. David Gordon, Senior Features Reporter at TheaterMania.com, currently serves as president. History The Outer Critics Circle was founded as the Outer Circle during the Broadway season of 1949–50 by an assortment of theater critics led by John Gassner, a reviewer, essayist, dramaturg, and professor of theater. These critics were writing for academic publications, special interest journals, monthlies, quarterlies, and weekly publications outside the New York metro area, and were looking for a forum where they could discuss the theater in general, particular ...
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Laurence Olivier Awards
The Laurence Olivier Awards, or simply the Olivier Awards, are presented annually by the Society of London Theatre to recognise excellence in professional theatre in London at an annual ceremony in the capital. The awards were originally known as the Society of West End Theatre Awards, but they were renamed in honour of the British actor of the same name in 1984. The awards are given to individuals involved in West End productions and other leading non-commercial theatres based in London across a range of categories covering plays, musicals, dance, opera and affiliate theatre. A discretionary non-competitive Special Olivier Award is also given each year. The Olivier Awards are recognised internationally as the highest honour in British theatre, equivalent to the BAFTA Awards for film and television, and the BRIT Awards for music. The Olivier Awards are considered equivalent to Broadway's Tony Awards and France's Molière Award. Since inception, the awards have been held at var ...
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Evening Standard Awards
The ''Evening Standard'' Theatre Awards, established in 1955, are the oldest theatrical awards ceremony in the United Kingdom. They are presented annually for outstanding achievements in London Theatre, and are organised by the ''Evening Standard'' newspaper. They are the West End's equivalent to Broadway's Drama Desk Awards. Trophies The trophies take the form of a modelled statuette, a figure representing Drama, designed by Frank Dobson RA, a former Professor of Sculpture at the Royal College of Art. Categories Three of the awards are given in the names of former ''Evening Standard'' notables: *Arts editor Sydney Edwards (who conceived the awards, and died suddenly in July 1979) for the Best Director category. *Editor Charles Wintour (who as deputy-editor in 1955, launched the awards after a nod from the proprietor, Lord Beaverbrook') for Most Promising Playwright. *Long-serving theatre critic Milton Shulman (for several years a key member of the judging panel) for the Out ...
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London Critics' Circle Theatre Awards
The Critics' Circle Theatre Awards, originally called ''Drama'' Theatre Awards up to 1990, are British theatrical awards presented annually for the closing year's theatrical achievements. The winners, from theatre throughout the United Kingdom, are selected via vote by the professional theatre critics of The Critics' Circle. Winners, 1982 to present Best New Play 1980s 1990s 2000s 2010s 2020s Best Actor 1980s 1990s 2000s 2010s 2020s Best Actress 1980s 1990s 2000s 2010s 2020s The Trewin Award for Best Shakespearean Performance 2000s 2010s 2020s Best Director 1980s 1990s 2000s 2010s 2020s The Peter Hepple Award for Best Musical 1980s 1990s 2000s 2010s 2020s Most Promising Playwright 1980s 1990s 2000s 2010s 2020s Best Designer 1980s 1990s 2000s 2010s 2020s The Jack Tinker Award for Most Promising Newcomer (other than a playwright) Award dedicated to Jack Tinker from 1996 onwards. 1980s 1990s 2000s 2010s 2020s Special Awards for S ...
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Janie Dee
Janie Dee (born 20 June 1962) is an English actress and singer. She won the Olivier Award for Best Actress, Evening Standard Award and Critics' Circle Theatre Award for Best Actress in a Play, and in New York the Obie and Theatre World Award for Best Newcomer, for her performance as Jacie Triplethree in Alan Ayckbourn's '' Comic Potential''. She also won the Olivier Award for Best Supporting Performance in a Musical for her performance as Carrie Pipperidge in Nicholas Hytner's acclaimed production of Rodgers & Hammerstein's ''Carousel'' at the National Theatre. In 2013, Dee won the TMA Theatre Award UK for Best Performance in a Musical for her performance as Dolly Levi in '' Hello Dolly'' at Curve, Leicester. Early life and education Janie Dee was born in Old Windsor, Berkshire. She is the daughter of John Lewis and Ruth Lewis (née Miller) and the eldest of four sisters. She trained at the Arts Educational School in Chiswick, London. On leaving ArtsEd, Dee began her career ...
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David Soul
David Soul (born David Richard Solberg; August 28, 1943) is an American-British actor and singer. He is known for his role as Detective Kenneth "Hutch" Hutchinson in the television series ''Starsky & Hutch'' from 1975 to 1979; Joshua Bolt on ''Here Come the Brides'' from 1968 to 1970; and Officer John Davis in ''Magnum Force'' in 1973. As a singer, he scored one US hit and five UK hits with songs such as " Don't Give Up on Us" (US & UK No. 1) in 1976 and " Silver Lady" (UK No. 1) in 1977. Early life Soul was born on August 28, 1943 in Chicago, Illinois, United States, and is of Norwegian descent. His mother, June Johnanne (Nelson), was a teacher, and his father, Dr. Richard W. Solberg, was a Lutheran minister, professor of History and Political Science, and director of Higher Education for the Lutheran Church in America (now part of the ELCA). Both of Soul's grandfathers were evangelists. Dr. Solberg was also senior representative for Lutheran World Relief during the reconstru ...
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Lyric Theatre (London)
The Lyric Theatre is a West End theatre in Shaftesbury Avenue in the City of Westminster. It was built for the producer Henry Leslie, who financed it from the profits of the light opera hit, ''Dorothy'', which he transferred from its original venue to open the new theatre on 17 December 1888. Under Leslie and his early successors the house specialised in musical theatre, and that tradition has continued intermittently throughout the theatre's existence. Musical productions in the theatre's first four decades included ''The Mountebanks'' (1892), ''His Excellency'' (1894), '' The Duchess of Dantzig'' (1903), ''The Chocolate Soldier'' (1910) and '' Lilac Time'' (1922). Later musical shows included ''Irma La Douce'' (1958), ''Robert and Elizabeth'' (1964), '' John, Paul, George, Ringo ... and Bert'' (1974), '' Blood Brothers'' (1983), ''Five Guys Named Moe'' (1990) and ''Thriller – Live'' (2009). Many non-musical productions have been staged at the Lyric, from Shakespeare to O' ...
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Kidnapping
In criminal law, kidnapping is the unlawful confinement of a person against their will, often including transportation/asportation. The asportation and abduction element is typically but not necessarily conducted by means of force or fear: the perpetrator may use a weapon to force the victim into a vehicle, but it is still kidnapping if the victim is enticed to enter the vehicle willingly (e.g. in the belief that it is a taxicab). Kidnapping may be done to demand for ransom in exchange for releasing the victim, or for other illegal purposes. Kidnapping can be accompanied by bodily injury which elevates the crime to aggravated kidnapping. Kidnapping of a child is known as child abduction, which is a separate legal category. Motivations Kidnapping of children is usually done by one parent or others. The kidnapping of adults is often for ransom or to force someone to withdraw money from an Automated teller machine, ATM, but may also be for sexual assault. Children have also been ...
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