Closet Drama
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Closet Drama
A closet drama is a play that is not intended to be performed onstage, but read by a solitary reader or sometimes out loud in a large group. The contrast between closet drama and classic "stage" dramas dates back to the late eighteenth century. Although non-performative in nature, the literary historian Henry A. Beers considers closet drama "a quite legitimate product of literary art." Definition A closet drama (or closet play) is a play created primarily for reading, rather than production. Closet dramas are traditionally defined in narrower terms as belonging to a genre of dramatic writing unconcerned with stage technique. Stageability is only one aspect of closet drama: historically, playwrights might choose the genre of 'closet' dramatic writing to avoid censorship of their works, for example in the case of political tragedies. Closet drama has also been used as a mode of dramatic writing for those without access to the commercial playhouse, and in this context has become cl ...
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Play (theatre)
A play is a work of drama, usually consisting mostly of dialogue between characters and intended for theatrical performance rather than just reading. The writer of a play is called a playwright. Plays are performed at a variety of levels, from London's West End and Broadway in New York City – which are the highest level of commercial theatre in the English-speaking world – to regional theatre, to community theatre, as well as university or school productions. A stage play is a play performed and written to be performed on stage rather than broadcast or made into a movie. Stage plays are those performed on any stage before an audience. There are rare dramatists, notably George Bernard Shaw, who have had little preference as to whether their plays were performed or read. The term "play" can refer to both the written texts of playwrights and to their complete theatrical performance. Comedy Comedies are plays which are designed to be humorous. Comedies are often filled ...
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Mary Sidney
Mary Herbert, Countess of Pembroke (born Sidney, 27 October 1561 – 25 September 1621) was among the first Englishwomen to gain notice for her poetry and her literary patronage. By the age of 39, she was listed with her brother Philip Sidney and with Edmund Spenser and William Shakespeare among the notable authors of the day in John Bodenham's verse miscellany ''Belvidere''. Her play ''Antonius'' is widely seen as reviving interest in soliloquy based on classical models and as a likely source of Samuel Daniel's closet drama ''Cleopatra'' (1594) and of Shakespeare's ''Antony and Cleopatra'' (1607). She was also known for translating Petrarch's "Triumph of Death", for the poetry anthology '' Triumphs'', and above all for a lyrical, metrical translation of the Psalms. Biography Early life Mary Sidney was born on 27 October 1561 at Tickenhill Palace in the parish of Bewdley, Worcestershire. She was one of the seven children – three sons and four daughters – of Sir Henry Si ...
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German Literature
German literature () comprises those literature, literary texts written in the German language. This includes literature written in Germany, Austria, the German parts of Switzerland and Belgium, Liechtenstein, Luxembourg, South Tyrol in Italy and to a lesser extent works of the German diaspora. German literature of the modern period is mostly in Standard German, but there are some currents of literature influenced to a greater or lesser degree by German dialects, dialects (e.g. Alemannic literature, Alemannic). Medieval German literature is literature written in Germany, stretching from the Carolingian dynasty; various dates have been given for the end of the German literary Middle Ages, the Protestant Reformation, Reformation (1517) being the last possible cut-off point. The Old High German period is reckoned to run until about the mid-11th century; the most famous works are the ''Hildebrandslied'' and a heroic epic known as the ''Heliand''. Middle High German starts in the 12t ...
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Johann Wolfgang Von Goethe
Johann Wolfgang von Goethe (28 August 1749 – 22 March 1832) was a German poet, playwright, novelist, scientist, statesman, theatre director, and critic. His works include plays, poetry, literature, and aesthetic criticism, as well as treatises on botany, anatomy, and colour. He is widely regarded as the greatest and most influential writer in the German language, his work having a profound and wide-ranging influence on Western literary, political, and philosophical thought from the late 18th century to the present day.. Goethe took up residence in Weimar in November 1775 following the success of his first novel, ''The Sorrows of Young Werther'' (1774). He was ennobled by the Duke of Saxe-Weimar, Karl August, in 1782. Goethe was an early participant in the ''Sturm und Drang'' literary movement. During his first ten years in Weimar, Goethe became a member of the Duke's privy council (1776–1785), sat on the war and highway commissions, oversaw the reopening of silver min ...
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Faust, Part 2
''Faust: The Second Part of the Tragedy'' (german: Faust. Der Tragödie zweiter Teil in fünf Akten.) is the second part of the tragic play ''Faust'' by Johann Wolfgang von Goethe. It was published in 1832, the year of Goethe's death. Only part of ''Faust I'' is directly related to the legend of Johann Faust, which dates to at latest the beginning of the 16th century (thus preceding Marlowe's play). The "Gretchen" subplot, although now the most widely known episode of the Faust legend, was of Goethe's own invention. In ''Faust II'', the legend (at least in a version of the 18th century, which came to Goethe's attention) already contained Faust's marriage with Helen and an encounter with an Emperor. But certainly Goethe deals with the legendary material very freely in both parts. Acts Act I * ''Graceful area. Faust, bedded on flowery turf, weary, restless, seeking sleep. Dusk. Ghost circle, floating moves, graceful little figures.'' The first act opens with an appeal by Ariel t ...
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Faust, Part 1
''Faust: A Tragedy'' (german: Faust. Eine Tragödie, links=no, , or aust. The tragedy's first part is the first part of the tragic play ''Faust'' by Johann Wolfgang von Goethe, and is considered by many as the greatest work of German literature. It was first published in 1808. Synopsis The first part of ''Faust'' is not divided into acts, but is structured as a sequence of scenes in a variety of settings. After a dedicatory poem and a prelude in the theater, the actual plot begins with a prologue in Heaven, where the Lord bets Mephistopheles, an agent of the Devil, that Mephistopheles cannot lead astray the Lord's favorite striving scholar, Dr. Faust. We then see Faust in his study, who, disappointed by the knowledge and results obtainable by science's natural means, attempts and fails to gain knowledge of nature and the universe by magical means. Dejected in this failure, Faust contemplates suicide, but is held back by the sounds of the beginning Easter celebrations. He joins ...
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Verse Drama And Dramatic Verse
Verse drama is any drama written significantly in verse (that is: with line endings) to be performed by an actor before an audience. Although verse drama does not need to be ''primarily'' in verse to be considered verse drama, significant portions of the play should be in verse to qualify. For a very long period, verse drama was the dominant form of drama in Europe (and was also important in non-European cultures). Greek tragedy and Racine's plays are written in verse, as is almost all of William Shakespeare's, Ben Jonson's and John Fletcher's drama, and other works like Goethe's ''Faust'' and Henrik Ibsen's early plays. In most of Europe, verse drama has remained a prominent art form, while at least popularly, it has been tied almost exclusively to Shakespeare in the English tradition. In the English language, verse has continued. In the new millennium, there has been a resurgence in interest in the form of verse drama. Some of them came in blank verse or iambic pentameter a ...
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Samson Agonistes
''Samson Agonistes'' (from Greek Σαμσών ἀγωνιστής, "Samson the champion") is a tragic closet drama by John Milton. It appeared with the publication of Milton's '' Paradise Regained'' in 1671, as the title page of that volume states: "Paradise Regained / A Poem / In IV Books / To Which Is Added / Samson Agonistes". It is generally thought that ''Samson Agonistes'' was begun around the same time as ''Paradise Regained'' but was completed after the larger work, possibly very close to the date of publishing, but there is no certainty. Background Milton began plotting various subjects for tragedies in a notebook created in the 1640s. Many of the ideas dealt with the topic of Samson, and he gave them titles such as ''Samson pursophorus or Hybristes'' ("Samson the Firebrand, or Samson the Violent"), ''Samson marriing or in Ramath Lechi'', and ''Dagonalia'' (the unholy rites at which Samson performed his vindication of God). The title he chose emphasises Samson as a war ...
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John Milton
John Milton (9 December 1608 – 8 November 1674) was an English poet and intellectual. His 1667 epic poem '' Paradise Lost'', written in blank verse and including over ten chapters, was written in a time of immense religious flux and political upheaval. It addressed the fall of man, including the temptation of Adam and Eve by the fallen angel Satan and God's expulsion of them from the Garden of Eden. ''Paradise Lost'' is widely considered one of the greatest works of literature ever written, and it elevated Milton's widely-held reputation as one of history's greatest poets. He also served as a civil servant for the Commonwealth of England under its Council of State and later under Oliver Cromwell. Writing in English, Latin, and Italian, Milton achieved global fame and recognition during his lifetime; his celebrated ''Areopagitica'' (1644), written in condemnation of pre-publication censorship, is among history's most influential and impassioned defences of freedom of spe ...
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Restoration (England)
The Restoration of the Stuart monarchy in the kingdoms of England, Scotland and Ireland took place in 1660 when King Charles II returned from exile in continental Europe. The preceding period of the Protectorate and the civil wars came to be known as the Interregnum (1649–1660). The term ''Restoration'' is also used to describe the period of several years after, in which a new political settlement was established. It is very often used to cover the whole reign of King Charles II (1660–1685) and often the brief reign of his younger brother King James II (1685–1688). In certain contexts it may be used to cover the whole period of the later Stuart monarchs as far as the death of Queen Anne and the accession of the Hanoverian King George I in 1714. For example, Restoration comedy typically encompasses works written as late as 1710. The Protectorate After Richard Cromwell, Lord Protector from 1658 to 1659, ceded power to the Rump Parliament, Charles Fleetwood and John ...
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English Civil War
The English Civil War (1642–1651) was a series of civil wars and political machinations between Parliamentarians (" Roundheads") and Royalists led by Charles I ("Cavaliers"), mainly over the manner of England's governance and issues of religious freedom. It was part of the wider Wars of the Three Kingdoms. The first (1642–1646) and second (1648–1649) wars pitted the supporters of King Charles I against the supporters of the Long Parliament, while the third (1649–1651) saw fighting between supporters of King Charles II and supporters of the Rump Parliament. The wars also involved the Scottish Covenanters and Irish Confederates. The war ended with Parliamentarian victory at the Battle of Worcester on 3 September 1651. Unlike other civil wars in England, which were mainly fought over who should rule, these conflicts were also concerned with how the three Kingdoms of England, Scotland and Ireland should be governed. The outcome was threefold: the trial of and ...
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