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Come Blow Your Horn (album)
''Come Blow Your Horn'' is an album recorded by Canadian jazz trumpeter Maynard Ferguson in 1963 which was originally released on the Cameo label.Minn, MMaynard Ferguson discography accessed February 9, 2017 Reception AllMusic reviewer Matt Collar stated "Featuring arrangements by Don Sebesky, the albums showcased Ferguson's swinging and powerful high-note-centric style backed by his always dynamic ensemble". Track listing # "Groove" ( Oliver Nelson) – 2:48 # "Country Boy" ( Bill Holman) – 3:52 # "Blues for a Four String Guitar" (Elmer Bernstein) – 2:25 # "Whisper Not" (Benny Golson, Leonard Feather) – 6:24 # "We've Got a World That Swings" (Lil Mattis, Lois Yule Brown) – 2:18 # " Chicago That Toddling Town" (Fred Fisher) – 6:03 # "Naked City Theme" (Billy May) – 2:27 # "New Hope" (Don Raider) – 2:41 # "Antony and Cleopatra Theme" ( Alex North) – 2:30 # "Come Blow Your Horn" (Jimmy van Heusen, Sammy Cahn) – 2:35 *Recorded at Fine Recording Studios in Q ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maynard Ferguson
Walter Maynard Ferguson CM (May 4, 1928 – August 23, 2006) was a Canadian jazz trumpeter and bandleader. He came to prominence in Stan Kenton's orchestra before forming his own big band in 1957. He was noted for his bands, which often served as stepping stones for up-and-coming talent, his versatility on several instruments, and his ability to play in a high register. Biography Early life and education Ferguson was born in Verdun (now part of Montreal), Quebec, Canada. Encouraged by his mother and father (both musicians), he started playing piano and violin at the age of four. At nine years old, he heard a cornet for the first time in his local church and asked his parents to buy one for him. When he was thirteen, he soloed with the Canadian Broadcasting Corporation Orchestra. He was heard frequently on the CBC, notably featured on a "Serenade for Trumpet in Jazz" written for him by Morris Davis. He won a scholarship to the Conservatoire de musique du Québec à Montré ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a musical keyboard, keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Abene
Michael Abene (born July 2, 1942) is an American jazz pianist known for accompanying singers and arranging music. Early life and education Abene was born in Brooklyn, New York. His father, grandfather, and aunt were musicians. He studied composition at the Manhattan School of Music. Career Abene has accompanied Susannah McCorkle Julius La Rosa, and others. He had his first solo album ''Solo Piano'' in 1986. Abene co-produced the album ''Avant Gershwin'', which won the Grammy Award for Best Jazz Vocal Album in 2007. Discography As leader 1986: ''You Must Have Been a Beautiful Baby'' (recorded December 1984) As sideman With Maynard Ferguson *'' Maynard '62'' (Roulette, 1962) *''Si! Si! M.F.'' (Roulette, 1962) *'' Maynard '63'' (Roulette, 1962) *'' Message from Maynard'' (Roulette, 1962) * ''Maynard '64'' (Roulette 1959-62 963 *''The New Sounds of Maynard Ferguson'' (Cameo, 1963) *''Come Blow Your Horn'' (Cameo, 1963) *''Color Him Wild'' (Mainstream, 1965) *''The Blues Roar'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone Saxophone
The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ronnie Cuber
Ronald Edward Cuber (December 25, 1941 – October 7, 2022) was an American jazz saxophonist. He also played in Latin, pop, rock, and blues sessions. In addition to his primary instrument, baritone sax, he played tenor sax, soprano sax, clarinet, and flute, the latter on an album by Eddie Palmieri as well as on his own recordings. As a leader, Cuber was known for hard bop and Latin jazz. As a side man, he had played with B. B. King, Paul Simon, and Eric Clapton. Cuber can be heard on '' Freeze Frame'' by the J. Geils Band, and one of his most spirited performances is on Dr. Lonnie Smith's 1970 Blue Note album ''Drives''. He was also a member of the Saturday Night Live Band. Cuber was in Marshall Brown's Newport Youth Band in 1959, where he switched from tenor to baritone sax. His first notable work was with Slide Hampton (1962) and Maynard Ferguson (1963–1965). Then from 1966 to 1967, Cuber worked with George Benson. He was also a member of the Lee Konitz nonet from 1977 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognize ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Vicari
Frank Vicari (April 11, 1931 – October 20, 2006) was a jazz saxophonist. Career After serving in the Air Force from 1951–55, where he played in service bands, Vicari returned to New York City and played in bands until he joined Maynard Ferguson's big band in 1960. When the Ferguson band broke up in 1965, Vicari briefly joined Buddy Rich, then Woody Herman and his Thundering Herd and remained until 1970. Vicari worked with Steve Gadd, Mike Mainieri, Randy and Michael Brecker, Dave Matthews, the White Elephant Orchestra, George Benson, Tony Bennett, Dionne Warwick, Billy Eckstein, Tom Waits, John Lennon, Woody Herman, and the Saturday Night Live Band. He died in New York City at the age of 75. Discography As sideman With George Benson * '' Good King Bad'' (CTI, 1976) * ''Pacific Fire'' (CTI, 1983) * ''Space'' (CTI, 1978) With Maynard Ferguson * ''The New Sounds of Maynard Ferguson'' (Cameo, 1963) * ''Come Blow Your Horn'' (Cameo, 1963) * ''Color Him Wild'' (Mainstream, 1964 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Maiden
William Ralph Maiden (March 12, 1928 – May 29, 1976) was an American jazz saxophonist and arranger. Maiden began on piano at age five and started playing saxophone at 11. He spent most of his career playing in big bands, and while he recorded copiously as a sideman, he never led his own session. He worked with Perez Prado in 1950 and arranged for Maynard Ferguson from 1952 into the 1960s. He played with Charlie Barnet in 1966, and played baritone sax in addition to arranging for Stan Kenton between 1969 and 1973. After this he taught at the University of Maine at Augusta until his death in 1976. Discography With Maynard Ferguson *''Dimensions'' (EmArcy, 1954) – as arranger * '' A Message from Newport'' (Roulette, 1958) – as performer and arranger *'' Swingin' My Way Through College'' (Roulette, 1959) – as composer, performer and arranger *''Maynard Ferguson Plays Jazz for Dancing'' (Roulette, 1959) – as composer, performer and arranger *''Newport Suite''_(Roulette,_19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Roussea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lanny Morgan
Lanny Morgan (born March 30, 1934 in Des Moines, Iowa) is an American jazz alto saxophonist chiefly active on the West Coast jazz scene. Morgan was raised in Los Angeles. In the 1950s he played with Charlie Barnet, Si Zentner, Terry Gibbs, and Bob Florence, then did a stint in the U.S. military, for which reason he had to turn down an offer to play in the orchestra of Stan Kenton. From 1960-65 he played in Maynard Ferguson's orchestra; after a few years in New York City he returned to Los Angeles in 1969, where he played frequently in the studios, was a member of Supersax, and played in the big bands of Bill Berry, Bob Florence, and Bill Holman. Morgan also played on sessions for Nancy Sinatra. Discography * ''It's About Time'' ( Palo Alto, 1982) * ''The Lanny Morgan Quartet'' (VSOP, 1993) * ''Pacific Standard'' ( Contemporary, 1996) * ''A Suite for Yardbird'' ( Fresh Sound, 2002) With Maynard Ferguson * '' Let's Face the Music and Dance'' (Roulette, 1960) * '' Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
