Columbia–Princeton Electronic Music Center (album)
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Columbia–Princeton Electronic Music Center (album)
''Columbia-Princeton Electronic Music Center'' was an album of electronic music released in 1964. It was the recording of a concert performed at the McMillin Theater (today called the Miller Theater) at Columbia University on May 9 and 10, 1961. The stereo version was MS 6566 and the monophonic version was ML 5966. There was a sequel released in 1998 on the New World label titled ''Columbia-Princeton Electronic Music Center 1961–1973''. Bülent Arel is the only artist who appears on both albums. The Arel composition is completely electronic, with articulated signals over a continuous background texture. Halim El-Dabh's composition, an "electronic drama," has a text drawn from the epic of Layla and Majnun, and consists primarily of tape manipulated instrumental and vocal sounds. Ussachevsky's work has lyrics derived from the '' Enuma Elish'' creation myth, with chorus and electronic accompaniment. Babbitt's piece is composed entirely on the RCA Synthesizer of the Columbia-Prin ...
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Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ...
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Computer Music Center
The Computer Music Center (CMC) at Columbia University is the oldest center for electronic and computer music research in the United States. It was founded in the 1950s as the Columbia-Princeton Electronic Music Center. Location The CMC is housed in Prentis Hall, 632 West 125th Street, New York City, across the street from Columbia's 17-acre Manhattanville campus. The facility consists of a large graduate research facility specializing in computer music and multimedia research, as well as a number of composition and recording studios for student use. Projects to come out of the CMC since the 1990s include: * ArtBots * dorkbot * PeRColate * Real-Time Cmix The Computer Music Center offers the Sound Arts MFA Program, currently directed by Miya Masaoka. The program was formerly directed by Douglas Repetto until 2016. The director of the CMC is Brad Garton, and the CMC offers classes taught by George E. Lewis, Seth Cluett, David Soldier, and Ben Holtzman, as well as a large nu ...
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1961 Live Albums
Events January * January 3 ** United States President Dwight D. Eisenhower announces that the United States has severed diplomatic and consular relations with Cuba (Cuba–United States relations are restored in 2015). ** Aero Flight 311 (Koivulahti air disaster): Douglas DC-3C OH-LCC of Finnish airline Aero crashes near Kvevlax (Koivulahti), on approach to Vaasa Airport in Finland, killing all 25 on board, due to pilot error: an investigation finds that the captain and first officer were both exhausted for lack of sleep, and had consumed excessive amounts of alcohol at the time of the crash. It remains the deadliest air disaster to occur in the country. * January 5 ** Italian sculptor Alfredo Fioravanti marches into the U.S. Consulate in Rome, and confesses that he was part of the team that forged the Etruscan terracotta warriors in the Metropolitan Museum of Art. ** After the 1960 military coup, General Cemal Gürsel forms the new government of Turkey (25th government). ...
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Otto Luening
Otto Clarence Luening (June 15, 1900 – September 2, 1996) was a German-American composer and conductor, and an early pioneer of tape music and electronic music. Luening was born in Milwaukee, Wisconsin to German parents, Eugene, a conductor and composer, and Emma (nee Jacobs), an amateur singer. When he was 12, his family moved to Munich, where he studied music at the State Academy of Music. At age 17, he moved to Switzerland and attended the Municipal Conservatory of Music in Zurich and University of Zurich, where he studied with Ferruccio Busoni and Philipp Jarnach, and was also an actor and stage manager for James Joyce's English Players Company. He returned to the United States in 1924, and appeared mainly as a conductor of operas, in Chicago and the Eastman School of Music. His conducting premieres included Virgil Thomson's ''The Mother of Us All'', Gian Carlo Menotti's ''The Medium'', and his own ''Evangeline''. Luening's tape music, including ''A Poem in Cycles ...
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Mario Davidovsky
Mario Davidovsky (March 4, 1934 – August 23, 2019) was an Argentine-American composer. Born in Argentina, he emigrated in 1960 to the United States, where he lived for the remainder of his life. He is best known for his series of compositions called '' Synchronisms'', which in live performance incorporate both acoustic instruments and electroacoustic sounds played from a tape. Biography Davidovsky was born in Médanos, Buenos Aires Province, Argentina, a town nearly 600 km southwest of the city of Buenos Aires and close to the seaport of Bahía Blanca. Aged seven, he began his musical studies on the violin. At thirteen he began composing. He studied composition and theory under at the University of Buenos Aires, from which he graduated. In 1958, he studied with Aaron Copland and Milton Babbitt at the Berkshire Music Center (now the Tanglewood Music Center) in Lenox, Massachusetts. Through Babbitt, who worked at the Columbia-Princeton Electronic Music Center, and others ...
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Milton Babbitt
Milton Byron Babbitt (May 10, 1916 – January 29, 2011) was an American composer, music theorist, mathematician, and teacher. He is particularly noted for his Serialism, serial and electronic music. Biography Babbitt was born in Philadelphia to Albert E. Babbitt and Sarah Potamkin, who were Jewish. He was raised in Jackson, Mississippi, and began studying the violin when he was four but soon switched to clarinet and saxophone. Early in his life he was attracted to jazz and theater music, and "played in every pit-orchestra that came to town". Babbitt was making his own arrangements of popular songs by age 7, "wrote a lot of pop tunes for school productions", and won a local songwriting contest when he was 13. A Jackson newspaper called Babbitt a "whiz kid" and noted "that he had perfect pitch and could add up his family’s grocery bills in his head. In his teens he became a great fan of jazz cornet player Bix Beiderbecke." Babbitt's father was a mathematician, and Babbitt inten ...
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Vladimir Ussachevsky
Vladimir Alexeevich Ussachevsky (November 3, 1911 in Hailar, China – January 2, 1990 in New York, New York) was a composer, particularly known for his work in electronic music. Biography Vladimir Ussachevsky was born in the Hailar District of China, in modern-day Inner Mongolia to an Imperial Russian Army officer assigned to protect Trans-Siberian Railway interests. He emigrated to the United States in 1930 and studied music at Pomona College in Claremont, California (B.A., 1935), as well as at the Eastman School of Music in Rochester, New York (M.M., 1936, Ph.D., 1939). Ussachevsky's early, neo-Romantic works were composed for traditional instruments, but in 1951 he began composing electronic music.Salzman, Eric"Vladimir Ussachevsky: Electronic And Acoustic Works 1957-1972" Liner notes. New World Records. He served as president of the American Composers Alliance from 1968 to 1970 and was an advisory member of the CRI record label, which released recordings of a number ...
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White Noise
In signal processing, white noise is a random signal having equal intensity at different frequencies, giving it a constant power spectral density. The term is used, with this or similar meanings, in many scientific and technical disciplines, including physics, acoustical engineering, telecommunications, and statistical forecasting. White noise refers to a statistical model for signals and signal sources, rather than to any specific signal. White noise draws its name from white light, although light that appears white generally does not have a flat power spectral density over the visible band. In discrete time, white noise is a discrete signal whose samples are regarded as a sequence of serially uncorrelated random variables with zero mean and finite variance; a single realization of white noise is a random shock. Depending on the context, one may also require that the samples be independent and have identical probability distribution (in other words independent and iden ...
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Square Wave
A square wave is a non-sinusoidal periodic waveform in which the amplitude alternates at a steady frequency between fixed minimum and maximum values, with the same duration at minimum and maximum. In an ideal square wave, the transitions between minimum and maximum are instantaneous. The square wave is a special case of a pulse wave which allows arbitrary durations at minimum and maximum amplitudes. The ratio of the high period to the total period of a pulse wave is called the duty cycle. A true square wave has a 50% duty cycle (equal high and low periods). Square waves are often encountered in electronics and signal processing, particularly digital electronics and digital signal processing. Its stochastic counterpart is a two-state trajectory. Origin and uses Square waves are universally encountered in digital switching circuits and are naturally generated by binary (two-level) logic devices. Square waves are typically generated by metal–oxide–semiconductor fi ...
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Sine Wave
A sine wave, sinusoidal wave, or just sinusoid is a curve, mathematical curve defined in terms of the ''sine'' trigonometric function, of which it is the graph of a function, graph. It is a type of continuous wave and also a Smoothness, smooth periodic function. It occurs often in mathematics, as well as in physics, engineering, signal processing and many other fields. Formulation Its most basic form as a function of time (''t'') is: y(t) = A\sin(2 \pi f t + \varphi) = A\sin(\omega t + \varphi) where: * ''A'', ''amplitude'', the peak deviation of the function from zero. * ''f'', ''frequency, ordinary frequency'', the ''Real number, number'' of oscillations (cycles) that occur each second of time. * ''ω'' = 2''f'', ''angular frequency'', the rate of change of the function argument in units of radians per second. * \varphi, ''phase (waves), phase'', specifies (in radians) where in its cycle the oscillation is at ''t'' = 0. When \varphi is non-zero, the entire waveform appears to ...
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RCA Synthesizer
The RCA Mark II Sound Synthesizer (nicknamed ''Victor'') was the first programmable electronic synthesizer and the flagship piece of equipment at the Columbia-Princeton Electronic Music Center. Designed by Herbert Belar and Harry Olson at RCA, with contributions by Vladimir Ussachevsky Vladimir Alexeevich Ussachevsky (November 3, 1911 in Hailar, China – January 2, 1990 in New York, New York) was a composer, particularly known for his work in electronic music. Biography Vladimir Ussachevsky was born in the Hailar Distric ... and Peter Mauzey, it was installed at Columbia University in 1957. Consisting of a room-sized array of interconnected sound synthesis components, the Mark II gave the user more flexibility and had twice the number of tone oscillators as its predecessor, the Mark I. The synthesizer was funded by a large grant from the Rockefeller Foundation. Earlier 20th century electronic instruments such as the Telharmonium or the theremin were manually operated. Th ...
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Sony Classical
Sony Classical is an American record label founded in 1924 as Columbia Masterworks Records, a subsidiary of Columbia Records. In 1980, the Columbia Masterworks label was renamed as CBS Masterworks Records. The CBS Records Group was acquired by Sony in 1988, and in 1990 it was renamed Sony Classical Records. Artists Sony Classical represents artists including: *Alexis Ffrench *James Horner *Yo-Yo Ma *Igor Levit *Jonas Kaufmann *Glenn Gould *Wiener Philharmoniker *Joshua Bell *Hans Zimmer *John Williams *Khatia Buniatishvili *Arthur Rubinstein *Eugene Ormandy *Leonard Bernstein *Teodor Currentzis * Arcadi Volodos *Christian Gerhaher *Vladimir Horowitz *Dirk Maassen *Christoph Koncz *Pasquale Grasso *Ivo Pogorelich *Martin Fröst *Leif Ove Andsnes *Lavinia Meije Presidents * 1997: Peter Gelb (NY) * 2009–2019: Bogdan Roscic * 2019: Per Hauber See also * List of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record lab ...
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