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Clyde Otis
Clyde Lovern Otis (September 11, 1924 – January 8, 2008), was an American songwriter and record producer, best known for his collaboration with singer Brook Benton, and for being one of the first African-American A&R executives at a major label. According to the music licensing organization Broadcast Music Inc., Otis is credited as the writer or co-writer of almost 800 songs. Early career After serving in the Marines during World War II, Otis moved to New York City and inspired by fellow Marine Bobby Troup, best known for " Route 66", began writing songs. Otis' first success was Nat King Cole’s recording of his song "That's All There Is to That", which reached the '' Billboard'' Top 20 in 1956. A&R executive On joining Mercury Records as director of A&R in 1958, Otis began writing and producing material for Brook Benton. This collaboration led to " It's Just a Matter of Time", " Endlessly", "So Many Ways", "Kiddio" and the novelty song, "The Boll Weevil Song". Otis als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prentiss, Mississippi
Prentiss is a town in Jefferson Davis County, Mississippi. The population was 1,081 at the 2010 census, down from 1,158 at the 2000 census. It is the county seat. Prentiss is located on the Longleaf Trace, Mississippi's first recreational rail trail. History Originally part of Lawrence County, the town was first named "Blountville", after William Blount, an early settler and merchant. Blountville High School was established in 1885 on of land. A depot was established in Blountville when the Pearl & Leaf Rivers Railroad (later Illinois Central Railroad) was completed in 1903. That same year the town was officially established and named "Prentiss", after Prentiss Webb Berry, a prominent landowner in the area. When Jefferson Davis County was created in 1906, a special election determined that Prentiss would serve as the county seat. In 1907, Jonas Edward Johnson and his wife Bertha LaBranche Johnson established the Prentiss Institute. Situated on of land, with remnants of sla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nat King Cole
Nathaniel Adams Coles (March 17, 1919 – February 15, 1965), known professionally as Nat King Cole, was an American singer, jazz pianist, and actor. Cole's music career began after he dropped out of school at the age of 15, and continued for the remainder of his life. He found great popular success and recorded over 100 songs that became hits on the pop charts. His trio was the model for small jazz ensembles that followed. Cole also acted in films and on television and performed on Broadway. He was the first African-American man to host an American television series. He was the father of singer Natalie Cole (1950–2015). Biography Early life Nathaniel Adams Coles was born in Montgomery, Alabama, on March 17, 1919. He had three brothers: Eddie (1910–1970), Ike (1927–2001), and Freddy (1931–2020), and a half-sister, Joyce Coles. Each of the Coles brothers pursued careers in music. When Nat King Cole was four years old, the family moved to Chicago, Illinois, where his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
What A Difference A Day Makes (song)
"What a Diff'rence a Day Made", also recorded as "What a Difference a Day Makes", is a popular song originally written in Spanish by María Grever, a Mexican songwriter, in 1934 with the title "Cuando vuelva a tu lado" ("When I Return to Your Side") and first recorded by Orquesta Pedro Vía that same year. A popular version in Spanish was later recorded by trio Los Panchos with Eydie Gormé in 1964. The song is also known in English as "What a Diff'rence a Day Makes", as popularized by Dinah Washington in 1959. English adaptation The English lyrics were written by Stanley Adams, and was played by Harry Roy & his Orchestra. It was published in late 1934. The most successful early recording, in 1934, was by the Dorsey Brothers, although it was first recorded in English by Cleveland crooner Jimmy Ague. Dinah Washington version Dinah Washington won a Grammy Award in 1959 for Best Rhythm and Blues Performance with this song. Her version was also inducted into the Grammy Hall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Rockin' Good Way (To Mess Around And Fall In Love)
"A Rockin' Good Way (to Mess Around and Fall in Love)" is a song first recorded in 1958 by Priscilla Bowman, on the Abner Records label (ABNER DJ 1018). Bowman was given vocal backing by The Spaniels. Dinah Washington and Brook Benton In 1960, the song was recorded as a pop and R&B duet by Dinah Washington and Brook Benton. The single was the second pairing for the singers and, like their first single together, it went to number 1 on the R&B chart and was a top ten pop single as well. The song was written by Benton, Clyde Otis and Luchi de Jesus. The single, with the song title styled "A ROCKIN' GOOD WAY (To Mess Around And Fall I Love)", included orchestra arranged and conducted by Belford Hendricks. Charts Weekly charts Year-end charts Shakin' Stevens and Bonnie Tyler A duet by the UK's Shakin' Stevens and Bonnie Tyler was released on 30 December 1983 and made number 5 in the UK singles chart and number 1 in Ireland. It was included on Stevens' 1984 album ''The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baby (You've Got What It Takes)
"Baby (You've Got What It Takes)" is a 1950s song written by Clyde Otis and Murray Stein. Originally titled "You've Got What It Takes", the song was first recorded by Brook Benton's sister, Dorothy Pay, in 1958, as the B-side of her single "Strollin' with My Baby" on Mercury 71277. In August 1959, Brook Benton partnered with Dinah Washington to record the song as "BABY, You've Got What It Takes". Their version, released in January 1960, was hugely successful on both the pop and R&B charts, reaching #5 on the ''Billboard'' Hot 100 and #1 on the Hot R&B sides chart for ten weeks, becoming one of the most successful R&B singles of the 1960s. The song was also featured on their 1960 duet album, ''The Two of Us''. Charts Dinah Washington and Brook Benton Later versions *Jerry Lee Lewis and his sister, Linda Gail Lewis recorded a duet version on a 1965 single. *Charlie Louvin and Melba Montgomery recorded a duet version on their 1971 album, ''Baby, You've Got What It Takes' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Boll Weevil Song
''The'' () is a grammatical Article (grammar), article in English language, English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the Most common words in English, most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Novelty Song
A novelty song is a type of song built upon some form of novel concept, such as a gimmick, a piece of humor, or a sample of popular culture. Novelty songs partially overlap with comedy songs, which are more explicitly based on humor, and with musical parody, especially when the novel gimmick is another popular song. Novelty songs achieved great popularity during the 1920s and 1930s. They had a resurgence of interest in the 1950s and 1960s. The term arose in Tin Pan Alley to describe one of the major divisions of popular music; the other two divisions were ballads and dance music. Humorous songs, or those containing humorous elements, are not necessarily novelty songs. Novelty songs are often a parody or humor song, and may apply to a current event such as a holiday or a fad such as a dance or TV programme. Many use unusual lyrics, subjects, sounds, or instrumentation, and may not even be musical. For example, the 1966 novelty song "They're Coming to Take Me Away, Ha-Haaa! ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kiddio
"Kiddio" is a 1960 R&B/pop song written by Brook Benton & Clyde Otis. The song was first recorded and released in 1957 by Teddy Randazzo. Brook Benton recording "Kiddio" was later released as a single by Brook Benton in 1960. Randazzo and Benton both recorded for RCA's Vik label. The single was the fourth time in a year that Brook Benton had topped the R&B charts. However, two of those times, he'd hit number one with duet partner, Dinah Washington. "Kiddio" also continued Brook Benton's popularity on the pop charts by making it his fifth top-ten pop single. Chart history Cover versions *Kiddio was covered by Johnny Littlejohn in 1966 under the title "Kitty O". Johnny Littlejohn scaled back the instrumentation (no violins, or orchestral sounds) and applied an electric Blues guitar treatment to the song. *Kiddio was later covered in 1990 by Native American Blues artist Charlie Musselwhite in 1990 under the title "Kiddeo". Charlie Musselwhite emphasized the modern harmonica Blue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
So Many Ways (Brook Benton Song)
"So Many Ways" is a 1959 single by Brook Benton written by Bobby Stevenson. The single was Benton's third release to hit number one on the R&B singles chart in 1959. "So Many Ways" hit the number one spot for three non-consecutive weeks and was also Benton's second top ten pop hit, peaking at number six. Chart positions References {{1950s-pop-song-stub 1959 singles Mercury Records singles Brook Benton songs 1959 songs Songs written by Brook Benton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Endlessly (Brook Benton Song)
"Endlessly" is a 1959 single by Brook Benton. The follow-up to his breakthrough hit " It's Just a Matter of Time", it reached number 12 on the ''Billboard'' Hot 100. Its B-side, "So Close", also reached the chart, peaking at number 38. "Endlessly" also was Benton's first chart success in the UK, where it reached #28. In 1970, country singer Sonny James Jimmie Hugh Loden (May 1, 1928February 22, 2016), known professionally as Sonny James, was an American country music singer and songwriter best known for his 1957 hit, " Young Love", topping both of the early versions of today's ''Billboard'' ..., who had topped the country charts with a remake of "It's Just a Matter of Time" earlier in the year, released his version of "Endlessly" as a single. It was James' sixteenth number-one song on the U.S. country singles chart. The single spent three weeks at number one and a total of fourteen weeks on the chart. British singer Tom Jones also recorded a version, released on his 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
It's Just A Matter Of Time (song)
"It's Just a Matter of Time" is a popular song written by Brook Benton, Clyde Otis, and Belford Hendricks. The original recording by Benton topped the ''Billboard'' Hot R&B Sides chart in 1959 and peaked at No. 3 on the Hot 100 pop chart, the first in a string of hits for Benton that ran through 1970. The song later found a second life as a country song, with major hit recordings by three different country music performers during the 1970s and 1980s, two of which hit number one.Roland, Tom, "The Billboard Book of Number One Country Hits," Billboard Books, Watson-Guptill Publications, New York, 1991 (). Origin and original success Writing Brook Benton, Belford Hendricks and Clyde Otis established themselves as a songwriting team in the late 1950s, penning hits for Nat King Cole (" Looking Back") and Clyde McPhatter (" A Lover's Question"). During one songwriting session, Benton expressed frustration that they were not hitting on any good ideas, to which Otis replied, "It's just a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artists And Repertoire
Artists and repertoire (colloquially abbreviated to A&R) is the division of a record label or music publishing company that is responsible for talent scouting and overseeing the artistic development of recording artists (singers, instrumentalists, bands, and so on) and songwriters. It also acts as a liaison between artists and the record label or publishing company; every activity involving artists to the point of album release is generally considered under the purview, and responsibility, of A&R. Responsibilities Finding talent The A&R division of a record label is responsible for finding new recording artists and bringing those artists to the record company. A&R staff may go to hear emerging bands play at nightclubs and festivals to scout for talent. Personnel in the A&R division are expected to understand the current tastes of the market and to be able to find artists that will be commercially successful. For this reason, A&R people are often young and many are musicians, mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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