Cockney School
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Cockney School
{{short description, Group of 19th-century English poets and essayists The "Cockney School" refers to a group of poets and essayists writing in England in the second and third decades of the 19th century. The term came in the form of hostile reviews in ''Blackwood's Magazine'' in 1817. Its primary target was Leigh Hunt, but John Keats and William Hazlitt were also included. Only Keats could properly be regarded as a cockney. Hazlitt was not even born in London. John Scott died after a duel over the controversy. Each of the writers was derided for a slightly different quality. Keats, for example, was accused of "low diction" for rhyming "thorns/fawns" in "Sleep and Poetry" and other rhymes which suggested a working class speech. Hunt and Hazlitt were similarly vilified for their diction, but the criticisms were more ideological with them than with Keats. John Wilson Croker perpetuated the term "Cockney School" beyond the pages of ''Blackwood's'' in 1818 when he attacked Keats ...
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Literary Criticism
Literary criticism (or literary studies) is the study, evaluation, and interpretation of literature. Modern literary criticism is often influenced by literary theory, which is the philosophical discussion of literature's goals and methods. Though the two activities are closely related, literary critics are not always, and have not always been, theorists. Whether or not literary criticism should be considered a separate field of inquiry from literary theory is a matter of some controversy. For example, the ''Johns Hopkins Guide to Literary Theory and Criticism'' draws no distinction between literary theory and literary criticism, and almost always uses the terms together to describe the same concept. Some critics consider literary criticism a practical application of literary theory, because criticism always deals directly with particular literary works, while theory may be more general or abstract. Literary criticism is often published in essay or book form. Academic literary ...
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Quarterly Review
The ''Quarterly Review'' was a literary and political periodical founded in March 1809 by London London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a majo ... publishing house John Murray (publishing house), John Murray. It ceased publication in 1967. It was referred to as ''The London Quarterly Review'', as reprinted by Leonard Scott, for an American edition. Early years Initially, the ''Quarterly'' was set up primarily to counter the influence on public opinion of the ''Edinburgh Review''. Its first editor, William Gifford, was appointed by George Canning, at the time Foreign Secretary, later Prime Minister. Early contributors included Secretaries of the Admiralty John Wilson Croker and Sir John Barrow, Poet Laureate Robert Southey, poet-novelist Sir Walter Scott, Italian exile Ugo Foscolo ...
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Romantic Movement
Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism, clandestine literature, paganism, idealization of nature, suspicion of science and industrialization, and glorification of the past with a strong preference for the medieval rather than the classical. It was partly a reaction to the Industrial Revolution, the social and political norms of the Age of Enlightenment, and the scientific rationalization of nature. It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography, education, chess, social sciences, and the natural sciences. It had a significant and complex effect on politics, with romantic thinkers influencing conservatism, liber ...
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Genius (literature)
The concept of genius, in literary theory and literary history, derives from the later 18th century, when it began to be distinguished from ''ingenium'' in a discussion of the ''genius loci'', or "spirit of the place". It was a way of discussing essence, in that each place was supposed to have its own unique and immutable nature, but this essence was determinant, in that all persons of a place would be infused or inspired by that nature. In the early nationalistic literary theories of the Augustan era, each nation was supposed to have a nature determined by its climate, air, and fauna that made a nation's poetry, manners, and art singular. It created national character. T. V. F. Brogan argues that "genius" is a middle term in the evolution of the idea of inspiration and poetic ability from a belief in an external source (''afflatus'', or divine infection, and poetic phrenzy, or divine madness) and an internal source ( imagination and the subconscious). However, the concept became ...
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