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Clown (Harlequinade)
''Harlequinade'' is a British comic theatrical genre, defined by the ''Oxford English Dictionary'' as "that part of a pantomime in which the harlequin and clown play the principal parts". It developed in England between the 17th and mid-19th centuries. It was originally a slapstick adaptation or variant of the Commedia dell'arte, which originated in Italy and reached its apogee there in the 16th and 17th centuries. The story of the Harlequinade revolves around a comic incident in the lives of its five main characters: Harlequin, who loves Columbina, Columbine; Columbine's greedy and foolish father Pantaloon (evolved from the character Pantalone), who tries to separate the lovers in league with the mischievous Clown; and the servant, Pierrot, usually involving chaotic chase scenes with a bumbling policeman. Originally a mime (silent) act with music and stylised dance, the harlequinade later employed some dialogue, but it remained primarily a visual spectacle. Early in its developme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warne Pantomine 1890
Warne may refer to: *Warne (car), British 4-wheeled cyclecar made 1913-1915 *Warne (river), a river of Lower Saxony, Germany *Warne, North Carolina, an unincorporated community of North Carolina, United States *Warne, Victoria, a town in Victoria, Australia *Frederick Warne & Co, book publishers People with the surname *Baz Warne (born 1964), English musician *Bill Warne (1914–1945), Australian rules footballer *Charles Warne (1802–1887), English antiquarian and archæologist *Colston Warne, (1900–1987), professor of economics and one of the founders of Consumers Union *Frank Warne (1906–1994), Australian cricketer *Frank Julian Warne (1874–1948), American journalist, economist and statistician *Frederick Warne (1825–1901), British publisher *George Warne (1881–1928), British politician *Helene Warne, British film editor who worked on American films during the 1920s and early 1930s *H. Rus Warne (1872–1954), American architect *Ivor Warne-Smith (1897–1960), Austral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Weaver (dancer)
John Weaver (baptised 21 July 1673 – 24 September 1760) was an English dancer, dancing master and choreographer, and producer of a number of works on dancing. He is often regarded as the father of English ballet and of English pantomime. Early life Weaver was born in Shrewsbury where he was baptised on 21 July 1673 at the parish church of Holy Cross ie Shrewsbury Abbey Church, son of John Weaver, a dance teacher. He was educated at the local Free School.Article by William George Dimock Fletcher. His father suggested he go to London and become a ballet master. Weaver seems to have left Shrewsbury in 1696 or 1697, although his first recorded performance in London was not until the summer of 1700. Weaver soon became a specialist in comic roles and created the burlesque ''Tavern Bilkers'' (1702). By the early 1700s, Weaver was part of a circle of dancing masters who were eager to promote the new French system of dance notation. Weaver translated Feuillet’s ''Choregraphie'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Humpty Dumpty
Humpty Dumpty is a character in an English nursery rhyme, probably originally a riddle and one of the best known in the English-speaking world. He is typically portrayed as an anthropomorphic egg, though he is not explicitly described as such. The first recorded versions of the rhyme date from late eighteenth-century England and the tune from 1870 in James William Elliott's ''National Nursery Rhymes and Nursery Songs''. Its origins are obscure, and several theories have been advanced to suggest original meanings. Humpty Dumpty was popularized in the United States on Broadway by actor George L. Fox in the pantomime musical ''Humpty Dumpty''. The show ran from 1868 to 1869, for a total of 483 performances, becoming the longest-running Broadway show until it was surpassed in 1881 by ''Hazel Kirke''. As a character and literary allusion, Humpty Dumpty has appeared or been referred to in many works of literature and popular culture, particularly English author Lewis Carroll's 1871 b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George L
George may refer to: People * George (given name) * George (surname) * George (singer), American-Canadian singer George Nozuka, known by the mononym George * George Washington, First President of the United States * George W. Bush, 43rd President of the United States * George H. W. Bush, 41st President of the United States * George V, King of Great Britain, Ireland, the British Dominions and Emperor of India from 1910-1936 * George VI, King of Great Britain, Ireland, the British Dominions and Emperor of India from 1936-1952 * Prince George of Wales * George Papagheorghe also known as Jorge / GEØRGE * George, stage name of Giorgio Moroder * George Harrison, an English musician and singer-songwriter Places South Africa * George, Western Cape ** George Airport United States * George, Iowa * George, Missouri * George, Washington * George County, Mississippi * George Air Force Base, a former U.S. Air Force base located in California Characters * George (Peppa Pig), a 2-year-old pig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadler's Wells Theatre
Sadler's Wells Theatre is a performing arts venue in Clerkenwell, London, England located on Rosebery Avenue next to New River Head. The present-day theatre is the sixth on the site since 1683. It consists of two performance spaces: a 1,500-seat main auditorium and the Lilian Baylis Studio, with extensive rehearsal rooms and technical facilities also housed within the site. Sadler's Wells is renowned as one of the world's leading dance venues. As well as a stage for visiting companies, the theatre is also a producing house, with a number of associated artists and companies that produce original works for the theatre. Sadler's Wells is also responsible for the management of the Peacock Theatre in the West End, during times not used by the London School of Economics. History First theatre and pleasure gardens Richard Sadler opened a "Musick House" in 1683, the second public theatre newly opened in London after the Restoration, the first being the Theatre Royal, Drury Lane. The f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Dibdin The Younger
Charles Isaac Mungo Dibdin (17 October 1768 – 15 January 1833), or Charles Pitt or Charles Dibdin the younger, as he was professionally known, was an English dramatist, composer, writer and theatre proprietor. He was perhaps best known for his proprietorship of the Sadler's Wells Theatre and for the pantomimes and satirical farces that he wrote, and which were staged at many theatres across London. He employed Joseph Grimaldi at Sadler's Wells where Grimaldi appeared in many of his most successful pantomimes. He was the son of Charles Dibdin, brother of Thomas John Dibdin and godson of David Garrick. Biography Early life and career Born in Russell Court, Covent Garden, London as the illegitimate son of composer Charles Dibdin and the actress Harriett Pitt, Dibdin was named after his father's friend and librettist Isaac Bickerstaffe and their character Mungo in an afterpiece entitled ''The Padlock''. Dibdin made his theatrical debut opposite his younger brother Tho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Payne Brothers
Harry Payne (25 November 1833 – 27 September 1895) and Frederick Payne (January 1841 – 27 February 1880) were members of a popular Victorian era of British pantomime entertainers. They were billed as The Payne Brothers. Fred Payne became known for portraying Harlequin, and Harry became famous as Clown in the Harlequinade that followed Victorian pantomimes. Together, the brothers appeared in Gilbert and Sullivan's first collaboration, ''Thespis'', in 1871. Gilbert made references to the brothers in two of his ''Bab Ballads''. Biography Henry Edward Payne and Frederick Alexander Payne were the sons of William Payne, a classic pantomime artist, who invented much of the 19th-century Harlequinade action. Known as "the King of Pantomime", he trained with Joseph Grimaldi and the great Harlequin, Jack Bologna, at Sadler's Wells Theatre, and starred at Covent Garden in the 1830s and 40s. Boase, G. C.br>Payne, William Henry Schofield (1803–1878)" ''Oxford Dictionary of Nationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyceum Theatre, London
The Lyceum Theatre ( ) is a West End theatre located in the City of Westminster, on Wellington Street, just off the Strand in central London. It has a seating capacity of 2,100. The origins of the theatre date to 1765. Managed by Samuel Arnold, from 1794 to 1809 the building hosted a variety of entertainments including a circus produced by Philip Astley, a chapel, and the first London exhibition of waxworks by Madame Tussauds. From 1816 to 1830, it served as The English Opera House. After a fire, the house was rebuilt and reopened on 14 July 1834 to a design by Samuel Beazley. The building is unique in that it has a balcony overhanging the dress circle. It was built by the partnership of Peto & Grissell. The theatre then played opera, adaptations of Charles Dickens novels and James Planché's "fairy extravaganzas", among other works. From 1871 to 1902, Henry Irving appeared at the theatre, especially in Shakespeare productions, usually starring opposite Ellen Terry. In 1904 t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comic Opera
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, ''opera buffa'', emerged as an alternative to '' opera seria''. It quickly made its way to France, where it became ''opéra comique'', and eventually, in the following century, French operetta, with Jacques Offenbach as its most accomplished practitioner. The influence of the Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic opera, incorporating the Italian and French models along with their own musical traditions. Examples include German ''singspiel'', Viennese operetta, Spanish '' zarzuela'', Russian comic opera, English ballad and Savoy opera, North American operetta and musical comedy. Italian ''opera buffa'' In late 17th-century Italy, light-hearted m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victorian Burlesque
Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian era, Victorian England and in the New York theatre of the mid-19th century. It is a form of parody music, parody in which a well-known opera or piece of classical theatre or ballet is adapted into a broad comic play, usually a musical play, usually risqué in style, mocking the theatrical and musical conventions and styles of the original work, and often quoting or pastiche, pastiching text or music from the original work. Victorian burlesque is one of several forms of burlesque. Like ballad opera, burlesques featured musical scores drawing on a wide range of music, from popular contemporary songs to operatic arias, although later burlesques, from the 1880s, sometimes featured original scores. Dance played an important part, and great attention was paid to the staging, costumes and other spectacular elements of stagecraft, as many of the pieces we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Hall
Music hall is a type of British theatrical entertainment that was popular from the early Victorian era, beginning around 1850. It faded away after 1918 as the halls rebranded their entertainment as variety. Perceptions of a distinction in Britain between bold and scandalous ''Music Hall'' and subsequent, more respectable ''Variety'' differ. Music hall involved a mixture of popular songs, comedy, speciality acts, and variety entertainment. The term is derived from a type of theatre or venue in which such entertainment took place. In North America vaudeville was in some ways analogous to British music hall, featuring rousing songs and comic acts. Originating in saloon bars within public houses during the 1830s, music hall entertainment became increasingly popular with audiences. So much so, that during the 1850s some public houses were demolished, and specialised music hall theatres developed in their place. These theatres were designed chiefly so that people could consume food ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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