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Color Me Barbra
''Color Me Barbra'' is the seventh studio album by singer Barbra Streisand released on Columbia Records in 1966. It reached number 3 in the US albums chart and was certified Gold by the RIAA. It was also the title of Streisand's second CBS TV special on March 30, 1966 and the first in color when it was still a novelty for TV, hence the title. Track listing Side one # " Yesterdays" (Otto Harbach, Jerome Kern) – 3:05 # " One Kiss" (Oscar Hammerstein II, Sigmund Romberg) – 2:11 # " The Minute Waltz" (Lan O'Kun, Frédéric Chopin) – 1:59 # "Gotta Move" ( Peter Matz) – 2:01 # "Non c'est Rien" (Michel Jourdan, Armand Canfora) – 3:27 # "Where or When" (Lorenz Hart, Richard Rodgers) – 3:06 Side Two Medley – 9:00 "Animal Crackers in My Soup" "Funny Face" "The Face" " They Didn't Believe Me" " Were Thine That Special Face" " I've Grown Accustomed to Her Face" " Let's Face the Music and Dance" "Sam, You Made the Pants Too Long" "What's New Pussycat?" " Small Worl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbra Streisand
Barbara Joan "Barbra" Streisand (; born April 24, 1942) is an American singer, actress and director. With a career spanning over six decades, she has achieved success in multiple fields of entertainment, and is among the few performers awarded an Emmy, Grammy, Oscar, and Tony (EGOT). Streisand began her career by performing in nightclubs and Broadway theaters in the early 1960s. Following her guest appearances on various television shows, she signed to Columbia Records, insisting that she retain full artistic control, and accepting lower pay in exchange, an arrangement that continued throughout her career, and released her debut ''The Barbra Streisand Album'' (1963), which won the Grammy Award for Album of the Year. Throughout her recording career, Streisand has topped the US ''Billboard'' 200 chart with 11 albums—a record for a woman—including '' People'' (1964), ''The Way We Were'' (1974), ''Guilty'' (1980), and '' The Broadway Album'' (1985). She also achieved five ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minute Waltz
The Waltz in D-flat major, Op. 64, No. 1, sometimes known as "" (French for "Waltz of the puppy"), and popularly known in English as the Minute Waltz, is a piano waltz by Polish composer and virtuoso Frédéric Chopin. It is dedicated to the Countess Delfina Potocka. History Chopin composed the waltz in 1847 and had it published by Breitkopf & Härtel in Leipzig the same year, as the first of the ''Trois Valses'', Op. 64. The second waltz is in the enharmonic parallel minor key of C-sharp minor. Structure The waltz is in the key of D-flat major and has a tempo marking of (very lively). Chopin indicates that the waltz is to be played with the sustain pedal used, and makes frequent use of crescendi and diminuendi. It is in a simple ternary form, as are many of Chopin's compositions. The A section is marked , and the B section . The A section itself can be divided into two themes, separated by a double barline. The first consists of the familiar opening melody over standard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam, You Made The Pants Too Long
"Sam, You Made the Pants Too Long" is a parody of the song " Lawd, You Made the Night Too Long", written in 1932 by Victor Young with lyrics by Sam M. Lewis. The lyrics play as a lament that a tailor named Sam, while highly skilled at fitting a suit's coat and vest, inadvertently made the trousers far too long. The parody is of uncertain origin, with Milton Berle and Fred Whitehouse usually credited as having written it in 1940, but with Joe E. Lewis claiming credit and performing it as early as 1937. Even earlier there is a report of "Oh Sam, You Made My Pants Too Long" being performed at a revue by dance pupils in Richmond, Indiana, on June 19, 1935. Versions were released by Ziggy Talent & the Vaughn Monroe Orchestra, the Buffalo Bills, and—heavily modified—Allan Sherman. For many years, it was a staple of comedian Red Buttons. In 1966, Barbra Streisand included a part of the song (as part of a 13-song medley) on her album ''Color Me Barbra ''Color Me Barbra'' is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let's Face The Music And Dance
"Let's Face the Music and Dance" is a song written in 1936 by Irving Berlin for the film ''Follow the Fleet'', where it was introduced by Fred Astaire and featured in a celebrated dance duet with Astaire and Ginger Rogers. The jazz song has also been covered by various artists years following its release, including Nat King Cole, Ella Fitzgerald, Frank Sinatra, Mel Torme, Todd Gordon and others. Background The song was composed and written by Irving Berlin. Berlin's repertoire of Hollywood compositions was growing at the time, as he ‘adapted’ to the trends and ideas in vogue in Hollywood. “Let’s Face the Music and Dance’s” debut as an original song for the Hollywood film, ''Follow the Fleet'', signified the popularisation of jazz, demonstrating a notable example of jazz on the silver screen. This jazz composition adheres to the typical conventions within the genre of jazz in the 1930s paradigm, classed as part of the ‘classical age.' “Let’s Face the Music a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kiss Me, Kate
''Kiss Me, Kate'' is a musical written by Bella and Samuel Spewack with music and lyrics by Cole Porter. The story involves the production of a musical version of William Shakespeare's ''The Taming of the Shrew'' and the conflict on and off-stage between Fred Graham, the show's director, producer, and star, and his leading lady, his ex-wife Lilli Vanessi. A secondary romance concerns Lois Lane, the actress playing Bianca, and her gambler boyfriend, Bill, who runs afoul of some gangsters. The original production starred Alfred Drake, Patricia Morison, Lisa Kirk and Harold Lang. ''Kiss Me, Kate'' was Porter's response to Rodgers and Hammerstein's ''Oklahoma!'' and other integrated musicals; it was the first show he wrote in which the music and lyrics were firmly connected to the script. The musical premiered in 1948 and proved to be Porter's only show to run for more than 1,000 performances on Broadway. In 1949, it won the first Tony Award for Best Musical. Inspiration The mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
They Didn't Believe Me
"They Didn't Believe Me" is a song with music by Jerome Kern and lyrics by Herbert Reynolds. First introduced in the 1914 musical '' The Girl from Utah'' it was one of five numbers added to the show by Kern and Reynolds for its Broadway debut at the Knickerbocker Theatre on August 14, 1914. The show had originated in Britain, but impresario Charles Frohman had felt it needed additional material to enliven its U.S. run. It became Kern's first major song success. The song, with four beats to a bar, departed from the customary waltz-rhythms of European influence and fitted the new American passion for modern dances such as the fox-trot. Kern was also able to use elements of American styles, such as ragtime, as well as syncopation, in his lively dance tunes. The song is also remarkable in its use of 'everyday' language in a love song. Theatre historian John Kenrick writes that, until this point, the majority of love songs had relied on flowery vocabulary to express romantic senti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funny Face (1927 Song)
"Funny Face" is a 1927 song composed by George Gershwin, with lyrics by Ira Gershwin. It was the title song of the stage musical ''Funny Face'', where it was introduced by Fred Astaire, and his sister, Adele. A 1957 film musical called ''Funny Face'' also featured the song, and also starred Fred Astaire, though the two had different stories. In the film, Fred Astaire's character was loosely based on the career of Richard Avedon, who provided a number of the photographs seen in the film, including its most famous single image: an intentionally overexposed close-up of Audrey Hepburn's face in which only her famous features—her eyes, her eyebrows, and her mouth—are visible. (This image is seen during the "Funny Face" musical number, which takes place in a darkroom). Barbra Streisand performed several lines of this song in her "Medley" on her studio album ''Color Me Barbra'' (1966). Recordings * Arden-Ohman Orchestra with Johnny Marvin, vocal - Victor 21114; Matrix BVE-41 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Animal Crackers In My Soup
"Animal Crackers in My Soup" is a song introduced by Shirley Temple in the film ''Curly Top'' (1935). The lyrics were written by Irving Caesar and Ted Koehler and the music by Ray Henderson; the sheet music was published by Sam Fox Publishing Company. Numerous singles and albums containing the Shirley Temple version of the song exist, including at least one CD with it as title track. Temple's version made the Hit Parade, but did not attain the popularity of her earlier hit "On the Good Ship Lollipop", which was for the year. It was recorded by Don Bestor and his orchestra (Brunswick 7495) and Mae Questel, voice of Betty Boop and Olive Oyl, released a recording of the song in the 1930s. Two members of The Irish Rovers, one of whom is dressed up like Temple, sing the song in one sketch as part of one of the 1971 episodes of ''The Irish Rovers Show''. The song was performed by Elke Sommer on ''The Muppet Show'' in 1979. It was also on the Anne Murray album ''There's a Hippo in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including '' Pal Joey'', '' A Connecticut Yankee'', '' On Your Toes'' and '' Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as '' Oklahoma!'', '' Flower Drum Song'', '' Carousel'', ''South Pacific'', ''The King and I'', and '' The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for bringing the Broadway musical to a new maturity by telling stories that were focused on characters and drama ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenz Hart
Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include "Blue Moon", " The Lady Is a Tramp", "Manhattan", " Bewitched, Bothered and Bewildered", and " My Funny Valentine". Life and career Hart was born in Harlem, New York City, the elder of two sons, to Jewish immigrant parents, Max M. and Frieda (Isenberg) Hart, of German background. Through his mother, he was a great-grandnephew of the German poet Heinrich Heine. His father, a business promoter, sent Hart and his brother to private schools. (His brother, Teddy Hart, also went into theatre and became a musical comedy star. Teddy Hart's wife, Dorothy Hart, wrote a biography of Lorenz Hart.) Hart received his early education from Columbia Grammar School and entered Columbia College in 1913, before switching to Columbia University School of Journalism, where he attended for two years. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Where Or When
"Where or When" is a show tune from the 1937 Rodgers and Hart musical ''Babes in Arms''. It was first performed by Ray Heatherton and Mitzi Green. That same year, Hal Kemp recorded a popular version. The song also appeared in the film version of ''Babes in Arms'' two years later. Babes in Arms "Where or When" is the first number to appear in the original Broadway production of ''Babes in Arms''. The musical opens in Seaport, Long Island on a hectic morning that finds most of the adult population embarking on a five-month vaudeville tour. Soon after his parents' departure, 20-year-old Valentine LaMar (played by Ray Heatherton) discovers at his doorstep a young hitchhiker named Billie Smith (played by Mitzi Green). Instantly smitten, he engages her in a discussion of movie stars, self-defense maneuvers, and Nietzsche's theory of individualism, at which point Val impulsively steals a kiss. Both admit to a powerful sense of déjà vu and sing "Where or When" as a duet. MGM bought t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
