Cloud Chamber For The Trees And Sky
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Cloud Chamber For The Trees And Sky
Cloud Chamber for the Trees and Sky is a site specific outdoor artwork by Chris Drury (artist), Chris Drury. It was commissioned by North Carolina Museum of Art in 2003 made possible by the Robert F. Phifer Bequest and located in the 146 acre museum park adjacent to the museum known as the Ann and Jim Goodnight Museum Park at state capital Raleigh, North Carolina, Raleigh. The artwork is situated in woodland with other large sculptures and is accessed along a woodland path. The chamber itself is a round building built of stone, wood, and turf approximately 12 feet in diameter (3.66 metres) with a single door to admit the viewer. It is light-tight when its door is closed, except for one small, round opening in its roof which allows the building to act as a camera obscura. Images of the sun, clouds, and trees are projected onto the smooth white walls of the interior of the chamber. Classed as a public artwork, there is no admission charge to the park. See also * Camera obscura * Env ...
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Chris Drury (artist)
Chris Drury (born 1948) is a British environmental artist. His body of work includes ephemeral assemblies of natural materials, land art in the mode associated with Andy Goldsworthy, as well as more permanent landscape art, works on paper and indoor installations. He also works in 3D (three-dimensional) sculpture. Biography Drury was born in Colombo, Sri Lanka in 1948, his family moving to the UK when he was 6 years old. From 1966, he attended Camberwell College of Arts (at the time known as Camberwell School of Arts and Crafts), studying art and sculpture, where he was taught drawing by artists such as Euan Uglow. After being introduced to him by his dentist, in October 1975 he was invited to accompany walking artist Hamish Fulton on a journey through the Canadian Rockies which he describes as seminal in his transition from traditional sculpture and portraiture to environmental or land art. Initially frustrated by comparisons of his work to leading land artists such as Fulto ...
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North Carolina Museum Of Art
The North Carolina Museum of Art (NCMA) is an art museum in Raleigh, North Carolina. It opened in 1956 as the first major museum collection in the country to be formed by state legislation and funding. Since the initial 1947 appropriation that established its collection, the Museum has continued to be a model of enlightened public policy with free admission to the permanent collection. Today, it encompasses a collection that spans more than 5,000 years of artistic work from antiquity to the present, an amphitheater for outdoor performances, and a variety of celebrated exhibitions and public programs. The Museum features over 40 galleries as well as more than a dozen major works of art in the nation's largest museum park with 164-acres (0.66 km2). One of the leading art museums in the American South, the NCMA recently completed a major expansion winning international acclaim for innovative approaches to energy-efficient design. History In 1924, the North Carolina State Art Societ ...
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Raleigh, North Carolina
Raleigh (; ) is the capital city of the state of North Carolina and the List of North Carolina county seats, seat of Wake County, North Carolina, Wake County in the United States. It is the List of municipalities in North Carolina, second-most populous city in North Carolina, after Charlotte, North Carolina, Charlotte. Raleigh is the tenth-most populous city in the Southeastern United States, Southeast, List of United States cities by population, the 41st-most populous city in the U.S., and the largest city of the Research Triangle metro area. Raleigh is known as the "City of Oaks" for its many oak, oak trees, which line the streets in the heart of the city. The city covers a land area of . The United States Census Bureau, U.S. Census Bureau counted the city's population as 474,069 in the 2020 United States census, 2020 census. It is one of the fastest-growing cities in the United States. The city of Raleigh is named after Sir Walter Raleigh, who established the lost Roanoke Co ...
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Camera Obscura
A camera obscura (; ) is a darkened room with a aperture, small hole or lens at one side through which an image is 3D projection, projected onto a wall or table opposite the hole. ''Camera obscura'' can also refer to analogous constructions such as a box or tent in which an exterior image is projected inside. Camera obscuras with a lens in the opening have been used since the second half of the 16th century and became popular as aids for drawing and painting. The concept was developed further into the photographic camera in the first half of the 19th century, when camera obscura boxes were used to exposure (photography), expose photosensitivity, light-sensitive materials to the projected image. The camera obscura was used to study eclipses without the risk of damaging the eyes by looking directly into the sun. As a drawing aid, it allowed tracing the projected image to produce a highly accurate representation, and was especially appreciated as an easy way to achieve proper grap ...
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Camera Obscura
A camera obscura (; ) is a darkened room with a aperture, small hole or lens at one side through which an image is 3D projection, projected onto a wall or table opposite the hole. ''Camera obscura'' can also refer to analogous constructions such as a box or tent in which an exterior image is projected inside. Camera obscuras with a lens in the opening have been used since the second half of the 16th century and became popular as aids for drawing and painting. The concept was developed further into the photographic camera in the first half of the 19th century, when camera obscura boxes were used to exposure (photography), expose photosensitivity, light-sensitive materials to the projected image. The camera obscura was used to study eclipses without the risk of damaging the eyes by looking directly into the sun. As a drawing aid, it allowed tracing the projected image to produce a highly accurate representation, and was especially appreciated as an easy way to achieve proper grap ...
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Environmental Sculpture
Environmental sculpture is sculpture that creates or alters the environment for the viewer, as opposed to presenting itself figurally or monumentally before the viewer. A frequent trait of larger environmental sculptures is that one can actually enter or pass through the sculpture and be partially or completely surrounded by it. Also, in the same spirit, it may be designed to generate shadows or reflections, or to color the light in the surrounding area. Sculpture as environment Julia M. Bush emphasizes the nonfigurative aspect of such works: "Environmental sculpture is never made to work at exactly human scale, but is sufficiently larger or smaller than scale to avoid confusion with the human image in the eyes of the viewer." Ukrainian-born American sculptor Louise Nevelson is a pioneer of environmental sculpture in this sense. Busch (p. 27) also places the sculptures of Jane Frank, as well as some works by Tony Smith and David Smith, in this category. Some environmental ...
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Outdoor Sculptures In North Carolina
Outdoor(s) may refer to: *Wilderness *Natural environment *Outdoor cooking *Outdoor education *Outdoor equipment *Outdoor fitness *Outdoor literature *Outdoor recreation *Outdoor Channel, an American pay television channel focused on the outdoors See also * * * ''Out of Doors'' (Bartók) *Field (other) *Outside (other) *''The Great Outdoors (other) The Great Outdoors may refer to: * The outdoors as a place of outdoor recreation * ''The Great Outdoors'' (film), a 1988 American comedy film * ''The Great Outdoors'' (Australian TV series), an Australian travel magazine show * ''The Great Outd ...
'' {{disambiguation ...
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Camera Obscuras
A camera obscura (; ) is a darkened room with a small hole or lens at one side through which an image is projected onto a wall or table opposite the hole. ''Camera obscura'' can also refer to analogous constructions such as a box or tent in which an exterior image is projected inside. Camera obscuras with a lens in the opening have been used since the second half of the 16th century and became popular as aids for drawing and painting. The concept was developed further into the photographic camera in the first half of the 19th century, when camera obscura boxes were used to expose light-sensitive materials to the projected image. The camera obscura was used to study eclipses without the risk of damaging the eyes by looking directly into the sun. As a drawing aid, it allowed tracing the projected image to produce a highly accurate representation, and was especially appreciated as an easy way to achieve proper graphical perspective. Before the term ''camera obscura'' was first ...
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