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Come Play With Me (album)
''Come Play with Me'' is an album by saxophonist Charles McPherson which was recorded in 1995 and released on the Arabesque label. accessed May 15, 2018 Reception The review by Scott Yanow said "Although he had rarely played with any of the sidemen heard on his Arabesque release before, the quartet presents a unified sound, as if they were a regularly working group. ... no matter what the vehicle, McPherson is in top form throughout this fine date and he sounds clearly inspired".Track listing All compositions by Charles McPherson except where noted # "[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles McPherson (musician)
Charles McPherson (born July 24, 1939) is an American jazz alto saxophonist born in Joplin, Missouri, United States, and raised in Detroit, Michigan, who worked intermittently with Charles Mingus from 1960 to 1974, and as a performer leading his own groups. McPherson also was commissioned to help record ensemble renditions of pieces from Charlie Parker, on the 1988 soundtrack for the film ''Bird (1988 film), Bird''. Discography As leader * ''Bebop Revisited!'' (Prestige Records, Prestige, 1965) * ''Con Alma!'' (Prestige, 1965) * ''The Quintet/Live!'' (Prestige, 1967) * ''From This Moment On!'' (Prestige, 1968) * ''Horizons (Charles McPherson album), Horizons'' (Prestige, 1969) * ''McPherson's Mood'' (Prestige, 1969) * ''Charles McPherson (album), Charles McPherson'' (Mainstream Records, Mainstream, 1971) * ''Siku Ya Bibi (Day of the Lady)'' (Mainstream, 1972) * ''Today's Man (album), Today's Man'' (Mainstream, 1973) * ''Beautiful!'' (Xanadu Records, Xanadu, 1975) * ''Live in Tok ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darn That Dream
"Darn That Dream" is a popular song composed by Jimmy Van Heusen with lyrics by Eddie DeLange. It was published in 1939 and ranked No. 1 in 1940 when a recording was released by Benny Goodman in an arrangement by Eddie Sauter with Mildred Bailey singing the vocal. Other popular recordings in 1940 were by Blue Barron & His Orchestra (vocal by Russ Carlyle) (#14 in Billboard charts) and by Tommy Dorsey (vocal by Anita Boyer) (#16 in Billboard charts). The song was introduced in the Broadway musical ''Swingin' the Dream'', a variation on ''A Midsummer Night's Dream'' by William Shakespeare set in New Orleans in 1890. The musical opened at Center Theatre in November 1939 and closed after 13 performances. Other versions * Tony Bennett – for his album ''Cloud 7'' (1955). * Jane Ira Bloom – ''Sixteen Sunsets'' (2013) * Petula Clark – ''Petula Clark in Hollywood'' (1959). * Miles Davis – ''Birth of the Cool'' (1950) * Doris Day – a single release for Columbia Records (catalog No. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabesque Records Albums
The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements. Another definition is "Foliate ornament, used in the Islamic world, typically using leaves, derived from stylised half-palmettes, which were combined with spiralling stems". It usually consists of a single design which can be ' tiled' or seamlessly repeated as many times as desired. Within the very wide range of Eurasian decorative art that includes motifs matching this basic definition, the term "arabesque" is used consistently as a technical term by art historians to describe only elements of the decoration found in two phases: Islamic art from about the 9th century onwards, and European decorative art from the Renaissance onwards. Interlace and scroll decoration are terms used for most other types of similar patterns. Arabesques are a fundamental element of I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lewis Nash
Lewis Nash (born December 30, 1958) is an American jazz drummer. According to ''Modern Drummer'' magazineNashhas one of the longest discographies in jazz and has played on over 400 records, earning him the honor of Jazz's Most Valuable Player by the magazine in its May 2009 issue. In 2012The Nash Jazz Club] opened in Phoenix, AZ. Named after Lewis Nash bJazz in AZ501(c)(3), The Nash Jazz Club is dedicated to performances and educational programs that promote jazz education. In 2017, Nash joined the jazz studies faculty at Arizona State University, where he was named the Bob and Gretchen Ravenscroft Professor of Practice in Jazz. In early 2021, the Lewis Nash Scholarship Endowment was created by the university to be awarded annually to a deserving ASU undergraduate or graduate jazz performance student. Nash is noted for his adaptability to a vast array of genres, as evidenced by his performances with such different musicians as Tommy Flanagan and Don Pullen. Nash has made 5 r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santi Debriano
Santi Wilson Debriano (born 1955 in Panama) is a jazz bassist. Debriano was raised in Brooklyn, having moved there with his family at age four. He studied composition at Union College in New York, then attended the New England Conservatory of Music and Wesleyan University. He worked with Archie Shepp in the late 1970s and early 1980s, then moved to Paris and played with Sam Rivers for three years. He returned to New York City and has since worked with Don Pullen, Pharoah Sanders, Sonny Fortune, Billy Hart, Larry Coryell, Chucho Valdés, Hank Jones, Cecil Taylor, Randy Weston, Freddie Hubbard, Kirk Lightsey, and Attila Zoller. Debriano has led several of his own units, including small groups in the late 1980s and Circlechant, a world music-influenced ensemble which has had among its members Helio Alves, Will Calhoun, and Abraham Burton. Debriano was also the music director for arts at Dwight Morrow High School in Englewood, New Jersey, and was given an award for jazz education ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mulgrew Miller
Mulgrew Miller (August 13, 1955 – May 29, 2013) was an American jazz pianist, composer, and educator. As a child he played in churches and was influenced on piano by Ramsey Lewis and then Oscar Peterson. Aspects of their styles remained in his playing, but he added the greater harmonic freedom of McCoy Tyner and others in developing as a hard bop player and then in creating his own style, which influenced others from the 1980s on. After leaving university he was pianist with the Duke Ellington Orchestra for three years, then accompanied vocalist Betty Carter. Three-year stints with trumpeter Woody Shaw and with drummer Art Blakey's high-profile Jazz Messengers followed, by the end of which Miller had formed his own bands and begun recording under his own name. He was then part of drummer Tony Williams' quintet from its foundation, while continuing to play and record with numerous other leaders, mostly in small groups. Miller was Director of Jazz Studies at William Paterso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely brilliant virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career on the road with Jay McShann. This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bloomdido
"Bloomdido" is a jazz standard written by Charlie Parker. It was originally recorded on 6 June 1950 and was released on the Clef Records album ''Bird and Diz''. French musician Didier Malherbe adopted the title of this piece as his nickname. See also *List of jazz standards A ''list'' is any set of items in a row. List or lists may also refer to: People * List (surname) Organizations * List College, an undergraduate division of the Jewish Theological Seminary of America * SC Germania List, German rugby union ... References 1950s jazz standards 1950 songs Compositions by Charlie Parker Jazz compositions in B-flat major {{1950s-jazz-composition-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie DeLange
Eddie DeLange (''né'' Edgar DeLange Moss; 15 January 1904 – 15 July 1949) was an American bandleader and lyricist. Famous artists who recorded some of DeLange's songs include Frank Sinatra, Ella Fitzgerald, Louis Armstrong, Nat King Cole, Duke Ellington, and Benny Goodman. Biography DeLange was born in Long Island City, Queens, New York. He graduated from the University of Pennsylvania in 1926. He became a stunt man in twenty-four comedies produced by Universal Studios, often for Reginald Denny. DeLange went back to New York City in 1932, earning a contract with Irving Mills. He had several hits in his first year, including " Moonglow." He and composer Will Hudson ''(né'' Arthur Murray Hainer; 1908–1981) formed the Hudson-DeLange Orchestra in 1935. The Orchestra recorded many of their collaborative songs and did many road shows as well. Hudson and DeLange's partnership dissolved in 1938, but DeLange created a new band that played on several tours. He formed a new part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Van Heusen
James Van Heusen (born Edward Chester Babcock; January 26, 1913 – February 6, 1990) was an American composer. He wrote songs for films, television and theater, and won an Emmy and four Academy Awards for Best Original Song. Life and career Born in Syracuse, New York, Van Heusen began writing music while at high school. He renamed himself at age 16, after the shirt makers Phillips-Van Heusen, to use as his on-air name during local shows. His close friends called him "Chet".Coppula, C. (2014). ''Jimmy Van Heusen: Swinging on a Star''. Nashville: Twin Creek Books. Jimmy was raised Methodist. Studying at Cazenovia Seminary and Syracuse University, he became friends with Jerry Arlen, the younger brother of Harold Arlen. With the elder Arlen's help, Van Heusen wrote songs for the Cotton Club revue, including "Harlem Hospitality". He then became a staff pianist for some of the Tin Pan Alley publishers, and wrote "It's the Dreamer in Me" (1938) with lyrics by Jimmy Dorsey. Colla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ted Koehler
Ted L. Koehler (July 14, 1894 – January 17, 1973) was an American lyricist. He was inducted into the Songwriters Hall of Fame in 1972. Life and career Koehler was born in 1894 in Washington, D.C. He started out as a photo-engraver, but was attracted to the music business, where he started out as a theater pianist for silent films. He moved on to write for vaudeville and Broadway theatre, and he also produced nightclub shows. His most successful collaboration was with the composer Harold Arlen, with whom he wrote many famous songs from the 1920s through the 1940s. In 1929 the duo composed their first well-known song, " Get Happy", and went on to create "Let's Fall in Love", " Stormy Weather", " Sing My Heart" and other hit songs. Throughout the early and mid-1930s they wrote for the Cotton Club, a popular Harlem night club, for big band jazz legend Duke Ellington and other top performers, as well as for Broadway musicals and Hollywood films. Koehler also worked with ot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
