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Come And Get These Memories
"Come and Get These Memories" is an R&B song by Motown girl group Martha and the Vandellas. Their second single released under Motown's Gordy Records subsidiary, "Memories" became the group's first hit single, reaching number 29 on the ''Billboard'' Pop Singles Chart, and number-six on the Billboard R&B Singles Chart.The Complete Motown Singles Vol. 3: 1963 iner notes New York: Hip-O Select/Motown/Universal Records Background The song speaks of heartbreak, as the narrator (lead singer Martha Reeves) goes through her things and gives back everything her now ex-boyfriend had given her, including teddy bears, records, and "lingering love". "Memories" is also notable as the first hit recording written and produced by the songwriting/production team of Holland-Dozier-Holland, who would become the top creative team at Motown by the end of 1965. The single was the first of several hits the Vandellas scored with the team, before Holland-Dozier-Holland began to focus more heavily on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martha And The Vandellas
Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves & The Vandellas) were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown. An act founded by friends Annette Beard, Rosalind Ashford and Gloria Williams, the group eventually included Martha Reeves, who moved up in ranks as lead vocalist of the group after Williams' departure in 1962. The group signed with and eventually recorded all of their singles for Motown's Gordy imprint. The group's string of hits included "Come and Get These Memories", "Heat Wave", "Quicksand", " Nowhere to Run", "Jimmy Mack", "I'm Ready for Love", "Bless You" and "Dancing in the Street", the latter song becoming their signature single. During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul. Ten Vandellas songs reached the top ten of the ''Billboard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Willis
Eddie "Chank" Willis (June 3, 1936 – August 20, 2018) was an American soul musician. Willis played electric guitar and occasional electric sitar for Motown's in-house studio band, The Funk Brothers, during the 1960s and early 1970s. Career Born in Grenada, Mississippi, Willis was known for his signature style of muted guitar riffs which added a distinctive tone or "color" to the beat, often timed with the snare, of the hundreds of hit songs recorded at Hitsville U.S.A. for Motown artists. Among the recordings Willis performed on are " Please Mr. Postman" by The Marvelettes, "The Way You Do the Things You Do" by The Temptations, "You Keep Me Hanging On" by The Supremes, and "I Was Made to Love Her" by Stevie Wonder. Influences for Willis included Chet Atkins, Wes Montgomery, and Albert King. He played a Gibson Firebird guitar on most of his early 1960s work, later moving on to use a Gibson ES-335. On recordings such as The Supremes' "No Matter What Sign You Are", Willis perfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert White (guitarist)
Robert Willie White (November 19, 1936 – October 27, 1994) was an American soul musician and a guitarist for Motown's in-house studio band, the Funk Brothers. Born in the small town of Billmeyer, Pennsylvania, he received music lessons from his uncle. He toured with The Moonglows and played bass prior to making Detroit his home in 1960. He did session work at Anna Records and later became one of the three core guitarists at Motown, along with Joe Messina and Eddie Willis. There, he performed primarily as a rhythm guitarist and played lead guitar when particular melodies needed his distinct tone. He is best known for writing and performing the guitar riff on The Temptations' number-one hit single " My Girl", and performed on numerous Motown hits, including "How Sweet It Is (To Be Loved by You)" and " What's Going On" by Marvin Gaye, "You Keep Me Hangin' On" by The Supremes, and " My Cherie Amour" by Stevie Wonder. Oscar Moore and Wes Montgomery were among White's influences. Amo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wurlitzer Electronic Piano
The Wurlitzer electronic piano is an electric piano manufactured and marketed by Wurlitzer from the mid-1950s to mid-1980s. Sound is generated by striking a metal reed with a hammer, which induces an electric current in a pickup. It is conceptually similar to the Rhodes piano, though the sound is different. The instrument was invented by Benjamin Miessner, who had worked on various types of electric pianos since the early 1930s. The first Wurlitzer was manufactured in 1954, and production continued until 1983. Originally, the piano was designed to be used in the classroom, and several dedicated teacher and student instruments were manufactured. However, it was adapted for more conventional live performances, including stage models with attachable legs and console models with built-in frames. The stage instrument was used by several popular artists, including Ray Charles, Joe Zawinul and Supertramp. Several electronic keyboards include an emulation of the Wurlitzer. As the Wur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Earl Van Dyke
Earl Van Dyke (July 8, 1930 – September 18, 1992) was an American soul musician, most notable as the main keyboardist for Motown Records' in-house Funk Brothers band during the late 1960s and early 1970s. Career Van Dyke, who was born in Detroit, Michigan, United States, was preceded as keyboardist and bandleader of the Funk Brothers by Joe Hunter. In the early 1960s, he also recorded as a jazz organist with saxophonists Fred Jackson and Ike Quebec for the Blue Note label. Besides his work as the session keyboardist on Motown hits such as "Bernadette" by The Four Tops, "I Heard It Through the Grapevine" by Marvin Gaye and " Runaway Child, Running Wild" by The Temptations, Van Dyke performed with a small band as an opening act for several Motown artists, and released instrumental singles and albums himself. Several of Van Dyke's recordings feature him playing keys over the original instrumental tracks for Motown hits; others are complete covers of Motown songs. His 1967 hit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Hunter (musician)
Joseph Edward Hunter (November 19, 1927 – February 2, 2007) was an American musician and keyboardist, known for his recording session work with Motown Records' in-house studio band, the Funk Brothers. One of the original Funk Brothers, Hunter served as band director from 1959 until 1964, when he left Motown and was replaced by Earl Van Dyke. Life and career Hunter was born in Jackson, Tennessee, to Vada Idona Hunter and John G. Hunter. His mother was a piano teacher and he started playing piano at an early age. At age 11, the family moved to Detroit. He was drafted into the army where he played in the jazz band alongside pianist Dwike Mitchell and drummer Elvin Jones. Hunter was influenced by the music of Art Tatum, Sergei Rachmaninoff, and Nat King Cole. After the service, he performed in Detroit jazz clubs and toured with The Midnighters. In 1958 he was recruited by Motown Records, at the time a newly founded label. He led the record label's studio band, The Funk Brot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Jamerson
James Lee Jamerson (January 29, 1936 – August 2, 1983) was an American bass player. He was the uncredited bassist on most of the Motown Records hits in the 1960s and early 1970s (Motown did not list session musician credits on their releases until 1971), and is now regarded as one of the most influential bass players in modern music history. He was inducted into the Rock and Roll Hall of Fame in 2000. As a session musician he played on twenty-three ''Billboard'' Hot 100 number-one hits, as well as fifty-six R&B number-one hits. In its special issue "The 100 Greatest Bass Players" in 2017, ''Bass Player'' magazine ranked Jamerson number one and the most influential bass guitarist. In 2020, ''Rolling Stone'' magazine ranked Jamerson number one in its list of the 50 greatest bassists of all time. Early life A native of Edisto Island, South Carolina, he was born to James Jamerson Sr. and Elizabeth Bacon. He was raised in part by his grandmother who played piano, and his aunt who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Benjamin
William "Benny" Benjamin (July 25, 1925 – April 20, 1969), nicknamed Papa Zita, was an American musician, most notable as the primary drummer for the Motown Records studio band The Funk Brothers. He was inducted into the Rock and Roll Hall of Fame in 2003 and was named the eleventh best drummer of all time by ''Rolling Stone'' magazine in 2016. Life and career Benjamin was a native of Birmingham, Alabama. He originally learned to play drums in the style of the big band jazz groups in the 1940s. In 1958, He was Motown's first studio drummer, where he was noted for his dynamic style. Several Motown record producers, including Berry Gordy, refused to work on any recording sessions unless Benjamin was the drummer and James Jamerson was the bassist. The Beatles singled out Benjamin's drumming style upon meeting Gordy in the UK. Among the Motown songs he performed on are early hits such as "Money (That's What I Want)" by Barrett Strong, "Shop Around" by The Miracles and "Do You L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Funk Brothers
The Funk Brothers were a group of Detroit-based session musicians who performed the backing to most Motown recordings from 1959 until the company moved to Los Angeles in 1972. Its members are considered among the most successful groups of studio musicians in music history. Among their hits are " My Girl", "I Heard It Through the Grapevine", "Baby Love", " I Was Made to Love Her", "Papa Was a Rollin' Stone", "The Tears of a Clown", "Ain't No Mountain High Enough", and "Heat Wave". Some combination of the members played on each of Motown's 100-plus U.S. R&B number one singles and 50-plus U.S. Pop number ones released from 1961 to 1972. There is no undisputed list of the members of the group. Some writers have claimed that virtually every musician who ever played on a Motown track was a "Funk Brother". There are 13 Funk Brothers identified in Paul Justman's 2002 documentary film ''Standing in the Shadows of Motown'', based on Allan Slutsky's book of the same name. These 13 memb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annette Beard
Annette Beard, also known as Annette Helton or Annette Sterling, is an American R&B and soul singer. Beard is best known for her work with Motown and as an original member of the singing group Martha and the Vandellas during the 1960s. Beard is currently known as a member of the singing group The Original Vandellas. Early years Born in Detroit, Michigan to Ann and Roger El Wood Beard, Annette started singing in church choirs at an early age. When she was fourteen, she was discovered by a man named Edward "Pops" Larkins, who was holding auditions for a female group at the local YMCA to complement a male group he had started. Fourteen-year-old Annette impressed him with a single note and she joined friends Rosalind Ashford and Gloria Williams to form the original version of The Del-Phis in 1957. The group performed at local get-togethers, high school parties, YMCA benefits and lawn parties. Annette, who was a shy girl growing up, did not mind singing background behind Gloria Wil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosalind Ashford
Rosalind "Roz" Ashford-Holmes (born September 2, 1943) is an American soprano R&B and soul singer, known for her work as an original member of the Motown singing group Martha and the Vandellas. Early years Born Rosalind Ashford on September 2, 1943, to John and Mary Ashford in Detroit, Michigan, Ashford sang in church choirs and learned to dance in local centers. Developing a passion for music, she joined the glee club and mixed choruses while attending Wilbur Wright High School. According to Ashford, in 1957 her mother and sister helped land her an audition at a local Detroit YMCA club, where a man named Edward "Pops" Larkins recruited her, Annette Beard and Gloria Williams to form a sister group to a male vocal group. Martha Reeves, contrary to belief, was not an original member of The Del-Phis, as she was a member of another group. Reeves would not join until 1960. Naming themselves The Del-Phis, the group performed in local benefit parties throughout Detroit and performed a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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