Cleveland Opera
Cleveland Opera Cleveland Opera was incorporated by David Bamberger, Carola Bamberger, and John D. Heavenrich in March 1976 and presented its first season in October and November of that year with sold-out productions of Puccini's '' Madama Butterfly'' and Rossini's ''The Barber of Seville''. By 1984, it had become the resident opera company at Playhouse Square, with performances at the State Theater. The company played an integral part in the revitalization of Cleveland's historic Cleveland Theater District and was a leader in the movement to make theaters accessible to the physically challenged. There was considerable overlap between the orchestra personnel of the Cleveland Opera, Cleveland Ballet, and the Ohio Chamber Orchestra, to the advantage of all three organizations. The company was managed from March 1976 to April 2004 by David Bamberger as General Director and Carola Bamberger as Associate Director. In that period, it presented 122 full productions of 74 works by 4 ...
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Giacomo Puccini
Giacomo Puccini (Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming from the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera, he later developed his work in the realistic ''verismo'' style, of which he became one of the leading exponents. His most renowned works are ''La bohème'' (1896), ''Tosca'' (1900), '' Madama Butterfly'' (1904), and ''Turandot'' (1924), all of which are among the most frequently performed and recorded of all operas. Family and education Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca, Italy, in 1858. He was the sixth of nine children of Michele Puccini (1813–1864) and Albina Magi (1830–1884). The Puccini family was established in Lucca as a local musi ...
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Man Of La Mancha
''Man of La Mancha'' is a 1965 musical with a book by Dale Wasserman, music by Mitch Leigh, and lyrics by Joe Darion. It is adapted from Wasserman's non-musical 1959 teleplay ''I, Don Quixote'', which was in turn inspired by Miguel de Cervantes and his 17th-century novel ''Don Quixote''. It tells the story of the "mad" knight Don Quixote as a play within a play, performed by Cervantes and his fellow prisoners as he awaits a hearing with the Spanish Inquisition. The work is not and does not pretend to be a faithful rendition of either Cervantes' life or ''Don Quixote''. Wasserman complained repeatedly about people taking the work as a musical version of ''Don Quixote''. The original 1965 Broadway production ran for 2,328 performances and won five Tony Awards, including Best Musical. The musical has been revived four times on Broadway, becoming one of the most enduring works of musical theatre.
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Arts Organizations Disestablished In 2010
The arts are a very wide range of human practices of creative expression, storytelling and cultural participation. They encompass multiple diverse and plural modes of thinking, doing and being, in an extremely broad range of media. Both highly dynamic and a characteristically constant feature of human life, they have developed into innovative, stylized and sometimes intricate forms. This is often achieved through sustained and deliberate study, training and/or theorizing within a particular tradition, across generations and even between civilizations. The arts are a vehicle through which human beings cultivate distinct social, cultural and individual identities, while transmitting values, impressions, judgments, ideas, visions, spiritual meanings, patterns of life and experiences across time and space. Prominent examples of the arts include: * visual arts (including architecture, ceramics, drawing, filmmaking, painting, photography, and sculpting), * literary arts (includin ...
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Arts Organizations Established In 1976
The arts are a very wide range of human practices of creative expression, storytelling and cultural participation. They encompass multiple diverse and plural modes of thinking, doing and being, in an extremely broad range of media. Both highly dynamic and a characteristically constant feature of human life, they have developed into innovative, stylized and sometimes intricate forms. This is often achieved through sustained and deliberate study, training and/or theorizing within a particular tradition, across generations and even between civilizations. The arts are a vehicle through which human beings cultivate distinct social, cultural and individual identities, while transmitting values, impressions, judgments, ideas, visions, spiritual meanings, patterns of life and experiences across time and space. Prominent examples of the arts include: * visual arts (including architecture, ceramics, drawing, filmmaking, painting, photography, and sculpting), * literary arts (includin ...
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Musical Groups Disestablished In 2010
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) * Musicality Musicality (''music-al -ity'') is "sensitivity to, knowledge of, or talent for music" or "the quality or state of being musical", and is used to refer to specific if vaguely defined qualities in pieces and/or genres of music, such as melodiousness ...

Musical Groups Established In 1976
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) * Musicality Musicality (''music-al -ity'') is "sensitivity to, knowledge of, or talent for music" or "the quality or state of being musical", and is used to refer to specific if vaguely defined qualities in pieces and/or genres of music, such as melodiousness ...

Performing Arts In Ohio
A performance is an act of staging or presenting a play, concert, or other form of entertainment. It is also defined as the action or process of carrying out or accomplishing an action, task, or function. Management science In the work place, job performance is the hypothesized conception or requirements of a role. There are two types of job performances: contextual and task. Task performance is dependent on cognitive ability, while contextual performance is dependent on personality. Task performance relates to behavioral roles that are recognized in job descriptions and remuneration systems. They are directly related to organizational performance, whereas contextual performances are value-based and add additional behavioral roles that are not recognized in job descriptions and covered by compensation; these are extra roles that are indirectly related to organizational performance. Citizenship performance, like contextual performance, relates to a set of individual activity/co ...
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Musical Groups From Cleveland
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) * Musicality Musicality (''music-al -ity'') is "sensitivity to, knowledge of, or talent for music" or "the quality or state of being musical", and is used to refer to specific if vaguely defined qualities in pieces and/or genres of music, such as melodiousness ...

American Opera Companies
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label previously known as Def American * American University, in Washington, D.C. Sports teams Soccer * B ...
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OPERA America
__NOTOC__ Opera America, styled OPERA America, is a New York-based service organization promoting the creation, presentation, and enjoyment of opera in the United States. Almost all professional opera companies and some semi-professional companies in the United States are members of the organization including such opera companies as the Metropolitan Opera, San Francisco Opera, Lyric Opera of Chicago, and Dallas Opera. Opera America also includes opera companies from Canada. The organization was founded in 1970 and has been led by President and CEO Marc A. Scorca since 1990. In April 2014, advisers from Opera America worked with San Diego Opera to develop a plan to prevent that company's closure. National Opera Center The National Opera Centre at 330 Seventh Avenue, Chelsea, Manhattan, has two performance venues: the Marc A. Scorca Hall and the Plácido Domingo Hall. It also provides private studios and a rehearsal hall. The National Opera Center has been the venue of performance ...
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The Police
The Police were an English rock band formed in London in 1977. For most of their history the line-up consisted of primary songwriter Sting (lead vocals, bass guitar), Andy Summers (guitar) and Stewart Copeland (drums, percussion). The Police became globally popular in the late 1970s and early 1980s. Emerging in the British new wave scene, they played a style of rock influenced by punk, reggae, and jazz. Their 1978 debut album, ''Outlandos d'Amour'', reached No. 6 on the UK Albums Chart on the strength of the singles " Roxanne" and "Can't Stand Losing You". Their second album, ''Reggatta de Blanc'' (1979), became the first of four consecutive No. 1 studio albums in the UK and Australia; its first two singles, "Message in a Bottle" and "Walking on the Moon", became their first UK number ones. Their next two albums, ''Zenyatta Mondatta'' (1980) and ''Ghost in the Machine'' (1981), led to further critical and commercial success with two songs, "Don't Stand So Close to Me" and "Ev ...
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Stewart Copeland
Stewart Armstrong Copeland (born July 16, 1952) is a Scottish-American musician and composer. He is best known for his work as the drummer of the English rock band the Police from 1977 to 1986, and again from 2007 to 2008. Before playing with the Police, he played drums with English rock band Curved Air from 1975 to 1976. As a composer, his work includes the films ''Wall Street'' (1987), ''Men At Work'' (1990), ''Good Burger'' (1997), and '' We Are Your Friends'' (2015); the television shows '' The Equalizer'' (1985–1989), ''The Amanda Show'' (1999–2002), and ''Dead Like Me'' (2003–2004); and video games such as the ''Spyro'' series (1998–present) and '' Alone in the Dark: The New Nightmare'' (2001). He has also written various pieces of ballet, opera, and orchestral music. According to MusicRadar, Copeland's "distinctive drum sound and uniqueness of style has made him one of the most popular drummers to ever get behind a drumset". He was ranked the 10th best drummer o ...
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